According to tradition, a Korean groom offers an elaborate wedding chest to his bride's parents. Dressed in traditional garb, he carries its meticulously layered treasures, each one prescribed by centuries-old custom, strapped to his back all the way to their door. Venerable filmmaker Ulrike Ottinger delicately unpacks the ornate rituals and complex mores of the Korean wedding rite. While clearly reverent of the past, Korea also has a pervasive modern wedding industry, which amplifies the drive for everything to be picture perfect, down to the last highly codified detail. The traditional Pe Baek ceremony, which sees the newly married couple receive their parents, is now awkwardly, and rather hilariously, run by wedding assistants who physically lift relatives into position. Like a polite guest, however, Ottinger never interrupts, allowing her poetic images to speak for themselves as old and new Korea marry in this fascinating cultural portrait.

The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.

六位欧洲犹太人口述他们的家族在20世纪上半叶移居上海时的经历。镜头随着他们的回忆，在九十年代的上海探寻与当年犹太移民相关的历史建筑与文化遗迹。

In Echigo, Japan, the snow often lies several feet deep well into May, covering landscapes and villages. Over the centuries, the inhabitants have organised their lives accordingly. In order to record their very distinctive forms of everyday life, their festivals, and religious rituals, Ulrike Ottinger journeyed to the mythical snow country – accompanied by two Kabuki performers. Taking the parts of the students Takeo and Mako, they follow in the footsteps of Bokushi Suzuki, who in the mid-19th century wrote his remarkable book “Snow Country Tales”.