1905
豆瓣
简介
We at Antinote are proud to make our first French-Russian connection. Olga is from Moscow. She came to us after Dominique Dumont's show in Paris, winter 2018. We checked her music and immediately fell in love with the song 'Mojno'. Step by step we built a nice collection of tracks that now make up the 1905 LP! Very active in the electronic music scene, she’s spent the last ten years releasing music, performing, recording & DJing as well as being busy with her tech-project Playtronica (with them she's created 3 controllers that you allow to play scales on people, objects and colors). Across the "1905" LP she utilises some DIY devices such as Yamaha sampler vss-33, voice glitcher from the Russian company “Naked Boards” and organelle synth that creates this synesthetic tone in “ready when you are”. Besides dreamy pads and dancy beats Olga is ironically singing on Russian about her daily routine, in a positive way. There's no sadness and melancholy in the dark snowy days, where even the full moon or retrograde-mercury don’t even bother you ...if you are in harmony with mother nature's 5 elements.
There's a short music clip on Facebook in which the Russian artist Olga Maximova, AKA Omma, starts tapping on some blue bars of soap. It sounds really cool. She's turned the bars into "soap marimbas," wiring them up as MIDI instruments that emit a sound whenever she touches them. As part of Moscow's Playtronica collective, Maximova has made instruments out of everyday objects such as skateboards, plants and vegetables. The collective even made one instrument, called Touch Me, that's triggered by people touching and hugging each other. The soap marimba doesn't make an appearance on Maximova's first album, but her sense of tactile playfulness is all over it.
1905 arrives on the Parisian label Antinote, an outlet that specialises in releasing music from arty experimentalists. It is a short record, just 28 minutes, and it's similar in both its brevity and wistfulness to Comme Ça, the 2015 Domenique Dumont LP that remains a high point in the Antinote catalogue. The album's mood is sweet but never sickly, mostly because the majority of tracks are anchored in simple but effective club rhythms. "1905," "Ready When You Are" and "Mojno" are underpinned with crisp breakbeats, while the four-on-the-floor "Vmeste" skips along at a brisk 132 BPM. I'd bet all four tracks would get dancers going if Maximova was to perform them live.
The lyrics on 1905 have a poetic simplicity. Phrases like "noble heartbreaker," "everything is great" and "keep the promise" are intoned softly and looped across the album. On "La Qi," the words "I am feeling the emptiness" are repeated and then distorted before eventually disappearing. On the title track, Maximova says, in Russian, "We can feed the ducks and buy some milk and you will tell me what's allowed and what isn't."
This childlike sensibility gets to the heart of Maximova's approach. In a 2017 interview she spoke about a children's workshop hosted by Playtronica called Fruits Jam, in which "pineapples are your kick/snare/hi-hat, melons are the bass and cucumbers are the melody." Just reading that, you can picture the kids' smiling faces as they mess about with the fruit. It's the same simple joy in musical experimentation that's at the heart of 1905.