LIVE 2
豆瓣
简介
A drumset sits on the stage unaccompanied during these concerts. There is naturally an anticipation for a specific kind of music because of this, and at that a music on spec no one really wants to listen to...? I don't even really like drum solos funnily enough...
Rather than think of it as such, I'm trying to make something out of the debris of the material, something after the end of it all, whatever the dust is that is left behind. I configure the instrument with electronic triggers. It's now some kind of mutant instrument. I try and keep my materials as limited as I possibly can, that's how I conceptualise it.
As I continue to do these solo concerts new variations emerge every time I play, for a system so focused in scope it still surprises me. With such reductive material and the endless reconfiguring of a few elements I have to ask, are these concerts an ever-evolving work, or a work that never evolves? As Feldman said "I seem content to be continually rearranging the same furniture in the same room."
Thanks for listening,
Eli
- October 2023
tracks
1. Copenhagen Part I
2. Copenhagen Part II
3. Copenhagen Part III
4. Copenhagen Part IV
5. Copenhagen Part V
6. Copenhagen Part VI
7. Copenhagen Part VII
8. Copenhagen Part VIII
9. Tokyo Part I
10. Tokyo Part II
11. Tokyo Part III
12. Tokyo Part IV
13. Tokyo Part V
14. Tokyo Part VI
15. Tokyo Part VII
16. Tokyo Part VIII
17. Tokyo Part IX
18. Tokyo Part X
19. Tokyo Part XI
20. Tokyo Part XII