Ciancicato Miao and his son, after the death of his wife and mother by mushroom poisoning, are dedicated to find her replacement and have no luck until they find a mysterious deaf mute green-haired woman.

When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is working as a cutter to support herself and an infant son, and warns her that Gino has escaped from prison and is seeking revenge. She rejects his offer to protect her. Gino finds Nives, mourning the drowning death of their son. He surrenders himself to the police and then walks at Nives' side in the funeral procession.

Locked up in prison and awaiting execution, bored young vagabonds Bernardino and Mammone pass their time competing in a vulgar storytelling competition, relating indecent accounts about castration, unsavory testicles and an atypical threesome. Not intended for the faint of heart, this audacious piece of moviemaking focuses on tales of jealousy, murder and uncontrollable desires.

A romantic drama partially set in Amsterdam, this standard tale starts out in a mining area in Holland where conditions are about as rough as they get. Two of the miners, Italians Federico and Vincenzo take off together for the city's red-light district, where the women pose in windows for prospective customers. There the duo meet Else and Carrel who are willing to leave their windows to spend a weekend at a resort with the two men. Soon Else has fallen in love with Vincenzo and the future of the two hookers, as well as the miners, seems to look brighter.

1970年春天，在拍摄《非洲奥瑞斯提亚》与《十日谈》的间隙，帕索里尼拍摄了一部影片。他为这部影片撰写了诗体解说词，却始终未能完成剪辑。这部影片的诞生源于帕索里尼标志性的社会介入——记录罗马清洁工人的罢工运动。当时这些工人处于极其恶劣的健康条件下工作，帕索里尼用镜头捕捉他们在广场街巷间，于社会废弃物中从事日常劳作的卑微身影。他还记录了清洁工们进行诉求讨论时的面容，最终呈现出一幅展现未知人群的非凡人类学图景。

1963 film by Pier Paolo Pasolini

A sensual and vibrant vision without euphemisms about the children of the Roman suburbs and their summer hobby, swimming in the ponds, with commentary by Pier Paolo Pasolini.

Appunti per un film sull'India is a 1968 short documentary film by Pier Paolo Pasolini where he visits India to do a recces for his proposed film with India as its background about a king who gives up his body to feed a starving tiger.
The film was shot around post-independent India when it was facing grave challenges of poverty, population and caste system. Pasolini narrates the challenges of India and its charms amidst all the problems the country faces. The 33-minute-long documentary is composed of short interviews from random people about their opinions on matters such as family planning. The documentary also shows short interviews of journalists and one politician about the challenges India faces in modernizing itself without becoming westernized or losing the Indian identity in the process.
The film opens and ends with a shot of a Sikh soldier, who, Pasolini identifies, in his commentary, as the one who would play the role of Maharaja in his film. Among others Pasolini interviewed for his film the former Maharaja of Bhavanagar and his wife and well-known Urdu story writer and filmmaker Rajinder Singh Bedi.
The documentary was shot in many places including New Delhi, Jaipur, Rishikesh and Varanasi etc.

此片是帕索里尼和极左组"不懈斗争"合作拍摄的，这个组织本身就牵扯进影片里相关的事件颇深，影片内容也相当激进。1969年12月12日，一枚炸弹在米兰喷泉广场的农业银行爆炸，导致16人死亡。该事件当时马上被政府归罪为左翼无政府主义者所为，并对左翼组织展开大规模追捕。实际真相扑朔迷离。

A movie about the mixed feelings of young adulthood. Main characters rather casually enter into marriage, never intending true fidelity to their spouses. When they realize that they're committed for life, our immature heroes return to their home town for one last fling.

The director presents takes and scenes filmed on location in Africa for a film-that-never-was, a black Oresteia.

Two actors performing in Strindberg's "Inferno" as God and Lucifer, find themselves competing in real life as well. One of them, Henrique, has spiritual obsession with John Wayne and his way of walking. He and de Dieu, his fellow actor who plays Lucifer and also directs the Strindberg play, engage in a philosophical and spiritual tug-of-war, especially when they meet an author named God, who has plans for another drama to feature both actors. Written by Jim Beaver <jumblejim@prodigy.net>

The exploits of three young Roman criminals are chronicled in this socially conscious drama. The young men commit petty crimes all day begin with arms theft, and culminating with a night with three streetwalkers. After their pleasure, the boys try to cheat the hookers, but they ladies are smarter than that and have stolen their cash ahead of time. The punks then return to the city for more crimes. Exploits include the harassment of three homosexuals, and attempts to seduce some women.

"In the last image, while closed the documentary after walking nervously among the dunes of Sabaudia, Pasolini suddenly stopped, the camera exposing the pallor of a face and suffered a cut, and denouncing with absolute sincerity and dry drama, definitely unusual for viewers of the time (and today) flattening cultural, aesthetic devastation and the civil barbarization we would inevitably lead the company 'consumption designed by the post-fascist republic and from all the "democratic" contemporary ."

1970 Italian film directed by Sergio Citti

Tommaso Puzzilli is a boy who grew up in the suburb of Pietralata outside Rome. Not having a job, Tommaso and his friends are committing crimes to make money.

The film consists of six short stories created by different directors, but all the stories share one thing: a warm irony to current events.

1960 film by Mauro Bolognini

"La giornata balorda" is the story of a 20-year-old youth's one-day search for a job that would spell security and decency for himself, the teenager he has not been able to marry and their three-week-old son... it was banned in Italy -- not because of sexual or anti-religious content, but because of its depiction of Italian society.

Italie - 1960 - 96’
AVEC JEAN-MARC BORY, GABRIELE FERZETTI, DORIAN GRAY.
Le 8 septembre 1943 de nombreux chars en manœuvre sont pris par surprise. Tandis que Carlo Pollini, le caporal, se sent toujours tenu par son devoir de militaire, le dénommé Tommaso s'en va...