Like plants, people can either thrive or wither when removed from their native soil, as this short film explores.

Peter Greenaway remembers his first meeting with Rotterdam Film Festival director Hubert Bals.

Peter Greenaway remembers his first meeting with Rotterdam Film Festival director Hubert Bals.

One of Greenaway's early art school shorts, it is basically a collage of footage from UK demonstrations edited to the soundtrack of The Beatles' "Revolution",

好像是格林纳威的系列演讲，imdb写的是2008，youtube上有2010和2014两场的录像。其中有一场格林纳威说 "Cinema's death date was 31 September 1983, when the remote-control zapper was introduced". 9月只有30天好嘛！

摩根·弗里曼将主演彼得·格林纳威新作[卢卡死亡之旅](Lucca Mortis，暂译)，弗里曼同时担任制片人。弗里曼将出演一位作家，而这位作家的最后一次冒险则很可能便是“死亡”。作家平日居住在纽约的小意大利，他决定休假时和家人一起旅行去意大利卢卡，寻根溯源，并理清他一生的羁绊。本片将于2020年3月左右开机。

A TV Dante, produced by Britain’s Channel Four during the 1980s and aired in Britain in 1990, presents the first eight cantos of the Inferno.
Co-directed by Peter Greenaway and Tom Phillips. Phillips, a composer, artist and critic, is perhaps best known for his interest in the art of the page. His 1983 translation of the Inferno is used for the production. (The rest of the Inferno has been divided among directors Raul Ruiz, Terry Gilliam, Zbig Ribzynski and Nagisa Oshima)
The title of A TV Dante was clearly studied to put in play the high cultural register now evoked by the name ‘Dante’ and the low cultural register evoked by ‘TV.
Review
Cantos 1 - 8, co-directed by Tom Phillips and Peter Greenaway, was shown on television and later released on video in UK. Ruiz’s casting of his native Chile as the inferno visited by Dante and Virgil in Cantos 9 - 14 (uploaded here) was met with criticism and never broadcast or released on VHS in Europe. Ruiz’s series later found a life in Latin America where it was eventually shown on television where this version comes from. The remaining Cantos 15-34 were never made..

格林纳威的这个雄心勃勃的三部曲计划，将成为涵盖多种媒介的百科全书，而电影只是这一庞大规划中的一部分。他将拍摄总长达18个小时、共3部电影，1套电视剧，数张CD-ROM和DVD，以及开展网络活动。他试图超越电影胶片的艺术实践，通过采用与电影相关的几种电子媒介的组合与观众建立更灵活多样的互动关系，以不同方式进行艺术表达，最终达到电影艺术发展的突破。
影片讲述了图西·卢皮的传奇一生。从他在威尔士度过的童年时代直到长大成 人后在世界各地的冒险经历。图西·卢皮是格林纳威幻想出来的人物，代表着其自我的另一面。“这可以说是一部囚犯的自传。或许我们都是某种东西的囚犯-- 爱，金钱，性，名誉，信仰，权力，野心，贪婪，债务，工作，花园，狗，火车时刻表，房产抵押，也许仅仅就是杂货帐单。因此大部分监狱不是带铁窗和牢门的房间。"
格林纳威称：“这套电影的隐喻在于没有所谓的历史，只有历史学家。"影片将关于历史的讨论与铀的发展史联系在一起。他认为铀的发现和运用对于20世纪的历史具有不容忽视的意义，除了直接造成灾难外，它还在冷战期间以及冷战结束后全球各地的战争冲突、民族矛盾、地区纠纷中扮演着定时炸弹的角色，始终威胁着人类生存。尤其是他的成长过程几乎就是在核恐惧的阴影下度过的。
男主角由英国影星JJ Field扮演，引人注目的是影片的配角阵容，绝对可称得上是星光逼人。维多利亚·阿布里尔、凯西·贝茨、弗兰卡·波腾特、文森特·加诺、威廉·赫特、麦当娜、斯汀、伊莎贝拉·罗塞里尼等人都将出现。
3部影片《The Early Years》、《Vaux to the Sea》、《From Sark to Finish》分别计划在今年戛纳、威尼斯和明年的柏林三大电影节上首映。看来格林纳威有意像当年的基耶斯洛夫斯基一样掀起一场电影节风暴。
非常值得关注的是格林纳威采用其他媒介从各方面来补充电影的局限。如铀的原子序数是92，因此主人公一生中会有92只手提箱需要打开或填满，这些手提箱对他的人生具有重要意义。不过影片没有那么多时间让观众查看，他们可以通过CD-ROM随心所欲地一一打开手提箱，检视格林纳威特别设计的各种富有寓意的物品。再如片中的一位角色想重写《一千零一夜》，而电影中不可能让他讲完1001个故事，但整套影片的制作发行周期很可能是1001天，在这段时间里，格林纳威将在网上讲述这些故事。观众想要比较完整地理解格林纳威的作品，就需借助于其他媒介。

Charles Darwin (1809-1882) and his legacy have achieved sacred-cow iconic status throughout much of the modern world. This short 52-minute video not only illuminates less-well known aspects of the great biologist's life and career, but also serves to return him to a more human dimension. The filmmakers accomplish this through a dozen and a half short, ironic vignettes, all taking place in the great man's office/study; each vignette is introduced with titles in quaint Victorian English.

彼得·格林纳威将自编自导[爱森斯坦在瓜纳华托]前传[爱森斯坦在好莱坞](Eisenstein in Hollywood，暂译)。埃尔默·拜克也将继续扮演爱森斯坦这一角色。该片中，爱森斯坦受到卓别林的邀请来到好莱坞，并遇到了对当代电影有着重大影响的格里菲斯和刘别谦等人。该片有望在今年11月开拍。

A commissioned project, made for TV in honor the the 200th anniversary of Mozart's death, this is a highly avant-garde piece of music, theater and dance, set to an original score by the controversial Dutch composer Louis Andriessen (who would later collaborate with Greenaway on the operas "Rosa" and "Writing to Vermeer"). Four nude, powder-white dancers (representing the Gods) appear on a stage designed in the style of an 18th century anatomy theater. A woman sings a list of objects beginning with various letters of the alphabet up to "M"; the Gods then decide to create Man, assembling him from body parts listed as onscreen text. Having created Man, the Gods then give him Movement; so as to give him a reason to move, they create Music; finally, so as to have Perfect Music, they create Mozart.

This is a delightful little film. The film begins in a dreary black and white setting in a foreign country, probably Italy, and with a monotonous ticking noise. Images of people scurrying around and posters on walls. Then suddenly we are thrust into a most tranquil location. The pleasant rural English countryside. Apple trees and the birds singing. The director narrates to us a short tale about a naturalist and the title is shown, accompanied by a spurt of music by Vivaldi. The narrator is Colin Cantlie, the familiar voice heard on the other Greenaway films, Water Wrackets, Vertical Features Remake, Dear Phone, A Walk Through H and The Falls. A little girl plays in the garden, while her mother tends to her and other chores. H is for many things. Other letters of the alphabet are narrated. The film concludes with another witty story.
H is for House. Delightful.

Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him working in a cinema, which gives him ample opportunity to cross paths with virtually every artistic device and dramatic character known to man.

Beautifully gloomy images of the Wiltshire wetlands.英格兰威尔特郡湿地的美丽阴郁的景色。

关于超现实主义的英国标志---红色电话亭的短片。