德黑兰，记者法拉兹曼德前去报道年轻人霍塞·萨布齐恩因诈骗被捕的事件。原来，失业的油漆工萨布齐恩是一个影迷，他自称是著名导演穆赫辛·马克马尔巴夫，取得阔绰的阿汉卡赫一家信任，向他们借钱拍片。事发后，萨布齐恩被抓。导演阿巴斯·基亚罗斯塔米就此案展开了纪录片似的跟踪调查，他采访了警察，阿汉卡赫全家，以及萨布齐恩本人。
审讯过程中，萨布齐恩为骗取了阿汉卡赫一家的感情而后悔，但他说之所以这样做是因为对艺术的热爱，如果有钱，他真地会拍摄自己的电影。而且，假扮导演马克马尔巴夫赋予了他自信。最后，原告阿汉卡赫家撤销了起诉，而萨布齐恩也见到了真正的马克马尔巴夫，后者骑小摩托带这个年轻人重访阿汉卡赫。

《我们时代的电影人》中94年的一片

76分15秒，代表了去年刚逝世的电影大师阿巴斯的生命，共经历了76年15天。导演、摄影大师、阿巴斯的人生挚友Seyfolah Samadian在其去年逝世后，集结多年和阿巴斯相处的各种素材集中剪辑，完成了这样一部纪录片。影片向我们展现了阿巴斯如何捕捉我们往往忽视的生活细节和精益求精的态度，必定会给热爱电影，摄影和美学的观众带来启示。

名副其實的大師班，基阿魯斯達米開壇教你如何拍電影。由頭到尾坐在越野車駕駛座自拍的真人 show，但鏡頭絕不單調，因為車子背後不斷變換著《櫻桃的滋味》的場景。畫面沒動過剪刀，只見他滔滔不絕講那十課電影：攝影、主題、劇本、演員、音樂......

Serge Daney died twenty years ago, at the age of 48 years. Journalist, traveler, it was a critical thinker and a respected television production scanning, video, and especially passionate cinephile. This documentary recreates the word of Serge Daney on film and filmmakers that collects on Serge Daney.

这是阿巴斯·基亚罗斯塔米在为非洲儿童拍摄的一部公益纪录片,影片用两部数码摄影机拍摄和记录了在艾滋病蔓延的乌干达，几个妇女帮助和照料上百万孤儿的故事，反映出在非洲儿童恶劣的自然环境和生存环境，以及非洲儿童的天真、淳朴的生活面貌。

一个四岁的小男孩和一个婴儿单独留在家中，他们的母亲出外购物。年轻的穆罕默德对襁褓中的弟弟的哭声不予理睬，对在炉子上烧开的水壶也视而不见，因为更有趣的东西在吸引着他。当食物烧焦的气味，还有婴儿的哭声引起了忧心忡忡的邻居的注意时，穆罕默德却一时无法找到备用的钥匙让她进去，而他不得不亲自解决自己的难题。
这部难以确定类型的获奖影片由伊朗著名导演阿巴斯·基亚罗斯塔米亲自编写剧本，并参与剪辑。本片获得1987年柏林电影节最佳儿童影片水晶熊奖。

an Italian documentary on the making of Certified Copy, featuring interviews with Kiarostami and actors Juliette Binoche and William Shimell

本片记录了阿巴斯如何制作 2008 年上映的电影『希林公主』。

Introduction
A documentary with a new approach to Kurosawa through the testimonies of 11 world-famous filmmakers. A demonstration of the universal achievement he left in the history of world movie.
pagetop
Director Catherine Cadou
French-English-Japanese interpreter and translator. Specialized in the interpretation of japanese filmmakers since her first work assignment with Akira Kurosawa during the Cannes Film Festival 1980. Catherine Cadou is also the author of the French subtitles for more than 200 Japanese feature movies. In 2005, she directed a self-financed documentary about the life at Kiba, in Tokyo: Kiba Tokyo Micropole.
Staff Director : Catherine Cadou
Editor : Cédric Defert
Producer : Michiko Yoshitake
Cast
Bernardo Bertolucci
Julie Taymor
Théo Angelopoulos
Alejandro Gonzàles Iñárritu
Abbas Kiarostami
Shinya Tsukamoto
Hayao Miyazaki
John Woo
Martin Scorsese
Clint Eastwood
Bong Joon-Ho

イランを代表する映画監督、アッバス・キアロスタミの「風の吹くまま」の撮影現場に、日本人クルーが一週間密着してその様子を記録したドキュメンタリー。構成は茂原雄二。撮影を三好保彦が担当している。VTR作品。ビデオプロジェクターによる上映。

Every time our annual international film fest hits town, I scan all the offerings, with special attention to Iranian productions. I have seen so many fascinating films from a country that, in recent years, has banned Hollywood and other films foreign to them, and yet their filmmakers, despite having to follow strict guidelines and risking censorship at every turn, produce some of the finest films in world cinema.
This documentary features interviews with several Iranian filmmakers, plus clips from a number of their best films. Among various aspects of Iranian film-making, they talk about how their reflective films differ from the Hollywood action variety, although there is such a role for Iranian film as well. What perhaps is really remarkable is how freely these producer/directors talk in a critical way about the censorship exercised in their country. The clever ways they get around it actually appear to challenge and enhance their creativity (as Duke Ellington once said, in describing how he had to compose his music to fit the talents and limitations of his band members, "It can be good to have limits"). Unusual scenarios between husbands and wives get around the rule that men and women, even when married, can't touch. Children are sometimes used to state in an allegorical or analogous fashion what could not be presented by adult characters. And the role of women is wondrously portrayed in these productions from a country that severely limits women's roles.

一幅梦中的大师遗像，一段折返德黑兰与杭州的影像旅程，一部关于电影大师阿巴斯及其遗作《杭州之恋》的纪录片。