生命是我们的，由法国共产党产生，包括纪录片和虚构的场景涉及夹在工人阶级，农民阶级和资产阶级的日常现实的事件：一个板董事举办大规模解雇;在工厂，罢工将阻止老工人被解雇;农民积极分子，防止癫痫发作的一个贫苦农民的财产支持;一个失业青年谁拥有不够吃由青年共产主义者的欢迎。

Brussels in the year 1568, as the Flemish people are fighting against the tyranny of the Spanish occupiers. Led by Count de Rysoor, the revolt against the ruthless Duke of Alba, is meant to help Prince William of Orange to get into the city and come to power. Now, the count's lieutenant, has an affair with Elisabeth, Rysoor's wife. For the time being, the count, who thinks of his homeland first, turns a blind eye. But such a relationship might well undermine the whole rebellion movement.

The film is at first a documentary about the early days of French television. The various techniques of the new medium are explained through the filming of a flamenco show. The second part is an exercise in futurology. Basing himself on René Barjavel's revolutionary ideas, Raymond-Millet imagines all the ways television might be used in the days to come. His finds foreshadow the videophone, the cell phone, the Internet, electronic surveillance as well as virtual images. The whole thing is presented in a humorous unpretentious way.