Origins

God is an Astronaut’s seventh full-length album, Origins, is their first as a five-piece and cements their place as one of the world’s most intense, musically and visually-inventive post rock bands. Renowned for their searing live shows in which the music is married with provocative projected imagery, GIAA consider each of their albums to be a sonic ‘photograph or snapshot of who we are in that moment of time’ and Origins is perhaps their most saturated, striking snapshot to date.
Comprising a dozen tracks, Origins fluctuates from controlled ferment (‘Calistoga’) to plaintive, piano-led reverie (‘Autumn Song’) to rhapsodic, unapologetically melodic fever (‘Signal Rays’) while never losing its focus. A wide spectrum of emotions are conjured over the course of the album and, while half of the tracks feature vocals, the voices have been laden with resonant swathes of effects so as to retain a similar ambiguity to the instrumentals. It is this ambiguity that lends Origins its power. The song titles are evocative but never prescriptive: for instance, a southern Californian town is suggested in ‘Calistoga’ while the effect-fogged lyrics speak of finding light in a seemingly hopeless situation. Perseverance in times of emotional hardship appears to be the overriding theme of Origins, though it has always been the juxtaposition of seemingly disparate sounds, words and visuals that afford GIAA their singularity. The listener’s interpretation of the music is as valid as the emotions that inspired the band to make it.