Parallax
豆瓣
The Dialectics of Mind and World
Dominik Finkelde / Slavoj Žižek
简介
Parallax, or the change in the position of an object viewed along two different lines of sight and more precisely, the assumption that this adjustment is not only due to a change of focus, but a change in that object's ontological status has been a key philosophical concept throughout history.
Building upon Slavoj Žižek's The Parallax View, this volume shows how parallax is used as a figure of thought that proves how the incompatibility between the physical and the theoretical touches not only upon the ontological, but also politics and aesthetics. With articles written by internationally renowned philosophers such as Frank Ruda, Graham Harman, Paul Livingston and Zizek himself, this book shows how modes of parallax remain in numerous modern theoretical disciplines, such as the Marxian parallax in the critique of political economy and politics; and the Hegelian parallax in the concept of the work of art, while also being important to debates surrounding speculative realism and dialectical materialism. Spanning philosophy, parallax is then a rich and fruitful concept that can illuminate the studies of those working in epistemology, ontology, German Idealism, political philosophy and critical theory.
目录
Preface: Hegel and the Ethical Parallax, Slavoj Žižek
Introduction
Part 1: Parallax in Ontology
1. Parallactic Entanglement: On the Subject-Object-Relation in New Materialism and Adorno's Critical Ontology
2. Žižek's Parallax, or The Inherent Stupidity of All Philosophical Positions
3. How Mind fits into Nature. Mental Realism after Nagel
4. Parallax in Hermeneutic Realism
5. Object-Disoriented Ontology. Realism in Psychoanalysis
6. Temporal Paradox, Realism, and Subjectivity
7. The Parallactic Leap: Fichte, Apperception, and the Hard Problem of Consciousness
8. The Parallax of Ontology: Reality and its Transcendental Supplement
Part 2: Parallax in Normative Orders
9. Truth as Subjective Effect. Adorno or Hegel
10. Is Sex a Transcendental Category of Parallax? Revisiting the Feminist Second Wave
11. The Irony of Self-Consciousness: Hegel, Derrida, and the Animal that therefore I am
12. A Squinting Gaze on the Parallax Between Spirit and Nature
13. “I am nothing, but I make everything”: Marx, Lacan, and the Labor Theory of Suture
Part 3: Parallax in Aesthetics
14. Drama as Philosophy. The Tragedy of the End of Art
15. Parallaxes of Sinister Enjoyment: The Lessons of Interpassivity and the Contemporary Troubles with Pleasure
16. Whiteheadian Aesthetics: On “Nautical Positionality” from a Process-Ontological Perspective
17. Feeling at a Distance, or the Aesthetics of Unconscious Transmission
18. The Dream That Knew Too Much. On Freud, Lacan, and Philip K. Dick