The Complete Library of Congress Recordings
豆瓣
简介
Ferdinand Joseph LaMothe, known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated.
tracks
I'm Alabama Bound
Time in Mobile
King Porter Stomp
The Story of "King Porter Stomp"
Jelly Roll's Background
Music Lessons
Miserere
The Stomping Grounds
The Style of Sammy Davis
Tony Jackson was the Favorite / Dope, Crown, and Opium
Poor Alfred Wilson
Honky Tonk Blues / In New Orleans, Anyone Could Carry a Gun
New Orleans was a Free and Easy Place
The Story of Aaron Harris
The Story of Aaron Harris, continued / Aaron Harris Blues
Aaron Harris, His Hoodoo Woman, and the Hat That Started a Riot
The Story of the 1900 New Orleans Riot and the Song of Robert Charles
The Story of the 1900 New Orleans Riot, continued
Game Kid Blues
New Orleans Funerals
Funeral Marches
Oh! Didn't He Ramble
Tiger Rag, third, fourth, and fifth strains
Tiger Rag / Panama
The Right Tempo is the Accurate Tempo
Jazz Discords and Story of the Kansas City Stomp
Kansas City Stomp, continued
Slow Swing and "Sweet Jazz Music"
Salty Dog / Bill Johnson, Jelly's Brother-in-Law
Hestitation Blues
My Gal Sal
The St. Louis Scene
Maple Leaf Rag, St. Louis style / Maple Leaf Rag, New Orleans style
Jelly Roll Carves St. Louis
Jelly Roll Carves St. Louis, continued
New Orleans Blues
Winin' Boy Blues
Winin' Boy Blues, continued
The Anamule Dance
The Anamule Dance, continued
The Great Buddy Bolden / Buddy Bilden's Blues
The Great Buddy Bolden, continued
Mr. Jelly Lord
How Jelly Roll Got His Name
Original Jelly Roll Blues
Honky Tonk Blues
Real Tough Boys
Sporting Attire and Shooting the Agate
Sweet Mamas and Sweet Papas
See See Rider
Parading with the Broadway Swells
Fights and Weapons
Luis Russell and New Orleans Riffs
Jelly's Travels: From Yazoo to Clarksdale
Jelly's Travels: From Clarksdale to Helena
Jelly's Travels: From Helena to Memphis
In Memphis: The Monarch Saloon and Benny Frenchy
Benny Frenchy's Tune, continued
Make Me a Pallett on the Floor
Make Me a Pallett on the Floor, continued
Make Me a Pallett on the Floor, part 3
Make Me a Pallett on the Floor, concluded
The Dirty Dozen
The Murder Ballad, part 1
The Murder Ballad, part 2
The Murder Ballad, part 3
The Murder Ballad, part 4
The Murder Ballad, part 5
The Murder Ballad, part 6
The Murder Ballad, part 7
Fickle Fay Creep
Jungle Blues
King Porter Stomp
Sweet Peter
Hyena Stomp
Wolverine Blues, begun
Wolverine Blues, concluded
State And Madison
The Pearls, begun
The Pearls, concluded
Bert Williams
Freakish
Pep
The Georgia Skin Game
The Georgia Skin Game, continued
The Georgia Skin Game, conclusion
Ungai Hai
New Orleans Blues
The Spanish Tinge
Improving Spanish Tempos
Creepy Feeling, concluded
The Crave
Mamanita
C'était N'aut' Can-Can, Payez Donc
Spanish Swat
Ain't Misbehavin'
I Hate a Man Like You / Rolling Stuff
Michigan Water Blues
Winin' Boy Blues
Winin' Boy Blues, continued
Boogie Woogie Blues
Buddy Bertrand's Blues, continued / Mamie's Blues
When the Hot Stuff Came In
The First Hot Arrangements
The Pensacola Kid and the Cadillac Café
At the Cadillac Café, Los Angeles
Little Liza Jane, continued / On the West Coast
In the Publishing Business
Original Jelly Roll Blues
Jelly Roll's Early Playing Days in the District
Hot Bands and Creole Tunes
Eh, La Bas
Old-Time Creole Musicians and the French Element
Playing Hot with Buddy Bolden
High Society
Sporting Life Costumes
Buddy Bolden: Man and Musician
Creoles Playing with Negroes: Getting that Drive
Jelly Roll's Compositions
How Johnny St. Cyr Learned to Play Guitar
Guitar Blues
Bad Men and Pimps
The Story of the Coon Blues
Coon Blues
Jazz is Just a Makeup: Buddy Bolden, Honky Tonks, Brass Band Funerals, and Parades
Young Sidney Bechet: Jim Crow and the Dangers of the District
The Main Idea in Jazz: "Just Watch Me" - Improvising and Reading Music
Of All His Mother's Children He Loved Jelly the Best