5mo 荒谬的时代没有正确的生活
女人的碎片 [演出] 豆瓣
Cząstki kobiety
类型: 话剧 编剧: Kata Wéber
其它标题: Cząstki kobiety / Pieces of a Woman 导演: Kornél Mundruczó
A feminist family drama set in present day Warsaw, powered by the strength and determination of female characters. A family get-together shows, as if through a lens, the problems and internal conflicts of Polish society.
The protagonist of the play, 30-year-old Maja struggles with a personal tragedy. In order to get back on track, she must question her old life and rebuild from scratch the relationships with her family. “Pieces of a Woman” is an evocative picture of modern women who fight for the right to decide about their own life. Kornél Mundruczó – director, and Kata Weber – author of the script, portrait each character with great empathy – they don’t judge or criticize any of the characters gathered around the family table. The performance employs cinematographic means of expression and captivates the viewers with intimate narrative, the realism of the details and tenderness of the actor’s creations. “Pieces of a Woman” is a second, after “The Bat” (premiere 2012, prod. TR Warszawa), Kornél Mundruczó’s play produced in Poland. Both performances have gained recognition of Polish and international audiences.

Pieces of a Woman (Polish title: Cząstki kobiety), written by Kata Wéber and directed by Hungarian theatre and film director Kornél Mundruczó, recently received international recognition in its film version (available on Netflix). However, the cinematic language, the close-ups, the realism of details were already part of the performance that was made for TR Warszawa in Poland well before the film and was repeatedly honoured with prestigious awards (such as the Swinarski Award, the most important award for theatre directors in Poland). The performance toured successfully at Festival Avignon, RomaEuropa and the Athens & Epidaurus Festival, among others.

看过 女人的碎片 🌕🌕🌕🌕🌕
2022-10-13。唯一一次在ITA看波兰戏,非常喜欢。
开场是长达半小时的搭建好的室内舞美戏生孩子,观众看不见,只能靠跟拍摄像师实时转播,一时间想起《深渊》(不必碰瓷)也想起《战争之王》。生孩子戏非常精彩,一张一弛地焦虑痛苦。手忙脚乱家庭生产后孩子夭折,第一幕结束,投影幕布(也就是房间外墙)被一块块拆下,完美过渡到第二幕妈妈家老房子装修和家庭聚会。
这场戏的丈夫比生孩子戏里更傻逼更粗俗,妹夫也差不多。妈妈则非常专横,逼迫女主Martha起诉助产士(但她不想因为孩子的死怪罪任何人),但又因为年迈健忘显得软弱。妹妹则在这个家从小到大都不受重视,和姐姐玩彩带那段梦回童年的快乐戏后也告白说小时候妈妈就偏爱你,现在还要我为你牺牲吗。
中间还穿插一段暧昧,一段孩子去世创伤闪回,最后是(无人在意的)和解。

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