埃里克·冯·施特罗海姆 — 编剧 (10)
贪婪 (1924) [电影] IMDb 维基数据 豆瓣 TMDB
Greed
8.2 (16 个评分) 导演: 埃里克·冯·施特罗海姆 演员: 扎苏·皮茨 / 吉布森·格沃兰德
其它标题: Greed / 탐욕
埃里克.冯.施特罗海姆导演的此片,在1952年比利时蒙达尔国际电影节评选的电影诞生以来的12部“最佳影片中”名列第七;在1952、1962年英国《画与音响》评选的10部“最佳影片”中,名列第七和第四位;在1958年比利时布鲁塞尔世界博览会评选电影“最佳电影”中,该片名列第六;在1978年《标题》杂志刊登的电影诞生以来的100部“最佳影片”中,名列第18位。故事主要描写麦克.蒂格和马库斯.斯科勒这对好友因五千美元彩券而变得凶残成性,贪婪吝啬,最后引出一系列的悲剧的过程
情场现形记 (1922) [电影] 豆瓣 IMDb 维基数据 TMDB
Foolish Wives
7.3 (6 个评分) 导演: 埃里克·冯·施特罗海姆 演员: 鲁道夫·克里斯提 / 杜邦小姐
其它标题: Foolish Wives / 愚妻
德国移民的名导演埃里克.冯.施特罗海姆花费了一百三十万美元和十一个月的时间摄制而成的超级文艺片,原拷贝长达五小时,公开上映时浓缩成三小时半。由于耗资惊人,好莱坞大亨本来对埃里克颇有微词,后因本片获得意外的卖座成功而作罢。故事以1919年的蒙地卡罗为背景。埃里克扮演一个欺骗美国外交官女儿的白俄亲王,靠着剥削他的情妇----一个貌丑的女仆为生。由于性虐待狂的驱使,他强奸了一个不幸的白痴女子。最后,他被人杀死,他的尸首很有象征意义地被扔在臭水沟里。埃里克对自然主义情有独钟,希望把一切情史都在画面中表现出来。他特地在加州海边搭建起蒙地卡罗的赌场和雄伟宫殿的布景,并且在采光上有十分大胆的处理方式。影像上也富于感官刺激的煽情暴力场面,甚至劳烦电检单位剪掉了其中的一些镜头。在片中,埃里克用一种辛酸的悲观主义眼光来观察人类,对上层社会的腐朽和封建作出激烈的抨击,流露出一种愤而感伤的怜悯色彩。而对低下层的人物和被骗上当的女子,则寄予同情的关注,表现出独特的“埃里克式人道主义精神"。
女王凯莱 (1932) [电影] 豆瓣 IMDb 维基数据 TMDB
Queen Kelly
导演: 爱德芒德·古尔丁 / 埃里克·冯·施特罗海姆 演员: 葛洛丽亚·斯旺森 / 沃尔特·拜伦
其它标题: Queen Kelly / 凯莉女王
一戰前夕的中歐古老王國,女王生活豪奢靡爛、無心國事,她放浪形骸的王子未婚夫更是終日醉生夢死,逃避無愛婚約。王子與修道院女孩凱莉偶然相遇,愛戀情愫宛若一道暖陽,照亮受困於政治與宗教堡壘的男女心房。他帶著她潛進王宮,共度浪漫春宵,命運卻在人生最美好的一刻急轉直下,將凱莉與王子分隔千里之外。
风流寡妇 (1925) [电影] 豆瓣 维基数据 IMDb TMDB
The Merry Widow
导演: 埃里克·冯·施特罗海姆 演员: 约翰·吉尔伯特 / 梅·默里
其它标题: The Merry Widow / 메리 위도우
Prince Danilo falls in love with dancer Sally O'Hara. His uncle, King Nikita I of Monteblanco forbids the marriage because she is a commoner. Thinking she has been jilted by her prince, Sally marries old, lecherous Baron Sadoja, whose wealth has kept the kingdom afloat. When he dies suddenly, Sally must be wooed all over again by Danilo.
盲目的丈夫们 (1919) [电影] 豆瓣 IMDb 维基数据 TMDB
Blind Husbands
导演: 埃里克·冯·施特罗海姆 演员: 萨姆·德·格拉斯 / Francelia Billington
其它标题: Blind Husbands / Blinde Ehemänner
Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
暴风雨 (1928) [电影] 豆瓣
Tempest
导演: 刘易斯·迈尔斯通 / 山姆·泰勒 演员: 约翰·巴里摩尔 / 卡米拉·霍恩
其它标题: Tempest / burya
伊万(约翰·巴里摩尔 John Barrymore Camilla Horn 饰)是一个农民,加入俄国军队之后,伊万被告知,他卑微的出生让他永远也无法晋升成为高级军官。不信邪的伊万凭借着自身的努力与智慧,获得了老将军的赏识,终于迈入了他渴望已久的上流社会。
一次偶然中,伊万结识了将军的女儿塔玛蕾,两人因为某些误会而闹得很不愉快,而伊万却在争吵之中深深地爱上了塔玛蕾。之后,醉酒的约翰在无意之中闯入了塔玛蕾的房间,这让他失去了自己好不容易争取来的地位。革命爆发了,老将军被敌人处死,塔玛蕾也流落街头,幸免于难的伊万找到了塔玛蕾,对她真情不改,两人终成眷属。
婚礼进行曲 (1928) [电影] 豆瓣 IMDb 维基数据 TMDB
The Wedding March
其它标题: The Wedding March / 结婚进行曲
The setting is Vienna in 1914 before the outbreak of war. The aristocratic and somewhat jaded Prince Nicki, pursued by all the ladies, begins a flirtation with Mitzi, a crippled harpist who works in a suburban wine-garden, and who is in turn idolized by Schani, an uncouth and violently jealous butcher. Their first encounter significantly takes place in front of St. Stephen's Cathedral on Corpus Christi day, with Nicki among the emperor's cavalry regiment. Later, in the refracted light of falling apple blossoms in the wine-garden--scenes of a distilled, ethereal beauty--Nicki gradually wins her faith and love. Meanwhile, amidst the sumptuous and corrupt milieu of the family palace, Nicki is drawn into complicity against his will, as his unscrupulous mother informs him he must marry Cecelia, the daughter of a wealthy commoner, in order to revive the family fortune. Mitzi has a vision of The Iron Man (a symbol of the declining power and position of the Hapsburg dynasty) and falls before the crucifix in fear; but her love remains steadfast, and she protests her faith though abused by her mother and Schani. Infuriated by her rejection, Schani threatens to kill Nicki on his wedding day unless Mitzi agrees to marry him. Following the processional splendor of the cathedral wedding, Schani appears to carry out his threat, but Mitzi arrives in time to stop him; and through the downpouring rain Nicki sadly gazes on his true love in the crowd as he drives away with his bride.
两女之间 (1937) [电影] 豆瓣
Between Two Women
导演: George B. Seitz 演员: 法兰奇·汤恩 / 莫琳·奥沙利文
其它标题: Between Two Women
根据同名小说改编成的电影,讲述了两个女人之间的微妙感情。
Allen Meighan, an intern, assures himself residency at 'General Hospital', when he saves the life of a man trapped in an explosion. Allen is in love with student nurse, Claire Donahue, and she with him, but, she is married to Tom a physically abusive husband. Claire refusing to leave Tom, provokes Allen to marry Patricia, a women whose life he saved. Patricia becomes furious for Allen is spending too much time on his profession and not on their marriage. Her suspicions of Allen having an affair with Claire are furthered when Tom is brought to the hospital after a severe accident. Patricia leaves Allen for Dr. Tony Wolcott. After some time, a train wreck is reported and Patricia is brought into the hospital with severe facial disfigurement. Allen, now a successful doctor, and Paricia reconcile. Time passes, Patricia's injuries heal and Allen is still in live with Claire. He must now choose "between two women".