This short documentary suggests a direct connection between two of Nixon’s greatest triumphs as president: his landmark 1969 "Silent Majority" speech (in which he argued that street protesters did not represent the views of most Americans, despite their increasing visibility) and his historic landslide re-election in 1972 (in which George S. McGovern won only one state and the District of Columbia, losing even his home state of South Dakota).

In the summer of 1977, NASA sent Voyager 1 and Voyager 2 on an epic journey into interstellar space. Together and alone, they will travel until the end of the universe. Each spacecraft carries a golden record album, a massive compilation of images and sounds embodying the best of Planet Earth. According to Carl Sagan, “[t]he spacecraft will be encountered and the record played only if there are advanced space-faring civilizations in interstellar space. But the launching of this bottle into the cosmic ocean says something very hopeful about life on this planet.” While working on the golden record, Sagan met and fell madly in love with his future wife Annie Druyan. The record became their love letter to humankind and to each other. In the summer of 2010, I began my own hopeful voyage into the unknown. This film is a love letter to my fellow traveler. - Penny Lane

A random survey of personal ads one night on Craigslist opens up performative possibilities for a corporate tool.

The Abortion Diaries is a documentary featuring 12 women who speak candidly about their experiences with abortion. The women are doctors, subway workers, artists, activists, military personnel, teachers and students; they are Black, Latina, Jewish and White; they are mothers or child-free; they range in age from 19 to 54. Their stories weave together with the filmmaker’s diary entries to present a compelling, moving and at times surprisingly funny “dinner party” where the audience is invited to hear what women say behind closed doors about motherhood, medical technology, sex, spirituality, love, work and their own bodies.

Director Penny Lane’s decision to become a “good Samaritan” by giving one of her kidneys to a stranger turns into a funny and moving personal quest to understand the nature of altruism. “Confessions of a Good Samaritan” is a provocative inquiry into the science, history, and ethics of organ transplantation, asking an ancient question in a whole new way: Who is your neighbor, and what do you owe them?