施維亞‧碧莉桃廿七歲生日那天下了個果敢的決定︰告別灰色的歳月，一切重頭來過，她接了份新工，買了四隻，把它切成四十八份，又買了一隻金絲雀，但是仍不滿意，決定到外省去旅行。然後遇上一個義大利旅客，告訴她他認識一個與她同名同姓的女子，施維亞的新生崩潰下來，決定親自查訪這個同名同姓女子的下落。赫特曼的第二部作品，是部有關身份之謎的輕喜劇。對阿根廷當代的精神分裂作微妙的諷刺，當大部分人決定集體遺忘甚至否認上一代在獨裁政府下大量神秘失蹤的歷史時，施維亞的名字偵查未嘗不是一種樂觀的表現。

From a screeching lo-fi sound to luminous pop songs; from a split with Juana La Loca to a Le Mans tribute EP; from a cassette tape with a red star in the groundbreaking film Rapado to the lead singer's main role in Silvia Prieto. In sum: from 1989 to 2001, Suárez rode the scene and stages of Argentine indie rock with great freedom, elegance and intelligence. Also during all those years, its members recorded on video many of its intimate moments and public tours. Blanco wisely sticks to organizing and polishing that analogic repertoire without adding anything else, and he lets Suárez dazzling mystery reveals itself slowly amidst jokes, music videos, dodgy video-camera effects, and lots and lots of other answering machines.