When the King of France demands that John relinquish his crown in favor of his nephew, the young Prince Arthur, war is the inevitable result. Excommunication, attempted atrocity, rebellion, and assassination all contribute to political turmoil and personal grief for a mother who has lost her son.

A biography of powerful Hollywood player Lew Wasserman. This film is based on original material and NOT on any previously published books.

Barry Avrich returns to the Festival with a fascinating portrait of Ben Ferencz, the last surviving Nuremberg Trial prosecutor, who continues to wage his lifelong crusade in the fight for law and peace.

正如一位艺术界人士所宣称的那样，当代艺术界可以概括为“试图证明自己有多富有的富人”，但这就是这个价值数十亿美元的行业的全部吗？Barry Avrich经过精心研究和专业构建，令人大开眼界的纪录片剥离了艺术世界经济的各个层面——从生产到流通，并描绘了艺术制作游戏中的每一个不可或缺的参与者，包括策展人、画廊家、收藏家、捐赠者、拍卖行和......艺术家。在这个过程中，他解开了支持艺术界超级明星的复杂而令人惊讶的生态系统，以及制作头版新闻的百万美元交易。该片具有与行业参与者的非凡接触以及达米安·赫斯特、朱利安·施纳贝尔、塔林·西蒙和玛丽娜·阿布拉莫维奇等著名艺术家的坦率声明，碰撞了艺术世界的两种叙事，既与市场力量有关。

A revealing and personal profile of Grammy Award–winning composer and producer David Foster, with interviews from the artists who know the music legend best, including Celine Dion, Barbra Streisand, Lionel Richie, Quincy Jones, and Michael Bublé.
One of the most successful record producers and songwriters of the past half century, David Foster has worked on countless chart-topping albums by performers like Andrea Bocelli, Barbra Streisand, Jennifer Lopez, Chicago, Whitney Houston, and, of course, Céline Dion. And this is only a small fraction of the artists he has recorded with. (He also discovered Michael Bublé, by the way.)
Born in Victoria — he refers to his childhood as "almost perfect" — Foster made his way to the pinnacle of the music industry, but not without paying his dues, as Barry Avrich's David Foster: Off the Record demonstrates.
A workaholic who pursued his goals sometimes at significant personal cost (all of his children describe him as an affectionate but absent father), Foster emerges as a driven man for whom control is everything. As he tells Avrich at the beginning, "You think this is your film, but you're going to have to deal with me." That said, Foster's need for control comes from his clear view of what he wants on his productions, and this sometimes requires tough decisions. (He basically stripped Chicago of the horns that defined them while trying to get them back on top.) Buoyed by incredible access to the subject and his collaborators, Off the Record presents an ample case for Foster as one of the most influential creators in pop-music history — as proven by the string of major artists who show up to pay tribute (including Dion, who can't stop singing his praises).

女子带着一批不为人知的杰作走进一家纽约画廊，由此开始了一个关于艺术圈的贪婪与恣意，以及一场惊天骗局的故事。