在父亲的葬礼上失落的希林漫无目的地四处游走，这时她忽然发现葬礼上的一位宾客身形相貌与父亲极其相似。尽管受到叔父的反对但好奇的希林着了魔般地想要找到该男子。被逼无奈之下叔父承认该男子是希林父亲的私生子。看着女儿愁眉不展，母亲向希林回忆了往事，并说出了让希林感到意外的真相——希林并不是父亲和她所生，而是早年领养的。事情似乎明朗了，希林与葬礼上的男子不是亲兄妹。但是父亲的情妇却给出了截然不同的说法。

小妮子Nazanin 只身出城唸大学，憧憬美好将来，先要面对切身的居住问题，女生宿舍未有位，她在校园附近迅速找到笋盘，怎料二房东Sahar 是个好客女子，不但夜夜笙歌，见妳躲起来不见人更躁底动手打人。社会给她第一个教训是不要只看外表，但她来自乡村心太软，注定续有第二第三个教训等着她。伊朗是礼义之邦（虽然美国总统死不承认），德黑兰是文明之都，但Nazanin 伤痕累累见到的，却是人心不古的西亚大都会（奥巴马宜看啊）。获德黑兰电影节最佳导演奖。

一个家庭。三个女人，其中一个是智障。他们生活在一个看似封闭又极具代表性的透明的社会关系里。一把手枪的走火，是智障对生命走向结束的意识？还是仅仅是不小心？邻居等人物在他们之间穿梭，但却仍然在他们的世界之外，这个无常的生活给了他们什么？

2011 Iranian film about a man called Soleiman Siraf directed by Muhammad Bozorgnia

On their way back from a wild party, Arineh and Nobahar cause a car accident. A mysterious stranger by the name of Toofan offers to cover the costs. This won’t be the last time they’ll cross his path over the course of the night.
Cars form a popular setting in Iranian cinema. They move through the public sphere, yet their occupants remain among themselves. But what happens if a policeman suddenly gets into your vehicle, finds black market DVDs and forces you to admit, tipsily, that Argo is a film hostile to Iran? This road movie through Tehran by night begins as a hyperactive, drugged-up farce that pokes fun at the authorities, interprets the cultural history of Western toilets, and postulates other daring intercultural theories. Yet gradually the atmosphere changes and tension steadily rises in the car, thanks to Toofan, who keeps appearing again and again out of the blue. He plays a diabolical game with the two friends, one that crosses the boundaries into the metaphysical realm. As fanciful and spooky as the plot may seem, it is clearly anchored in Iran’s present. berlinale 2015

音乐家大卫、阿米尔和怀有身孕的玛哈拉是班达尔乐队的成员，他们驱车前往德黑兰，参加一场在咖啡馆举办的非官方乐队比赛。途径南部村庄时，公路被洪水淹没，难以前行。尽管苦难重重，班达尔乐队仍然决心前往德黑兰。沿途目睹和参与的一切激发了他们的创作灵感，也由此引发对故土和未来的思考。难得一见的伊朗公路片，在绝美的乡间风景下，开启一段五味杂陈的心灵之旅。纯粹、质朴的影像风格，充满民族风格的音乐和舞蹈，向弱势群体和生生不息的“希望”送上祝福。

The poetry of Sufi mystic Rumi was director Aslani’s major influence in creating this complex tale featuring narratives and tableaux sumptuously referencing Persian mythology and history. A young woman stranded on a roadside with her parents enters a seemingly abandoned desert fortress and travels back in time to discover that she is destined to become the bride of a dead man, the ancient warrior whose body pierced by seven darts lies in state in an upper chamber.