电影《里奥纳德·科恩：我是你的男人》原声音乐。
电影介绍：一部传记片关于一个传奇般的歌曲作家和被他影响的一些演奏家

“It is my intention to fill these hours with as much dodgy opinion, crackpot theories, hare-brained schemes and beautiful, beautiful music as is humanly possible.” (Jarvis’ statement of intent, BBC 6 Music website, 2010)
A musical institution. A religious experience. A student tutorial. A difficult commute from Paris. These are all things that could be said about Jarvis Cocker’s much-missed Sunday Service radio show, BBC 6 music’s gift of gentle musical heroism to their weekend listenership.
Jarvis now brings together for Ace Records an eclectic and exciting mix of the records and the features that made the show the unique experience that it was, from listener suggestions that became personal favourites such as Nina Simone’s “Baltimore”, unusual cover versions like Antony & the Johnsons’ stunning performance of Beyoncé’s ‘Crazy In Love’, and the Katzenjammer’s rendition of Gary Numan’s ‘Cars’ as played on steel drums – a record so irresistible, it remains the only time Jarvis has ever felt compelled enough to ask another DJ what they were playing.
We revisit the Radiophonic Workshop bed that made the intro to each show and a special reading from Padgett Powell’s The Interrogative Mood, performed live on the show by Jarvis accompanied by David Cunningham from the Flying Lizards on kalimba. And if you listen very carefully between tracks, you may even hear a hidden jingle or two.
Brought together on heavyweight 180g double vinyl and CD digipack (each featuring different covers, as designed by Julian House) and with full accompanying liner notes by Jarvis, it’s a keepsake of the show that you can thankfully hold onto for any and every Sunday.

Wes Anderson asked Jarvis Cocker to record a new version of “Aline” for his new film The French Dispatch. The French pop hit from 1965, “Aline” was originally performed and made famous by Christophe. The song appears in a critical scene in The French Dispatch, the character Tip Top appears on a poster in the café where the revolutionary youth of Paris congregate, while the song plays on the jukebox.
Anderson and Cocker decided to collaborate on an entire album of French material from the same period, songs originally made notable by the likes of Françoise Hardy, Serge Gainsburg, Jacques Dutroc and others. And with this, the album named after Tip Top is here.

Jarvis Branson Cocker is an English musician and presenter. As the founder, frontman, lyricist, and sole consistent member of the band Pulp, he became a figurehead of the Britpop genre of the mid-1990s.

Jarvis Branson Cocker is an English musician and presenter. As the founder, frontman, lyricist, and sole consistent member of the band Pulp, he became a figurehead of the Britpop genre of the mid-1990s.

Jarvis Branson Cocker is an English musician and presenter. As the founder, frontman, lyricist, and sole consistent member of the band Pulp, he became a figurehead of the Britpop genre of the mid-1990s.

Jarvis Branson Cocker is an English musician and presenter. As the founder, frontman, lyricist, and sole consistent member of the band Pulp, he became a figurehead of the Britpop genre of the mid-1990s.

Jarvis Branson Cocker is an English musician and presenter. As the founder, frontman, lyricist, and sole consistent member of the band Pulp, he became a figurehead of the Britpop genre of the mid-1990s.

Room 29 is the long-awaited collaboration between two musical forces: Pulp frontman Jarvis Cocker and indie polymath Chilly Gonzales. Gonzales provides pensive, dreamy piano as Cocker alternates between whispered narrative and intimate singing on the title track. “Tearjerker” is a quietly stark exchange from one lover to another.

前Pulp乐队领军人Jarvis Cocker的第二张个人作品《Further Complications》将在5月19日前后由Rough Trade发行。
专辑收录了去年其个人演唱会的一些作品，也部分灵歌似的作品《I Told You Twice》、《Angela》、《Fuckingsong》、《Further Complications》。<

好的音乐是没有类型限制的，没有所谓的主流或是跨界之类的区隔，只要是传达歌者灵魂深处的情感的歌声就是好的音乐，能做到此境界的艺人并不多见，Jarvis Cocker肯定是其中之一，这张Jarvis是今年的一张录音室专辑做的还是比较认真的，而且本人非常喜欢这张专辑封面，做的真是Indie，当然Jarvis Cocker已经是独立音乐的一面旗帜了。
在这张《Jarvis》专辑中我们明显可以看见Jarvis Cocker已经将自已曾经的音乐风格全部推翻，用全新的制作方式来灌录这一张唱片，整张专辑听来缓慢流畅，旋律舒缓悠扬，歌词表达方式上简洁深情，从一个侧面说明了当时的Jarvis Cocker非常专注于将音乐融入自已的表达方式中。
Jarvis Cocker歌声中的灵魂本质永远是那么触动人心，他的歌声不仅带给我们愉快的听觉享受，我相信，他也为你的听觉阅历上写上了浓浓的一笔，请记住这位独立音乐的代名人Jarvis Cocker。