Muriel, a writer nearing 50 whose older lover won't live with her in Paris, meets a man on a train - Samuel, an Arab. He's attracted to her and pursues her, dropping in, asserting himself. She's willing to connect. He's passionate, then boorish, then jealous and possessive. He seems fixed on "Who's the strongest?," while she wants respect and trust. She's self-possessed as well as sexually charged, willing to laugh, and alternately firm and forgiving. He has little money, no immigration papers, few prospects, and a gambling jag. What does each want, and why does she stick with it? Is this colonial strife, war between the sexes, or a love story?

An adolescent who fancies himself a sexy and conscientious young man abuses all his friends and family in a quest for his own independence.

A homeless street musician meets an attractive woman by chance and keeps following her until he persuades her to let him stay in her place.

An upstanding provincial reporter becomes presenter of the TV news on a commercial network owned by an influential Italian businessman. He soon outgrows his family and neglects them terribly. Investigating a fascist terrorist cell, the reporter's integrity is called into doubt by the police. Soon after, his jealous wife unleashes her wrath live in TV. It goes from bad to worse until his wife's anger brings him back to his senses and back home.

They are the best friends of the world. Five friends who shared everything: may 68, hippies years, the rock and their love for Bernadette. This Bernadette has left them to become a rock-star, and is back 15 years later for a weekend. Jean-Marie Poire describes with this movie the portrait of a generation with lots of humor served by excelent actors.

Urbain Donnadieu's first love is money. It's also his second, third and fourth love. The only reason he married - a tax inspector named Fleurette - was to avoid a fine for tax evasion. For several years, he has been stealing money from his construction company and buying gold bars with his ill-gotten gains. His plan is to deposit all this wealth in a Swiss Bank, where neither his wife - whom he is about to divorce - nor the French State can get at it. Accompanied by his money-grabbing Granny Zézette, Urbain heads off for Switzerland, with his gold concealed in the walls of a model house on the back of a trailer. Unfortunately, his scheme is threatened by his wife and his embittered ex-chauffeur, who are determined to get his money at any cost...

Unable to find her runaway son, a woman deceives two of her ex-lovers from her youth, a mild-mannered teacher and a tough journalist, that each is the real father in order to obtain their help.