罗西尼独唱会：19首艺术歌曲，圣女贞德康塔塔，巴托丽演唱
豆瓣
简介
Gioacchino Rossini was born to a family of musicians in 1792. He began writing music at 15 and by 1829 he had written nearly 40 operas and had been the toast of society. He had early success in 1813 with "Tancredi" and in 1816 with "The Barber of Seville" (under the title of "Almaviva"). And while he wrote some songs and sacred works along the way, he won the world over with his operas and concluded with "Guillaume Tell" (William Tell) in 1829. Thereafter, he wrote sacred works and small works for his own delight that he shared with his friends at soirées in his home (they were regular and sought after events between 1857 until his death in 1868). He wrote hundreds of these pieces and would play the piano (he called himself a pianist of the fourth class) for the singers. Rossini referred to these short songs, pieces for small ensembles, and solo pieces as his "Sins of Old Age" ("Péchés de viellesse"), however he never printed them and, in fact, many of have yet to be printed (but should be).
This disk was recorded in 1990 just before Bartoli's twenty-fourth birthday. Her voice is so beautiful and flexible with many rich colors that each piece sounds like a jewel. Yes, she is a very young singer and her voice has become even richer as she has matured, but this is a glorious disk and something you will want to listen to repeatedly. Some of the songs are short, others are a bit longer, and there is the big finish with the full cantata "Giovanna d'Arco" ("Joan of Arc") from 1832 (but first publicly performed in 1859). It was composed as a gift for Olympe Pellisier, who became his second wife in 1847.
tracks
La pastorella dell' Alpi ("Son bella pastorella"), song for voice & piano (Soirées musicales)
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
Beltà crudele ("Amori scendete propizi al mio core"), for voice & piano
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
Il trovatore ("Chi m'ascolta il canto usato"), for voice & piano
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
La regata Veneziana, songs (3) in Venetian dialect for voice & piano (Péchés de vieillesse, book 1)
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
Mi lagnerò tacendo, settings and album leaves for voice & piano unspecified setting
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
Il risentimento ("Mi lagnerò tacendo"), for voice & piano
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
Pompadour, la grande coquette ("La Perle des coquettes"), for voice & piano (Péchés de vieillesse, book 2)
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
Ariette à l'ancienne ("Que le jour me dure"), for voice & piano (Péchés de vieillesse, book 3), QR v/69
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
L'orpheline du Tyrol ("Seule, une pauvre enfant"), for voice & piano (Péchés de vieillesse, book 2), QR v/31
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
La légende de Marguerite, for voice & piano (anon. arr. from La Cenerentola, "Una volta c'era un re")
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
Nizza ("Nizza, je puis sans peine"), for voice & piano
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
L'âme délaissée (L'abbandonata) ("Mon bien aimé"), for voice & piano
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
Canzonetta spagnuola ("En medio a mis dolores"), for voice & piano
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli
Giovanna d'Arco, cantata, for voice & piano (Péchés de vieillesse, book 11), QR xi/1
Composed by Gioachino Rossini
with Charles Spencer, Cecilia Bartoli