看过 101夜 🌕🌕🌕🌗🌑
老年马四川在喜剧里终于不用被迫害了！
Pure celebration of cinephile and film cannons, and the practices of disassociating labor and politics from images, an aestheticized film history, is eventually pornographic. It is quite difficult to just appreciate the aesthetics of just white musicals or the zombie scenes in Night of the Living Dead, while not thinking of their racial politics and the counter histories in Flower Drum Song (especially the Asian maid is in identical costumes) or Julie Dash's Illusions. Though there are some some ambiguities in the direct citations, e.g. the fondling scene in King Kong, probably one of the most uncomfortable scenes in this film (well, is there a less uncomfortable scene in this film that includes the white female protagonist and the monster, which is Hollywood's great achievement in animation and visual effect?), and slight mentioning of the unseen labor and gender historiography, they are not significant. If there are something productive, the antithesis of this overtly classical and canonical recollection of film history is never so obvious and approachable.