冰寒大地，恶龙肆虐。每到特定日子，人们必须献祭出美丽的女孩，让其成为恶龙的 “新娘”。勇敢的屠龙者历经千辛万苦，凭着对女孩的真爱找到龙的巢穴，将恶龙杀死，这 片土地也因此恢复平静。
数十载后，残暴恶龙与勇敢屠龙者的故事已经成为传说。这天，美丽的公爵小女儿米拉（玛利亚·波兹哈娃 Mariya Poezzhaeva 饰）即将举行盛大婚礼。屠龙者族人们在婚礼上唱起了龙之歌，不料此举竟唤醒了恶龙。新娘米拉被恶龙掳走，遗落在荒无人烟的遗骸岛。在岛上，她遇到一个神秘人阿尔曼（马特维·雷科夫 Matvey Lykov 饰），然而米拉发现，这个有着人类躯体的男子，竟然就是掠夺自己的恶龙。随后米拉与阿尔曼在岛上开始 生活，米拉渐渐的改变了阿尔曼的龙性。不料阿尔曼怕自己变成龙伤害米拉，假装赶走米拉，米拉在海上漂泊被未婚夫救走，婚礼即将再次举行。

安德烈（斯坦尼斯拉夫·柳布申 Stanislav Lyubshin 饰）是一名哲学教师，他的脑海里塞满了高深莫测的哲学思想，因为整日沉迷与这些思想之中，安德烈的行为显得有些疯疯癫癫的，虽然所有人都当安德烈是异类，可唯独他自己觉得自己正常的很。
安德烈有一位熟识的医生好友，在聚会中，医生建议安德烈去乡下好好的休养生息，与此同时，一封来自故乡的信件最终促成了安德烈的返乡之旅。可是，家乡熟悉的环境和丰饶的水土并没能够缓解安德烈的症状，反而加重了他的病情，令他眼前时时出现诡异的幻觉。这幻觉折磨的安德烈整日茶饭不思，整个人迅速的消瘦衰弱下去。

谢尔盖（Valentin Popov 饰）、尼古拉（尼古拉·古边科 Nikolai Gubenko 饰）和斯拉瓦（斯坦尼斯拉夫·柳布申 Stanislav Lyubshin 饰）是从小玩到大的青梅竹马的好友，长大后，他们都选择了当兵报效祖国，在退役之后，三人走上了他们不同的人生道路。
谢尔盖一直想要进入动力学院念书，但因为父亲在早年间的战争中不幸丧命，母亲和妹妹维拉（斯维特兰娜·斯维特利奇娜娅 Svetlana Svetlichnaya 饰）全部都要靠着他来养活，因此谢尔盖不得不放弃了念书的念头。斯拉瓦早早就步入了婚姻的殿堂，然而婚姻带给他的，却只有痛苦和争吵。尼古拉的性格要比另外两人稍稍幼稚一些，整天大大咧咧笑嘻嘻的他似乎没有什么烦恼。

（转自MTIME网站）
一对曾经深深相爱的恋人在卫国战争中失去了联系，十多年后他们在莫斯科偶然相遇。这两个已经步入中年的男女依然过着单身的生活，但在第一次见面时，他们彼此隐瞒了自己真实的近况。经过五个夜晚的相聚交谈，他们开始了解到对方目前的生活。最后，两人消除了心中的障碍，勇敢地走到一起，开始新的生活。
这是一部感伤的怀旧调子的影片。故事发生的地点就在塔玛拉的家里，但人物的心理活动展现得很充分，男女主人公都战胜了妨碍自己的幸福的心理障碍。影片准确地再现了50年代莫斯科的街道和住宅，环境和人物的服装也有当时的时代气氛。具有强烈的艺术感染力，是一部表现人物细腻心理的典范之作。

两个苏联人遇到了自称是外星人的光脚流浪汉，他们按动了他手中的按钮，瞬间显身于一个陌生的世界——来到的是类似地球沙漠的Kin-dza-dza星系上的Pluk星球。他们首先看到的外星人乘着大铁钟似的飞行器飞来飞去，这些人长相类似地球的原始人类，举止怪异、行动笨拙，嘴里总是发出koo- koo 的声音，除了几个简单词汇外，Koo是能代表这个星球的一切词语。他们只是这个星球上的低等阶层，“又穷、又饿、又不幸”，这里等级森严，低等人必须在鼻孔里套上一个响铃，挂在嘴上。见到Chatlanians权势阶层，要立刻摊开双臂，弯腰屈膝，齐声说koo，恭敬行礼，这是他们拍马溜须的固定姿势。如果遇到上层，而拒绝行礼或表演，就会被融化。这些人不得不总是把自己关在笼子里，或者箱子里，或者层层叠叠、复杂交织、阴暗冰冷的网状金属空间里。

Professor Sretenski is a scientist and director of a research center in Russia. He is separated from his wife and lives alone. His daughter, who lives with the mother, comes to his home and stays with him for a period, leaving her daughter with him. He raises his granddaughter, feeling a great affection for her. Meanwhile, a former disciple of Sretenski motivates him to study again his former research. This very slow Russian low budget movie is supported by magnificent interpretation of the cast and a fine and sensitive direction. The main idea is to show the love of Sretenski for the three women of his life: his wife, who left him to live with an accountant; his daughter, who had some sort of emotional problem and changed husband almost as much as she changed clothes; and his granddaughter, who was raised by him, creating a great emotional bond between them. His love for research is also touched, when his former student motivates him to come back to his former work. The major problem is, besides the language, the `jumps' in time, showing older characters and not situating the event in time. You see, for example, the baby granddaughter in one scene, and in the next one, she is a young woman without much information to the viewer. Therefore, you have to identify who is she in a birthday (or wedding) party and what is happening. It seems that the story would be much longer, and was cut in the edition. Anyway, it is a beautiful movie, indicated for sensitive viewers.

根据瓦吉姆·柯热夫尼科夫同名长篇小说改编，描写伟大卫国战争期间看不见的战线上敌我殊死的斗争，歌颂苏联国安英雄不朽的功勋。
影片一共四集，名字分别是：
1. 无权做自己Без права быть собой
2. 奉命活下去... Приказано выжить…
3. 不得申诉Обжалованию не подлежит
4.最后的界线 Последний рубеж
故事大意：
1939年，苏联国家安全委员会侦察员亚历山大·别洛夫化名约翰·魏斯，随同党卫军要员的侄子海因里希·施瓦茨科普夫由拉脱维亚移居德国，经过一番周旋当上了谍报局老牌特务施泰因格利茨的司机并长期潜伏下来...
КГБ侦察员别洛夫同志建立了如下功勋：
在德军入侵苏联前夕发出警报；
在波兰组织地下小组展开武装斗争；
策反海因里希，使之成为反法西斯战士；
破坏德军情报部门派遣特务去苏联的计划；
打入法西斯德军保安处，担任秘密信使；
揭露英美与希姆莱秘密谈判、企图单独媾和的阴谋；
第三帝国灭亡前夜，破坏法西斯分子灭绝集中营、杀害战俘的计划；
...
电影主题曲《祖国从哪里开始》的风格与惊心动魄的剧情形成强烈反差，它节奏舒缓，曲调轻柔，歌词中每一个字都包含着苏维埃侦察英雄怀想远方祖国的赤子之情。

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

Включает в себя тридцать новелл по рассказам Антона Павловича Чехова. Премьерный показ проходил с 12 по 26 октября 1998 года на телеканале ТВ-6.

以前，亚历山大·赫里斯托弗洛夫是影视明星。现在，他在一个度假小镇当动画师。他的前妻搞阴谋诡计，儿子离他而去，但这位曾经的演员并没有陷入绝望，而且还固执地继续奋斗。在被很丢脸地解雇后，命运送给了他一个童话般的礼物——心爱的女人，她就是为改变这个永远的失败者的命运而生的。

On the eve of his wedding, a young doctor leaves Moscow to see his mother who lives in a nature reserve. Things are complicated by the fact that the doctor's ex-girlfriend is also there, and she is expecting a child.

1977年曼海姆海登堡国际电影节金奖。
Stanislav Lyubshin plays the unlucky bookkeeper Vladimir in this distinguished stage and screen actor's directorial debut, based on the late Vasily Shukshin's stories and last (unfilmed) screenplay. Call Me From Afar was the Grand Prize winner at the 1977 Mannheim Film Festival. It is part of a Shukshin trilogy which begins with Pechki Lavochki and concludes with Kalina Krasnaya. In this film, a widow (Lidia Fedoseyeva-Shukshina) is told by her son and then her brother that she should marry again. She finds a likely candidate in a local bachelor, but during their betrothal feast, discovers that he is a reforming alcoholic who is occasionally irrational. Though she calls off the wedding, she takes this setback in stride.