Tarantella (1940)

Abstract animation illustrates Edwin Gerschefski's modernist composition. Two dots - one blue and one orange - appear most often, sometimes large, sometimes small, sometimes overlapping. When the sounds become more staccato, so do the images: wavy lines become squiggles, short nail-like lines go across the screen in rows. The result is a visual representation of abstract music, lively and spirited in spite of its link to a dance composed to sweat out the poisons of a spider bite.