老农民阿方索回到了自己的家乡照顾身患重病的儿子，他重新找到了曾经居住的老房子，却发现自己的前妻带着女婿和外孙依然住在这里。等待着他的故乡已经几乎变成一片荒原，庞大的甘蔗种植园环绕着他的老房子，日夜烟雾缭绕。阿方索17年前抛下家人离开，如今他试图重新返回，挽救亲情，却发现 在这个已经物是人非的地方，很多答案只能自己去寻找。

Best friends Ras and Calvin are street artists with limited resources but big ambitions to alter their local surroundings for the better. The two traverse Cali on bike and skateboard, scouting for surfaces to decorate with whatever paint they can scavenge. Inspired by news of the Arab Spring uprisings, they dream of collaborating on a vast mural (with graffiti artist Mario Wize) that will express solidarity with Egypt’s student demonstrators. As Ras and Calvin explore Cali’s streets and leave their mark on its underpasses and alleyways, Ruiz Navia’s film bears witness to a new generation gradually finding its place in a rapidly changing world.

重聚，只能始于死亡。为求存从戎，子弹射向母亲胸膛时，他已投进魔鬼怀抱。母子亡灵如今再遇，走过被上帝舍弃的荒芜大地，遍野只剩頹垣，阴魂萦绕不散，在记忆迷雾里静待真相的超渡。面对亡魂声声叩问无言以对，自知罪孽深重，无名孤墓容不下宽恕，愧疚悔恨安放无从。阿哲维度以凄美沉郁图像为诗，将哥伦比亚逾半世纪内战的伤痛凝注于氤氲混沌之世，魔幻现实亦难以纾解那历史的沉重。真幻相承，死生互照，真相不灭，莫失莫忘。