不要相信雕像 (1958)

Makavejev's interest in political and sexual liberation, which he believed could not be separated, was evident early in his career. His second short, Spomenicima Ne Treba Verovati (1958), won praise at Cannes but censorship at home, when the Yugoslav authorities held it back for five years because of an "overly erotic" seduction scene. This would be the first of many run-ins with the censors that would plague his career and, arguably, keep him from being recognized as a major postwar film artist.