This collection of stunningly beautiful poems encompasses the natural, human, and spiritual realms, and is bound together by the universal themes of time and mortality. With clarity and sureness of craft, Gluck's poetry questions, explores, and finally celebrates the ordeal of being alive. 1992 National Book Award finalist.

Aeschylus (525-c.456 bc) set his great trilogy in the immediate aftermath of the Fall of Troy, when King Agamemnon returns to Argos, a victor in war. Agamemnon depicts the hero’s discovery that his family has been destroyed by his wife’s infidelity and ends with his death at her callous hand. Clytemnestra’s crime is repaid in The Choephori when her outraged son Orestes kills both her and her lover. The Eumenides then follows Orestes as he is hounded to Athens by the Furies’ law of vengeance and depicts Athene replacing the bloody cycle of revenge with a system of civil justice. Written in the years after the Battle of Marathon, The Oresteian Trilogy affirmed the deliverance of democratic Athens not only from Persian conquest, but also from its own barbaric past.

"Marigold was absorbed in her book; she had gotten as far as the V." So begins
, Louise Gl�ck's astonishing chronicle of the first year in the life of twin girls. Imagine a fairy tale that is also a multigenerational saga; a piece for two hands that is also a symphony; a poem that is also, in the spirit of Kafka's
, an incandescent act of autobiography.
Here are the elements you'd expect to find in a story of infant twins--Father and Mother; Grandmother and Other Grandmother; bath time and naptime--but more than that,
is an investigation of the great mystery of language and of time itself, of what is and what has been and what will be. "Outside the playpen there were day and night. What did they add up to? Time was what they added up to. Rain arrived, then snow." The twins learn to climb stairs, they regard each other like criminals through the bars of their cribs, they begin to speak. "It was evening. Rose was smiling placidly in the bathtub, playing with the squirting elephant which, according to Mother, represented patience, strength, loyalty, and wisdom. How does she do it, Marigold thought, knowing what we know."
Simultaneously sad and funny, and shot through with a sense of stoic wonder, this small miracle of a book follows thirteen books of poetry and two collections.

Averno is a small crater lake in southern Italy, regarded by the ancient Romans as the entrance to the underworld. That place gives its name to Louise Gluck's tenth collection: in a landscape turned irretrievably to winter, it is a gate or passageway that invites traffic between worlds while at the same time resisting their reconciliation. "Averno" is an extended lamentation, its long, restless poems no less spellbinding for being without conventional resoltution or consolation, no less ravishing for being savage, grief-stricken. What "Averno" provides is not a map to a point of arrival or departure, but a diagram of where we are, the harrowing, enduring present.

The heroic Greek dramas that have moved theatergoers and readers since the fifth century B.C.
Towering over the rest of Greek tragedy, the three plays that tell the story of the fated Theban royal family—Antigone, Oedipus the King and Oedipus at Colonus—are among the most enduring and timeless dramas ever written. Robert Fagles's authoritative and acclaimed translation conveys all of Sophocles's lucidity and power: the cut and thrust of his dialogue, his ironic edge, the surge and majesty of his choruses and, above all, the agonies and triumphs of his characters. This Penguin Classics edition features an introduction and notes by the renowned classicist Bernard Knox.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Perhaps the most admirable element of Gelman's poetry is the unthinkable tenderness he shows . . . calling upon so many shadows for one voice to lull and comfort, a permanent caress of words on unknown tombs.--Julio CortázarAs Juan Gelman's name begins appearing with regularity on lists predicting Noble-Laureate-deserving poets, his work has also begun to appear in English. But only now are the most stunning translations of Gelman's poetry being published, and in one substantial volume. Dark Times Filled with Light traces the evolution of a gifted lyrical poet's encounter with the political, when the poet's son and daughter-in-law become 'disappeared' by the Argentinian government, and the poet must write from both a literal and metaphysical exile.In this posthumously realized labor of love by the legendary translator Hardie St. Martin, Gelman's staggering biography, and the poetics he developed to articulate and survive it, are unforgettably translated into beautiful and accessible poems that, taken together, weave a fragile but healing transformation. There are losses, says Gelman in a moving understatement. The important thing is how returning to them transforms them into something new.Juan Gelman is one of the most-read poets in Argentina, and a noted political activist. Among his most recent awards are the Juan Rulfo Prize, the Pablo Neruda Prize, and the Cervantes Prize.Hardie St. Martin was a master translator. Over his life he translated Pablo Neruda, Luisa Valenzuela, and many other. He also edited the landmark anthology, Roots and Wings.

An anthology of verse by women poets writing in Persian, most of whom have never been translated into English before, from acclaimed scholar and translator Dick Davis.

A Penguin Classic

The Mirror of My Heart is a unique and captivating collection of eighty-three Persian women poets, many of whom wrote anonymously or were punished for their outspokenness. One of the very first Persian poets was a woman (Rabe'eh, who lived over a thousand years ago) and there have been women poets writing in Persian in virtually every generation since that time until the present. Before the twentieth century they tended to come from society's social extremes--many were princesses, some were entertainers, but many were wives and daughters who wrote simply for their own entertainment, and they were active in many different countries - Iran, India, Afghanistan, and areas of central Asia that are now Uzbekistan, Turkmenistan, and Tajikistan. From Rabe'eh in the tenth century to Fatemeh Ekhtesari in the twenty-first, the women poets found in The Mirror of My Heart write across the millennium on such universal topics as marriage, children, political climate, death, and emancipation, recreating life from hundreds of years ago that is strikingly similar to our own today and giving insight into their experiences as women throughout different points of Persian history. The volume is introduced and translated by Dick Davis, a scholar and translator of Persian literature as well as a gifted poet in his own right.

Longlisted for the 2014 National Book Award
Gathered here is a half century’s magnificent work by the former poet laureate of the United States and Pulitzer Prize winner whose haunting and exemplary style has influenced an entire generation of American poets.
Beginning with the limited-edition volume Sleeping with One Eye Open, published in 1964, Mark Strand was hailed as a poet of piercing originality and elegance, and in the ensuing decades he has not swerved from his vision of how a poem should be shaped and what it should deliver. As he entered the middle period of his career, with volumes such as The Continuous Life (1990), Strand was already well-known for his ability to capture the subtle music of consciousness, and for creating painterly physical landscapes that could answer to the inner self: “And here the dark infinitive to feel, / Which would endure and have the earth be still / And the star-strewn night pour down the mountains / Into the hissing fields and silent towns.” In his later work, from Blizzard of One (1998) which won the Pulitzer Prize, through the sly, provocative riddles of his recent Almost Invisible (2012), Strand has delighted in reminding us that there is no poet quite like him for a dose of dark wit that turns out to be deep wisdom and self-deprecation. He has given voice to our collective imagination with a grandeur and comic honesty worthy of his great Knopf forebear Wallace Stevens. With this volume, we celebrate his canonical work.

A luminous collection of essays from one of our most original and influential poets
Five decades after her debut poetry collection, Fir stborn, Louise Glück is a towering figure in American letters. Written with the same probing, analytic control that has long distinguished her poetry, American Originality is Glück’s second book of essays―her first, Proofs and Theories, won the 1993 PEN/Martha Albrand Award for First Nonfiction. Glück’s moving and disabusing lyricism is on full display in this decisive new collection.
From its opening pages, American Originality forces readers to consider contemporary poetry and its demigods in radical, unconsoling, and ultimately very productive ways. Determined to wrest ample, often contradictory meaning from our current literary discourse, Glück comprehends and destabilizes notions of “narcissism” and “genius” that are unique to the American literary climate. This includes erudite analyses of the poets who have interested her throughout her own career, such as Rilke, Pinsky, Chiasson, and Dobyns, and introductions to the first books of poets like Dana Levin, Peter Streckfus, Spencer Reece, and Richard Siken. Forceful, revealing, challenging, and instructive, American Originality is a seminal critical achievement. （那颗晴空 摘自美国亚马逊）

Plautus was the single greatest influence on Western comedy. Shakespeare's Comedy of Errors and Molière's The Miser are two subsequent classics directly based on Plautine originals. Plautus himself borrowed from the Greeks, but his jokes, rapid dialogue, bawdy humour, and irreverent characterizations are the original work of an undisputed genius. The comedies printed here show him at his best, and professor Segal's translations keep their fast, rollicking pace intact, making these the most readable and actable versions available. His introduction considers Plautus' place in ancient comedy, examines his continuing influence, and celebrates his power to entertain. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places.</P>
Often this poet, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal.</P>

This delightful anthology gives us a teeming litter of literary tributes to the ever-fascinating, ever-mystifying cat.

The feline has inspired poetic adoration since the days of the pharaohs, and the poems collected here cover an astonishing range of periods, cultures, and styles. Poets across the continents and centuries have described the feline family–from kittens to old toms, pussycats to panthers–doing what they do best: sleeping, prowling, prancing, purring, sleeping some more, and gazing disdainfully at lesser beings like ourselves. Here are Yeats’s Minnaloushe, Christopher Smart’s Jeoffry, Lewis Carroll’s Cheshire Cat, T. S. Eliot’s Rum Tum Tugger, William Blake’s tyger and Rilke’s panther. Here are tributes from Sufi mystics, medieval Chinese poets, and haiku masters of imperial Japan, from Chaucer, Shelley, Borges, Neruda, Dickinson, and Shakespeare. Here are the cats of Mother Goose, and the one who wore the hat for Dr. Seuss.

The Great Cat will delight cat lovers everywhere, celebrating as it does the beauty, the mystery, the gravity, the grace, and, of course, the unassailable superiority of the cat.

A representative selection of verse by the Pulitzer Prize-winning writer who left in the wake of her personal tragedy a legacy of poems that combine terrifying intensity and dazzling artistry. With their brutally frank self-exposure and emotional immediacy, Plath's poems, from "Lady Lazarus" to "Daddy," have had an enduring influence on contemporary poetry.

These hundred poems and fragments constitute virtually all of Sappho that survives and effectively bring to life the woman whom the Greeks consider to be their greatest lyric poet. Mary Barnard's translations are lean, incisive, direct--the best ever published. She has rendered the beloved poet's verses, long the bane of translators, more authentically than anyone else in English.

Poets and those who simply want to understand poetry will enjoy this study of poetry as a conscious craft.?<br />Breaking down the basics with examples from well-known poems, Oliver shows how the dimensions of sound and rhythm (musicality) and lyrical words (assonance, alliteration, etc.) can combine to make powerful verse. She enables readers to "enter the thudding deeps and the rippling shallows of sound-pleasure and rhythm-pleasure that intensify both the poem's narrative and its ideas."

A searing testament to poetry’s power to define and defy injustice, from iconic writer-activist Serhiy Zhadan
 
Since the Russian invasion of Crimea in 2014, the Ukrainian poet Serhiy Zhadan has brought international attention to his country’s struggle through his unflinching poetry of witness. In this searing testament to poetry’s power to define and defy injustice, Zhadan honors the memory of the lost and addresses the living, inviting us to consider what language can offer to a country threatened with extinction. Young lovers, marginalized outsiders, and ordinary citizens pulse with life in a composite portrait of a people newly unified by extremity. Even in the midst of enemy fire, Zhadan’s lyrical monuments beat with a subterranean thrum of hope.
 
With a foreword by the poet Ilya Kaminsky, this selection of Zhadan’s poetry, forged entirely in wartime, is an homage to the Ukrainian people, a forceful reckoning with the violence of the past and present, and an act of artistic imagination that breaks with trauma and charts a new future for Ukraine.