The Art of Rivalry

豆瓣
The Art of Rivalry

登录后可管理标记收藏。

ISBN: 9781781251652
作者: Sebastian Smee
出版社: Profile Books
发行时间: 2016 -10
装订: Hardcover
价格: USD 13.00
页数: 420

/ 10

0 个评分

评分人数不足
借阅或购买

Four Friendships, Betrayals, and Breakthroughs in Modern Art

Sebastian Smee   

简介

Pulitzer Prize–winning art critic Sebastian Smee tells the fascinating story of four pairs of artists—Manet and Degas, Picasso and Matisse, Pollock and de Kooning, and Freud and Bacon—whose fraught, competitive friendships spurred them to new creative heights.
Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporary—one who was equally ambitious but possessed sharply contrasting strengths and weaknesses.
Edouard Manet and Edgar Degas were close associates whose personal bond frayed after Degas painted a portrait of Manet and his wife. Henri Matisse and Pablo Picasso swapped paintings, ideas, and influences as they jostled for the support of collectors like Leo and Gertrude Stein and vied for the leadership of a new avant-garde.
Jackson Pollock’s uninhibited style of “action painting” triggered a breakthrough in the work of his older rival, Willem de Kooning. After Pollock’s sudden death in a car crash, de Kooning took over his mantle and became romantically involved with his late friend’s mistress. Lucian Freud and Francis Bacon met in the early 1950s, when Bacon was being hailed as Britain’s most exciting new painter and Freud was working in relative obscurity. Their “intense but asymmetrical” friendship came to a head when Freud painted a celebrated portrait of Bacon that was later stolen.
Each of these relationships culminated in an early flashpoint, a rupture in a budding intimacy that was both a betrayal and a trigger for great innovation. Writing with the same exuberant wit and psychological insight that earned him a Pulitzer Prize for art criticism, Sebastian Smee explores the way that coming into one’s own as an artist—finding one’s voice—almost always involves willfully breaking away from some intimate’s expectations of who you are or ought to be.

contents

CONTENTS
List of Illustrations
Introduction
Freud and Bacon 3
Manet and Degas 91
Matisse and Picasso 177
Pollock and De Kooning 259
Sources and Acknowledgments 357
Index 371

其它版本
短评
评论
笔记