Marin Alsop — 艺术家 (14)
Glass - Symphonies Nos. 2 and 3 [音乐] 豆瓣
Bournemouth Symphony Orchestra / Marin Alsop 类型: 古典
发布日期 2004年11月1日 出版发行: Naxos
Marin Alsop • Bournemouth Symphony Orchestra Philip Glass (b.1937): Symphonies nos. 2 & 3

Though he prefers not to be labeled a 'minimalist' composer, that is the style with which Philip Glass is most associated. His compositions, however, though bearing certain tradmarks, employ a great range of techniques. This adaptive ability contributes to his success as a composer of music ranging from string quartets to largescale orchestral works and mammoth film scores. Marin Alsop conducts her Bournemouth symphony orchestra in these amazing performances of the Second and Third symphonies of legendary American composer Philip Glass. The grand Second Symphony was comissioned by the Brooklyn Acadamy of Music and premiered there in 1994 by Dennis Russell Davies. Also a commissioned work, the Third Symphony is composed for chamber orchestra, and thus bears an intimacy that is brilliantly suited to a smaller ensemble. In both the epically-proportioned Second Symphony and the smaller-scale Third Symphony, Glass returns, in his own way, to his roots at the Juilliard School, writing polyharmonies, rousing finales, and fully-formed symphonic paragraphs. They are true symphonies in scope, structure and seriousness of purpose. Marin Alsop comments on this recording: "Conducting and recording the music of Philip Glass is the completion of a circle for me. I first met Philip Glass in the late 1970s when I started playing violin on some of his recording projects. The new music scene in Manhattan was one of my major inspirations at that time, so working closely with Philip and his ensemble was a dream come true. I had not seen Philip since the mid 1980s until he attended an all Glass concert that I conducted in London. Like his music, it felt like the contuniation of an old friendship, only changed in a simple but profound way."
巴伯《小提琴协奏曲》《芭蕾组曲-纪念》《弦乐小夜曲》《谢利场景音乐》 [音乐] 豆瓣
Samuel Barber / Marin Alsop 类型: 古典
发布日期 2002年1月15日 出版发行: Naxos American
赛谬尔·巴伯 (Samuel Barber,1910-1981),美国作曲家。生于宾夕法尼亚州的西切斯特,曾在费城寇蒂斯音乐学院学习钢琴、声乐作曲,1932年毕业后赴意大利深造。1944年在美国空军部队服役期间曾应约完成交响曲《献给空军》。1966年又作歌剧《安东尼与克里奥佩特拉》以庆祝纽约大都会歌剧院新歌剧院的开幕。曾两次获得普立策创作奖与罗马奖。1959年获哈佛大学名誉博士学位。
作品富浪漫主义特色。主要作品有歌剧三部,交响曲两部,小提琴、大提琴、钢琴协奏曲多部,以及流传颇广的弦乐合奏曲《柔板》(Adagio for Strings)和不少脍炙人口的独唱曲等。
巴伯曾经是国际音乐学会的主席,在那儿巴伯着手改善国际音乐环境的问题。他同时也是第一位访问俄罗斯的美国人。巴伯在对反对美国交响乐团联盟中起到了很大的作用。
如果音乐有色彩的话,那么巴伯的小提琴协奏曲就是充满金黄色的,极爱协奏曲开头那优美无比的悠长主题,好似冬日的一抹暖阳照射在萧疏的白桦树上……
巴伯大部份令人满意的作品都是在意大利写成的,因为他最好的朋友是意大利作曲家梅诺地,他们在费城的蔻帝斯音乐院求学时认识,成为莫逆之交。于是每次梅诺地要回意大利度假时,巴伯也一起去,因此他写出来的音乐不但有他美国五月花号的精神,却又有浓厚的欧洲十九世纪强烈的浪漫气质。
巴伯从小在无忧无虑的家庭环境中长大,从求学到走入音乐圈也是一帆风顺,颁给艺术家的罗马大奖或普立兹奖他都榜上有名,就好象一位二十世纪的作曲家,享受着十八世纪宫廷乐师的待遇,却又有十九世纪浪漫乐派音乐家的奔放自由。
巴伯的小提琴协奏曲作于1940年,作品14号。1941年2月7日在费城首演,由斯波尔丁担任独奏,奥曼迪指挥费城交响乐团伴奏。巴伯的音乐具有欧洲传统风格,而不是特殊的“美国味”。音乐语言比较保守,富于旋律性、优雅和华丽。但巴伯的这首小协是他作品中少有的几部“现代”风格作品之一。1939年巴伯受一位美国富商的被保护人之托而作。据说当作者写好第一、二乐章时,请一位小提琴家试奏,那位青年小提琴家嫌它太简单,缺少协奏曲的光彩。于是作者答应在末乐章中给这位青年足够的机会炫耀他的技巧,谁知末乐章写成,那位小提琴家又嫌它太难了。所托之人见此则要求巴伯退款,不幸巴伯钱已经用光,只好另请一位小提琴家试奏这一乐章,结果证明它并非无法演奏。这场风波的结局以作曲家退回半数酬金,受托为之写这部作品的小提琴家让出首演权了事!
应该说在20世纪的协奏曲中鲜有像这一作品这样如此容易接近又如此可爱的。这首让人惊艳的小提琴协奏曲是在他的欧洲之旅的路上完成的。第一乐章与第二乐章是在充满湖光山色的瑞士写的,终曲第三乐章是在法国巴黎完成的。乐曲的结构十分完整,有着后浪漫派风格的巴伯,在这首以三乐章组成的曲子当中,随处可闻优美的旋律不时浮现;像布鲁赫的“小提琴协奏曲”一样,不经管弦乐的前奏,小提琴一开头便以美丽得难以形容的琴音,带领乐曲进入主题当中,此后小提琴便一直扮演着重要的角色,在第一、二乐章时的诗意,到了第三乐章后,便展开一连串艰难的技巧。成为近五十年来最受欢迎的小提琴演奏曲目之一。
James Buswell, violin
Royal Scottish National Orchestra
Marin Alsop
伯恩斯坦-弥撒 [音乐] 豆瓣
Jubilant Sykes / Asher Edward Wulfman
发布日期 2009年8月25日 出版发行: NAXOS AMERICAN
When Leonard Bernstein was asked by Jacqueline Kennedy Onassis to compose the inaugural work for the opening of The John F. Kennedy Center for the Performing Arts in Washington, D.C., he wrote: “The Mass is also an extremely dramatic event in itself—it even suggests a theater work.” Premiered on September 8, 1971, with additional words by Stephen Schwartz of Godspell fame, Mass is a remarkable, visionary work with a kaleidoscope of musical styles that touches on themes of political protest, existential crisis and religious faith lost and found.
巴伯《1915年诺克斯维尔之夏》《两首乐队随笔》《节庆托卡塔》 [音乐] 豆瓣
Royal Scottish National Orchestra / Marin Alsop
发布日期 2004年5月18日 出版发行: Naxos American
This fifth installment in Naxos's Barber series is conducted by 2003 Gramophone Artist of the Year Marin Alsop. This disc features the richly romantic Knoxville: Summer of 1915, a `lyric rhapsody' for soprano and orchestra, sung by Karina Gauvin, who has rapidly established a reputation for excellence internationally. Her charismatic performances fuse a brilliant voice, with an elegant style, and masterful interpretation. The Second Essay for Orchestra is widely regarded as the tightest, most incisive of the three compositions bearing this title; some even consider it a single movement symphony more than an essay—it is densely packed, and more happens in its scant ten minutes than in some works which sprawl for half an hour. The rarely-recorded Toccata Festiva for organ and orchestra which, with its fast, furious opening fanfare and virtuosic cadenza, is a veritable tour deforce for the soloist.
亚当斯《快速机器上的短暂骑行》《伤兵院》《震教徒之环》 / 布索尼《哀歌催眠曲》(亚当斯改编) [音乐] 豆瓣
Bournemouth Symphony Orchestra / Nathan Gunn
发布日期 2004年10月4日 出版发行: Naxos
Raised in Massachusetts and trained as a composer at Harvard, at the age of 24 Adams headed west to San Francisco in order to distance himself from his neo-European upbringing. Shaker Loops, written in the heyday of American minimalism, helped to earn him a place as one of the most famous living composers. It borrows the technique of looping fragments of melody from Steve Reich's early tape experiments, and continues to be one of Adams' most frequently performed works. Also included on this disc is Short Ride in a Fast Machine, four minutes of pure aural adrenaline, and The Wound-Dresser, a pensive adaptation of Walt Whitman's poem about his experiences as a nurse during the civil war. Marin Alsop has been Principle Conductor of the Bournemouth Symphony Orchestra since 2002. She represents the highest level of artistry seen in American conductors, and has recorded several times for Naxos. In 2003, she was named the Gramophone Artist of the year and presented with the Royal Philharmonic Society's conducting award. Marin Alsop has several more recording projects in progress for Naxos, including works by Glass, Weill and Bartók, as well as the complete Brahms Symphony cycle.