Mariamar, a woman whose sister was killed in a lioness attack, finds her life thrown into chaos when the outsider Archangel Bullseye, the marksman hired to kill the lionesses, arrives at the request of the village elders. Archangel tracks the lionesses in the wilderness, but the hunt grows more dangerous, until it's no safer inside Kulumani than outside it. As the men of Kulumani feel increasingly threatened by the outsider, the forces of modernity, and the danger of their animal predators closing in, it becomes clear the lionesses might not be real lionesses at all but spirits conjured by the ancient witchcraft of the women themselves.

A dark, poetic mystery about the tribal women of Kulumani and the lionesses that hunt them
Told through two haunting interwoven diaries, Mia Couto's Confession of the Lioness reveals the enigmatic world of Kulumani, an isolated village in Mozambique whose traditions and beliefs are threatened when ghostlike lionesses begin hunting and killing the women who live there.
Mariamar, a young woman from the village, finds her life thrown into chaos just as the marksman hired to kill the lionesses, the outsider Archangel Bullseye, arrives in town. Mariamar's sister was recently killed in one of the attacks, and her father has imprisoned her in his home, where she relives painful memories of past abuse and hopes to be rescued by Archangel. Meanwhile, Archangel attempts to track the lionesses out in the wilderness, but when he begins to suspect there is more to these predators than meets the eye, he slowly starts to lose control of his hands. The hunt grows more and more dangerous, until it's no safer inside Kulumani than outside it. As the men of Kulumani feel increasingly threatened by the outsider, the forces of modernity upon their culture, and the animal predators closing in, it becomes clear that the lionesses might not be real lionesses at all, but rather spirits conjured by the ancient witchcraft of the women themselves.
Both a riveting mystery and a poignant examination of women's oppression, Confession of the Lioness combines reality, superstition, and magic realism in an atmospheric, gripping novel.

An old man and a young boy, refugees from a civil war, seek shelter in a burnt out bus. Among the effects of a dead passenger, they discover a set of notebooks that tell of his life. As the boy reads the story to his elderly companion, the tale gradually becomes part of their own lives. "Sleepwalking Land", Mia Couto's first novel, was first published in in 1992: an immediate success, it was voted at the Zimbabwe Bookfair one of the 12 best African books of the 20th century. Set in the author's native Mozambique, the novel examines the effects of war and devastation on a newly independent African nation. A somber book, it reflects a moment in the history of Mozambique when the country could only go forward after settling its account with the bloody past. Deftly exploring the relationship between oral tradition and the written word, truth and fiction, memory and invention, this is a memorable book that captures a critical moment in Africa's history.

The first in a trilogy about the last emperor of southern Mozambique by one of Africa's most important writers.
Southern Mozambique, 1894. Sergeant Germano de Melo is posted to the village of Nkokolani to oversee the Portuguese conquest of territory claimed by Ngungunyane, the last of the leaders of the state of Gaza, the second-largest empire led by an African. Ngungunyane has raised an army to resist colonial rule and with his warriors is slowly approaching the border village. Desperate for help, Germano enlists Imani, a fifteen-year-old girl, to act as his interpreter. She belongs to the VaChopi tribe, one of the few who dared side with the Portuguese. But while one of her brothers fights for the Crown of Portugal, the other has chosen the African emperor. Standing astride two kingdoms, Imani is drawn to Germano, just as he is drawn to her. But she knows that in a country haunted by violence, the only way out for a woman is to go unnoticed, as if made of shadows or ashes.
Alternating between the voices of Imani and Germano, Mia Couto's Woman of the Ashes combines vivid folkloric prose with extensive historical research to give a spellbinding and unsettling account of war-torn Mozambique at the end of the nineteenth century.