故事发生在1972年的德国，汉斯（尤利乌斯·维克考夫 Julius Weckauf 饰）是一个胖嘟嘟的九岁小男孩，生活在祖母经营的小铺子中。汉斯的性格并不是那么的讨喜，但是他有一项过人之处，那就是他拥有能够逗人发笑的特殊能力，无论心情再低落的人，只要和汉斯讲两句话，就会重新获得笑容。
汉斯的母亲玛格丽特（路易斯·海耶尔 Luise Heyer 饰）病重，全家的重担都堆到了父亲的身上，为了养家糊口支付医疗费，整日埋头工作的父亲也渐渐失去了笑容。好在汉斯家族中的女性都十分的豁达而坚韧，她们的存在在潜移默化之中影响了汉斯，让他的心灵免受残酷现实的伤害。

《好时光，坏时光》从1992年起（2008年2月1日第3918集！）由德国私人电视台RTL每周一至周五晚上19:40－20:15间放映，是德国电视史上播放时间最长的最成功的泡沫剧。
这部电视剧讲述的是来自柏林的一群年轻人的故事。他们有的还在读高中，有的已经在念大学或当学徒。年轻人生活中经历的所有高潮和低谷都是这部电视剧关注的对象，从恋爱到分手，阴谋、权势斗争甚至死亡。
16年来，《好时光，坏时光》的场景主要设置在咖啡厅和餐馆。（主要是das Mocca 和 der Fasan mit der Cocktailbar Bluebird, 还有以前的das Allistairs, Siggis Bar, Daniels Bar), 此外还有些广告公司（Agentur Löpelmann, Sisters), 报刊编辑室(City-Lights, Morgenecho), 商店(Holm's Tante Emma Laden, Charlies Laden, Kai's Corner), 还有旅馆 (Schlaflabor) 各色时尚小店, 一家摩托车工厂以及类似的场景。

A beautiful blonde hooks up with a rock star, and after a night of sex and drugs, he leaves. She, though, has fallen madly in love with him, and sets out with her girlfriend across Europe to track him down. On the way, however, she gets mixed up with everyone from a gang of nasty bikers to a ring of devil worshipers.

In the most memorable scene of this movie, German sex star Ingrid Steeger plays a mini-skirt clad, lollipop-sucking "princess" who likes to sit on "peas", especially really big ones. She sits on one guy's "pea" during a crowded--and very bumpy--bus ride, and, understandably smitten, the guy follows her off the bus and into the woods for some (more) sex. All the various stories in this German "schulmadchen report"/"sex report"-type movie are pretty much this stupid, but the girls in them tend to decline somewhat in attractiveness from Ms. Steeger.
The ridiculous frame story involves a group of scandal sheet reporters discussing the problem of "young seducers" throwing themselves at older men. (I don't think this has ever really been that much of a societal "problem"--more likely the dirty old rotters watching this back in the day WISHED it were a problem). The result is, of course, is very similar to the more famous Ernest Haufbauer-Walter Boos "schulmadchen-report" series, but those had a little less sex and quite a bit better stories. The girls in the Hofbauer-Boos films were not especially believable as "schulmadchen", but the mature and voluptuous women in this movie are not even remotely believable as the characters they're supposedly playing--the "young seducers" here don't look appreciably younger than the "older men" they're seducing.
Still you get to see these ridiculously horny, clothing-averse vixens seducing a male artist, a chemistry teacher, a lesbian piano teacher, a soccer star, a Shakespearean actor, and a naive English university. One girl is working as a prostitute at a gas station (oookay). Another girl hitches a ride to school with a passing motorist and gives HIM a ride on the way. Another girl does a sexy strip out of a red halter and hot pants ensemble and has sex with four guys. With it's it numerous, sex-soaked but really pretty pedestrian stories this isn't as entertaining as most of the Hofbauer-Boos films. It's also not as good as producer-director Irwin Dietrich's own "Swinging Stewardesses" where a lot of these same actresses, much more believably, played horny airline stewardesses, and at least you got some good travelogue footage in between the sex scenes. Irwin Dietrich later produced some of Jess Franco's sickest 70's WIP films. This is not nearly as sleazy as any of those, but it's not as interesting either.

An "adults only" retelling of the legend of the Three Musketeers.@

Als dem alteingesessenen Familienunternehmen der Konkurs droht, kehrt der ehemalige Leiter des Kaufhauskonzerns seinem Alterssitz den Rücken und versucht, den Betrieb wieder auf Vordermann zu bringen. Gemeinsam mit drei ebenfalls pensionierten Freunden, allesamt Fachleute auf ihren Gebieten, sagt er den Banken, Spekulanten und einer Supermarkt-Kette den Kampf an.

总部设在纽约的航空公司，有四条国际航线飞遍欧洲各地，包括苏黎世，哥本哈根，罗马和慕尼黑。搭乘这家航空公司的航班去欧洲将会成为一场难忘的旅行……

Young women make for the best hosts in this sexploitation film from Erwin Dietrich. A series of short stories that show young women in various sexual situations who enjoy playing host to their male and female visitors.

　　在分别研究未成年女学生性行为的生物学事实和阐述其心理学背景的前两部后，更具批判性且更为大胆的第三部从显著个案着手，相聚桌旁的九位年轻女性依次谈论亲身或的性与感情经验：利用教学之便与学生发生身体接触的生物老师反而被受侵犯的女生包庇；楼管通过策划卫生间侵犯事件激起受害人的负罪感，并迫使其走上麦淫道路；女儿为挽救父母的婚姻而献身于父，绝望的拯救行动被曲解成年轻人心甘情愿的自我牺牲；当代洛丽塔主动挑逗同学父亲，将性关系作为自我彰显的手段，反而诬陷男方；倡导平等观念、自诩能驾驭男生的女孩最终仍产生性依赖，成为一知半解和她自己健康的性激情的牺牲品……