法国艺术家Woodkid与传奇游戏制作人小岛秀夫携手合作三年，为备受期待的《死亡搁浅2：ON THE BEACH》创作独家配乐。本作延续了《死亡搁浅》全球超2000万玩家的热度，在音乐维度上进行革新突破。Woodkid的音乐以“程序化演唱”形式深度嵌入游戏机制，声音表现会根据玩家行为实时变化。他为每首作品创作了数小时的变奏与层次，使配乐成为沉浸式叙事体验的重要组成部分。整张专辑融合了电影级管弦配器、电子音景和情感强烈的人声演绎，展现Woodkid广泛的制作跨度。从细腻旋律到工业Breakcore节奏，每一首都从小岛秀夫的叙事与角色中汲取灵感。专辑还特别邀请了日本知名儿童合唱团——杉并儿童合唱团参与，增添了标志性的人声合唱元素。为贴近小岛的创作理念，Woodkid曾长时间驻留东京，并在洛杉矶、巴黎等地完成录制。这场跨界合作不仅是Woodkid音乐旅程的新高峰，也推动互动娱乐进入“音乐即叙事”的新阶段。Woodkid形容与小岛的合作“总在变化”，但也因此“结果总是令人震撼”。

In the six years since Jay Som’s critically acclaimed sophomore album <i>Anak Ko</i>, Melina Duterte has kept the kind of schedule that would strike fainter hearts with exhaustion. There’s been collaborations with Troye Sivan, beabadoobee and Lucy Dacus; production credits across scores of indie records; a whole album with Palehørse’s El Kempner as Bachelor; and extensive touring as part of boygenius’ live band. With all this palling around, it’s not surprising that her third album as Jay Som features some high-powered collaborations: Jimmy Eat World’s Jim Adkins joins in for the surging emo-pop of “Float”, while the chugging alt-rock anthem “Past Lives” features contributions from Paramore’s Hayley Williams.

But <i>Belong</i> also finds Duterte picking up exactly where she left off with Jay Som’s recorded catalogue, her trademark sense of intimacy and intricate arrangements left fully intact. From the tick-tock guitars of “Casino Stars” to the open-air wistfulness of “Appointments”, Duterte continues to develop her own brand of close-mic’d emotionalism even as her star has grown ever brighter across the 2020s.

Casino (stylized as Ca$ino) is the second album by the American rapper Baby Keem, released by PGLang and Columbia Records on February 20, 2026

2018 Breakthrough Artist at the Brazilian Music Multishow Award, Baco (Bachus) is a brazilian singer, rapper and composer. He began to gain popularity after the release of the track Sulicídio, composed in 2016 where he criticized the national rap scene, concentrated in the states of Rio de Janeiro and São Paulo, claiming more visibility for the production of other Brazilian states. Among the main characteristics of Baco are its strong metaphors with crude and poetic lyrics that speak about love, sex, power, religion and society.



After also winning Song of the Year - "Te Amo Disgraça" - he is now launching his second álbum.



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BLUESMAN MANIFEST



"I am the first rhythm to make black people rich

I am the first rhythm to set black people free

Ring on the finger, on each of the five

Wind on my face, I feel alive

From now on I consider everything blues

Samba is blues, Rock is blues, Jazz is blues

Funk is blues, Soul is blues

I am “Exu do Blues”

Everything that when black was considered devilish

And then became white and was accepted, I will call it blues

Jesus is blues"

“Shiraz”, the ACT debut by Dhafer Youssef, is the most personal album in the career of the world-renowned oud player and singer. In vibrant songs, it tells the story of the most important encounter of his life: meeting his wife, Shiraz Fradi. These are songs about love and gratitude – but also about overcoming life’s hardships together.



At the same time, “Shiraz” marks the premiere of a young, multinational band featuring pianist and ACT artist Daniel García, trumpeter Mario Rom, bassist Swaéli MBappé, and drummer Tao Ehrlich. Together, they open a new chapter in the global success story of a musical trailblazer moving between jazz and the music of the world.

德国假声男高音1967年生于德国，新生代假声男高音第一人安得烈亚斯.肖勒，（Andreas Scholl），出生于德国一个热爱音乐的家庭，最早接触音乐是7岁时参加当地超过650年历史、极富盛名也是德国排名第二资深的Kiedricher Chorbuben唱诗班，小小年纪便展现了天赋，他的家人包括父亲和兄弟姊妹也都曾是这里的成员，至今修尔仍会在礼拜天现身教会，13, 4岁面临变声的尴尬时期，大约有一年无法再像以前一样唱男高音，后来在老师指导之下，以及听到James Bowman和Alfred Deller的假声男高音表演，始开创了他的另一条演唱之路。 　　19 岁前往瑞士知名的音乐学院Schola Cantorum Basiliensis正式学习古代音乐，并曾受教于古乐演唱家科克比(Emma Kirkby)。97年留声机颁奖典礼上演唱韩德尔「怀念的树荫」，惊艳全场声名大噪，当时英国The Times盛赞其「歌声秀逸、纯净、甜美、灵敏，且结合了最高等级的音乐想象力」，乐评权威留声机杂志也写下「这是我听过最难忘的好声音！」。 　　尽管他的演唱生涯不长，却已经成为当代最卓越的假声男高音之一。肖勒的音色纯净柔美，没有任何矫饰和造作，自然优雅得找不出一点虚伪感。 　　无论是难度登峰造极的花腔装饰音，或是亨德尔的那种热切的剧场风格，甚至德国巴洛克时代的内省个性，都能从肖勒的歌声中透发出迷惑世人的魅力