Two alcoholic escorts suddenly find themselves involved with a hit gang and an ax murderer.

A cafe worker is violently jolted from her day-to-day existence when offered the startling revelation that this world may be on the brink of destruction, revolution—or both.

Having just met at a party, Siobhan brings back Greg to her flat for what might be a night of of unbridled passion. Greg really thinks his luck's in but things don't go quite according to plan as he doesn't account for Siobhan's pet dog putting a spanner in the works when it attacks him. Forced to defend himself Greg seemingly kills his beautiful hosts beloved pet and in attempting to cover up it's demise the night descends in to a chaotic night of misunderstood intentions which neither will ever forget...that's if either lives to remember it.

Couples and Robbers is a 1981 English language comedy/crime film written and directed by Clare Peploe, starring Frances Low, Rik Mayall and Peter Eyre. Two couples -- one with all the riches that dreams are made of, the other with only dreams and schemes -- are brought together by the plotting of the poorer couple. A pair of newlyweds wander through the city streets, bickering about their poverty, until they are distracted by the opulent home of a lawyer. Impulsively, the couple makes off with the lawyer's vehicle for one night of extravagant indulgence. The film was nominated for an Oscar for Best Live Action Short Film.

Believe Nothing is a British ITV sitcom starring Rik Mayall as Quadruple Professor Adonis Cnut, the cleverest man in Britain, and Oxford's leading moral philosopher. He is paid huge amounts of money for his views consulted by the government but he's bored and wants adventure so he joins the shadowy organization The Council which controls everything going on in the world. Starring alongside Mayall is Michael Maloney as Brian Albumen, Cnut's faithful servant, and Emily Bruni as Dr. Hannah Awkward who becomes professor of pedantics.

The series was written by Maurice Gran and Laurence Marks, who give a twist to many of today's global issues.

Although much hyped by ITV, who were hoping to repeat the success of Gran and Marks' previous project with Mayall, the successful The New Statesman, the series failed to catch on, and was dropped after one series.

Filmed during their sell-out 1997 tour, Bottom Live 3: Hooligan's Island features Rik Mayall and Adrian Edmondson at their comedic finest. This time around Richie Richard (Mayall) and Eddie Hitler (Edmondson) are marooned on a desert island in the middle of the Pacific.

The story is about the Princess Irene and a young warrior boy named Curty. Irene must use her magic power to fight off goblins and save the kingdom.

Richie and Eddie are in charge of the worst hotel in the UK, Guest House Paradiso, neighbouring a nuclear power plant. The illegal immigrant chef has fled and all the guests have gone. But when a famous Italian filmstar, Gina Carbonara, who is in hiding from a fiance she doesn't want to marry, arrives at the hotel, things get very interesting!

From early sketches to standout performances, Mayall's fearless comedy bursts with energy and intent, capturing a pivotal moment in British comedy while delivering pure entertainment.

Charthurst Green, Kent, 1966. Pauline Cox accompanies Mike Robins to a village cricket match in which he is playing, but becomes bored and wanders away. She fetches up at the local railway station, where she is first entertained to tea by the garrulous, hunchbacked station master, then upset by the intrusion of the latter's assistant Ewen, who proceeds to kill a rabbit in her presence. Making her way back to the match, Pauline is waylaid by the simple-minded Ewen as she crosses an apple orchard; when his advances become violent, she tries to fight him off and he strangles her. The station master helps in covering up the murder, burying the corpse in the orchard.

Canadian scientist, Dr Geoff Burton takes up a position at a new institute in wintry Dresden in order to contribute to their most important project—a human regeneration gene—that also has the potential to make something miraculous out of a personal tragedy that has haunted him for years.

On a bare country road Vladimir and his friend Estragon wait in hope of salvation from a man called Godot. Their hope of salvation lies in Godot's arrival. While waiting they play games, entertain one another with vaudevillian tricks, question whether Godot will arrive and how they will benefit when he does. They are interrupted by the arrival of Pozzo (a land owner) and Lucky (Pozzo's slave). Pozzo questions their reasoning for waiting. Lucky performs a staggering burst of a monologue. Pozzo and Lucky exit, night falls and a young boy arrives and tells Vladimir and Estragon that "Mr Godot won’t come here today but he'll surely arrive tomorrow.” In Act two Pozzo returns but he is blind and Lucky is mute. Vladimir and Estragon continue waiting. Still determining to go, the tramps do not move.

“I cannot express how much this show means to me,” writes artistic director, Peter Reid. “It is undoubtedly the greatest show of the 20th Century and has revolutionised the fabric of theatre.”

British sitcom of the late 1980s and early 1990s

British sitcom television series

British sitcom

A teacher's life is turned upside down when his girlfriend leaves him. With the help of his two friends, he attempts to win her back, all the while, getting himself in all sorts of embarrassing scenarios.

A series of killings of bank managers has London in a turmoil, all the way up to Parliament. And the killer regularly calls about his handiwork, but only to a street-wise, and usually rather tipsy, radio reporter, about to be sacked for his habitual irreverence toward his station and the BBC. And while everything seems to point to a lead singer of a rock group famous for the "In The Red" music which has been connected to the killings, in typical British mystery fashion, there are also other sub-plots to be considered.

ABBA - THE LAST VIDEO is the film about four hopeful musicians in search of a record contract. They pay a visit to the Big Record Company Boss and his oily assistant, performing one hit after the other, cheered on by their manager. But things don't really work out as planned...Agnetha, Bjorn, Benny and Frida look just like they did back then... or perhaps not.