This pioneering text provides an excellent introduction to CFD at the senior level in aerospace and mechanical engineering, and to some extent, chemical and civil engineering. It can also serve as a one-semester introductory course at the beginning graduate level, as a useful precursor to a more serious study of CFD in advanced books. It is presented in a very readable, informal, enjoyable style.

In keeping with its bestselling previous editions, "Fundamentals of Aerodynamics, Fifth Edition" by John Anderson, offers the most readable, interesting, and up-to-date overview of aerodynamics to be found in any text. The classic organization of the text has been preserved, as is its successful pedagogical features: chapter roadmaps, preview boxes, design boxes and summary section. Although fundamentals do not usually change over time, applications do and so various detailed content is modernized, and existing figures are replaced with modern data and illustrations. Historical topics, carefully developed examples, numerous illustrations, and a wide selection of chapter problems are found throughout the text to motivate and challenge students of aerodynamics.

Having largely given up on a career in film, Edward Yang had been working as a computer engineer for several years when he saw Herzog's "Aguirre, Wrath of God". Inspired to return to film, Yang, along with a handful of other filmmakers including the great Hou Hsiao_hsien, went on to found the Taiwanese New Wave of the early 1980s. Film critic John Anderson's Edward Yang offers a comprehensive overview of the work of the writer-director - already considered one of the most important filmmakers of the past twenty years - from his breakthrough feature "That Day, on the Beach" to the epic "Yi-Yi".Rooted in questions about what it means to be Taiwanese, Yang's films reveal the complexity of life within the island's patchwork culture. Anderson identifies the key narrative strategies, formal devices, moral vision, and sociopolitical concerns shot through Yang's films. He explains what makes these films so distinctive by pinpointing the specific qualities of Yang's style and outlook. John Anderson is the chief film critic for "Newsday". He also writes for the "Los Angeles Times", "L.A. Weekly", "Film Comment", "Billboard", "Washington Post", "The Nation", and more. He is the author of the book "Sundancing: Hanging Out and Listening In at America's Most Important Film Festival. A volume in the Contemporary Film Directors series