Wishman's plot rotates around the maneuverings of a whore who longs for a touch of mink and a seat at the finer tables in life. Blackmail, betrayal, murder and malice are all part of her tender trade. Lord help anyone who lays in her way.

A male escort spirals into chaos as he navigates the dark underbelly of his hedonistic world, battling addiction and violent encounters, ultimately confronting the cost of his choices in a desperate bid for redemption.

Lisa, Beth, and Tess are three young women who share a Miami apartment and the goal of hooking up with their respective male bosses. While their attempts at seduction get off to a rough start, their voyeur neighbour spends his days peeping through keyholes. Will these roommates finally make it with their managers, or will they find better company with sex toys?

Bank robbers take a woman hostage in the course of a botched getaway. After discovering she's a nudist, they decide to hide out at her nudist camp.

Three attractive sisters have one year to avenge their mother's murder and collect her inheritance.

一个男人发现他的妻子和他最好的朋友背叛了他，他杀死了他们两个，然后是自杀了。五十年后，他的鬼魂出没于同一栋公寓楼，他多次与搬进公寓的年轻女子发生性关系，让她们认为自己疯了，杀死了她们的男性追求者，并且也杀死了她们邻居的情人。

While vacationing in Greece with her second husband, Louis Silverman (although she wasn’t all that keen in taking his surname in marriage, director DORIS WISHMAN was more than happy to add her hubby’s handle to her ever-expanding list of pseudonyms), Wishman stumbled upon a small-time film company in desperate need of funds, ultimately returning home with the rights to The Hot Month of August and Passion Fever – purloining both productions for less than $4000. En route back to New York, Doris absentmindedly left her briefcase containing both August and Fever’s translated scripts on a train, forcing her to rewrite the narratives from scratch while overdubbing the original dialogue (a prevalent practice throughout her entire career).
To make matters even more bizarre, Doris decided to spice up The Hot Month of August with a slew of new sexual escapades, mind-bogglingly shot in New York sans the production’s original participants. Solving the problematic situation in typically warped Wishman fashion, the director went to great (and often comical) lengths to obscure the faces of her body doubles with a variety of foreground bric-a-brac – potted plants, furniture, and a succession of undraped skin – resulting in a festival of featureless flesh that would have been more aptly titled “Planet of the Faceless Fornicators.” If you thought Wishman’s world was a wacky place before, you ain’t seen nothing yet!
On his way home from Athens, Greek stud Jason Philippi meets two women, Hope and Alexis. Though Jason’s in love with Hope, he has sizzling sex with Alexis. Trouble is, Alexis is married to Yarkos, a wealthy industrialist, who has hired a private eye to spy on her, blithely unaware that Alexis and the private eye are actually secret lovers who plan on murdering him! But wait! Yarkos gets wind of their little plot and turns the tables by killing Alexis, wounding the private eye, and framing the whole thing on Jason! Arrested for murder, Jason’s only hope is… well, Hope, who keeps the police (and audience) entertained with a lurid alibi….
While Wishman managed to cobble together a fairly cohesive narrative from the ashes of the original, The Hot Month of August succeeds mainly on the strength of its wild sexual antics. Although even a retarded rhesus monkey could tell the difference between the dumpy debutantes of Wishman’s footage with the original’s svelte sirens, it doesn’t matter much. The added gropin’ and grindin’ are exactly as they should be: extensive, enthralling and, best of all, occurring every five minutes. More than enough reason to watch if you ask me. And Euro-cult fans should keep their eyes peeled for a young MARIE LILJEDAHL, star of Inga and Eugenie, in her very first screen appearance as a teen on the beach. But beware: though she has a couple of lines, the voice coming from that gorgeous body has been redubbed by Doris herself!
From the 35mm hot-and-sweaty negative.

丑陋的流浪汉泽波（Michael Lawrence 饰）捡到一枚戒指以及一个玩偶，样子酷似迷人的安（Sharon Kent 饰），并且发现自己竟然可以用玩偶操控她：只要一抚摸玩偶，安就会因为突如其来的情欲反应而浑身发抖。当泽波发现安已有男友，其欲望烟消云散，取而代之的是暴力。他扭掉了玩偶的头，安也被杀死了。

一个来自被诅咒的家庭的女人被一所精神病院释放，随后一些被肢解的尸体便出现了。A woman from a "cursed" family is released from a mental facility, and soon dismembered corpses start turning up.

一个维修工冒充婚姻顾问给他的邻居们提供性咨询，这个好色之徒透过大楼里每户的钥孔暗暗窥视着邻居们的床地之欢。一个男人在通过函授课程获得学位后，利用他所学的知识帮助他的邻居们重新点燃欲火。而大家却未意识到他们最私密的时刻都成了这个能窥视整幢楼内住户的孤僻的维修工眼中的盛宴。

伟大的传奇老太太Doris Wishman最后的作品....

一老一年轻俩男科学家兴奋的展开最初的登月计划（他们的飞船和宇航服我感觉都是象征性的要真是这样啊别他妈登月了，连中国古代火箭和太空摇滚的戏服都不如）。不料月球上满是金子ROCK和友善的裸体男女。原来月球是个首脑是女王的母系社会，女多男少，头上都带一个长的像啊同蚂蚁那样的触角跟昆虫或者无线电是的，每人只穿个闪光的小内裤大半姑娘还露个屁股沟在外面（不知道是不是因为找来的愿意裸体的女的大部分都太肥胖身材狂烂，裤子拉不上去。。。）一开始他们对突然出现的两位外星来客很迷惑不知道他们是朋友还是敌人（一个女的把俩科学家用魔棒弄晕弄到一个石室里头）女王就召集居民开会（他们不会说话好象都是用意念交流呢，其实啊就是用个女的说旁白，旁边的其他男女就摆出很傻的完全没有演技可言的动作表情），最后发现科学家很友好，就又自顾自己的玩去了。两位科学家记录了大量月球裸体居民的生活状况，年轻的科学家就用一个老式相机拍啊拍，老教授就指点月球江山是的让他拍女人嬉戏男人嬉戏小孩嬉戏（娘啊，简直是原始的极乐世界，纯真到了滑稽的地步，实际上也可以说看着看着就觉得乏味到了一定程度了，有烂片之风范，不亚于死人的狂欢里跳脱衣舞）值得一提的是年轻科学家还和女王一见钟情。女王知道他不得不回地球于是还是用小魔棒（不知道什么烂东西做的一棒子，有个花形状的顶部，月球好多女的都拿一个）一点，年轻科学家就晕了。在返航的飞船上，年轻科学家还对女王念念不忘，更可气的是他还发现他的相机没拿。。。。。。（GO TO THE MOON AND BACK操这不是野人花园的歌么）回到科学研究室，他又打电话什么的，最后发现在影片开头莫名其妙的介绍他们去之前的情况（在莫名其妙的声音的实验室里他在弄莫名其妙的仪器，还开个车子他和老教授说话啊兜风啊交流啊还一女秘书的拿他照片出来看啊看的为他出行很担心）里的那女秘书居然是和月球女王长的一模一样（我看了一半就发现是一个女的演的，但真的不怎么样长的），看着看着就变成裸体然后又复原成穿个白大褂，然后俩人就拥抱了。又开始了和开头一样的老男人的情歌在月球背景下就没了（开头结尾就放这个就分别有一分钟）

黑社会毒枭托普拉正在用低级海洛因充斥市场。99号特工离真相有点太近了，但他设法说出了托普拉身份的线索：他有一道伤疤。简（73号特工）被叫去寻找托普拉，并在她的乳房里植入了一台相机，以便拍摄她派出的坏人，这样总部在她找到托普拉时就能认出他。与此同时，她开始爱上同为经纪人的吉姆。

故事讲述Chesty的男友被黑帮杀害，为报仇，Chesty使用影史上最利害的「死亡武器」— 她的一双73吋大胸脯—来对付坏人。这件武器「致命」之处除了其足以吓死人的巨大体积之外，其绝技是将敌人之脸陷入其中窒息而死。

家庭主妇 Ellen 被一个看门人强奸了，为了报复 Ellen 杀死了这个人开始了逃亡。她来到了一个大城市，堕落了，被人利用也利用别人。她找到了一处安全的藏身地，但是后来她发现女房东的儿子是个警察，自己即将暴露行踪……

1978年以伪纪录片的手法，讲述变性人的"Let Me Die a Woman"。片中更找来一些真实的变性人作为演员。当中，未来的色情片巨星Harry Reems(即"Tim Long")亦在此片中担任一名小角色。