Brass Orchids

Students of Decay follow up last year’s incredible 'All My Circles Run’ album by Sarah Davachi with this new album by French horn player, field recording and audio installation artist Anne Guthrie.
Guthrie takes auditory snapshots of an abandoned city; fragments of song drifting out of basements and across alleyways and muffled conversations, coalescing into an evocative soundsphere that’s gently arranged to give the feeling of a directed narrative unfolding before your ears.
There’s a real art to this kind of field recording and Guthrie manages to neither over-simplify nor colour her recordings too much. Through much of this album the sounds are so alien and beautiful it’s impossible to work out if what you’re listening to is real or artificial; neatly mimicking the way our memory works. When a voice appears towards the end of Serious Water, it jolts you back to the mundane world around you.
Including "posthumous contributions from the artist's grandfather, a jazz pianist; obsolete media palimpsests (some vanity, some necessity); tap dancing on a peeling floor…” there’s something almost disturbing about the personal narrative on display here, as the label describe it…”an unsettling and strangely beautiful album - akin to something on the tip of your tongue, which, before you can name it, slips away into forgetting”.