Uniforms, morning roll call, order, and discipline determine life at a prestigious boarding school somewhere in the Himalaya’s misty foothills. 16-year-old Jaivardhana isn’t thriving in this authoritarian environment. An opportunity for temporary respite from this strict regime presents itself, when a former teacher visits the school and offers interested students a photography workshop. During Mr Sapru’s inspiring lessons, the young people don’t learn about depth of field or shutter speed, but they do learn to open their senses and experience the world around them.
The photography lessons also introduce Jaivardhana to Tarini, a new student he has been watching for a while now. Something cautiously develops between the two timeless lovers – because their present meeting proves to fulfil a centuries-old desire, that references a classic Indian tale about tragic lovers and an evil, jealous ruler. When fate strikes, Jaivardhana decides to seek out the mythical figure Hanuman.
This lends this coming-of-age film a cosmic dimension, that director Rahat Mahajan also expresses in his debut feature film’s narrative form. Contemporary and ancient storytelling meet in an original fusion of classic cinema, with expressive storytelling traditions from the south of India. Mahajan’s own boarding school experiences were not only the inspiration, but also provided the film’s principal location, as it came about in collaboration with students and staff of his former school.

富有的医生夫妇萨钦和阿尔蒂的独生女阿伊莎被发现杀死在自己的卧室内，马尔瓦德警官调查后认为是萨钦医生和失踪的佣人切坦合谋杀害了自己的女儿，萨钦医生锒铛入狱。中央调查局的苏尼接手对此案进行调查，随着调查的深入，苏尼发现此案错综复杂，怀疑对象也相继死于非命，连自己也差点丧命。究竟谁是真正的凶手？

从小被孟买大佬收养的男主拉古Raghu，一直被大佬的侏儒儿子维什努嫉妒。维什努杀人被哑女佐娅Zoya看见，大佬逼迫拉古杀了心爱的佐娅，拉古出狱后报复仇。