一部描写盗匪的影片。汉弗莱博加特饰演一名刚服刑完满的犯人,遇上昔日拍挡, 此人由于身染重病,想在临终前联同他再做一次大买卖…

冷酷、孤僻的城市警察吉姆·威尔逊粗暴对待了太多的嫌疑人，并被派往州北部帮助调查冬季乡村一名年轻女孩的谋杀案。在那里，他遇到了玛丽·马尔登，他觉得她很有吸引力，也很独立。然而，玛丽的哥哥是这起谋杀案的主要嫌疑人。玛丽自己也是盲人。

媒体大亨阿莫斯·凯恩(AmosKyne)去世后，一场权力斗争接踵而至，他的公司被移交给了他唯一的继承人，他浮华的儿子沃尔特。

这是一部充满隐喻与反讽的电影，讲述了生活在好莱坞的动作巨星查理•卡斯特遭遇一系列困境，婚姻与事业面临两难。他唯有直面这一切磨难，逆来顺受，终以赤诚挽回离开的爱人的心，事业虽然停滞却也能维持现状。但与此同时他的信仰却遭遇一次前所未有的危机，他再也不愿意背叛自己的内心而是选择了抗争，斗争的结果是崩溃的未来，于是他选择了死亡来保护所爱与信念……

一部1972年上映的美国西部剧情电影，由著名导演萨姆·佩金帕（Sam Peckinpah）执导。该片的编剧是杰布·罗斯布鲁克（Jeb Rosebrook），他为这部电影创作了一个关于西部小镇生活和牛仔竞技的故事。

In court for murder, Professor Moriarty is released seconds before Holmes arrives, too late, with vital evidence. Free again Moriarty vows to Holmes that his next crime will be so fiendish and amazing that Holmes's reputation will be finished. Moriarty sets about a fiendish plot involving the crown jewels and a series of mysteries to distract Holmes's mind.

I enjoy most of this series as they all seem to run to the same formula. Here the plot goes back to basics and adds more of the mystery and less of the comedy. The plot is an enjoyable battle of wits between the two great minds. The downside is that the side-mystery that Moriarty sets up takes up the majority of the time and the two don't cross swords as well as they do in a gentlemanly beginning. The mystery surrounding Miss Brandon works OK but not really great as you know the whole time who is behind it and why. The jump to the crown jewels is too easily made and is a bit of a letdown.

The comedy is less evident than usual but is still there. However it is overwhelmed by the more serious side. Bruce still does well but I was glad that he stood up to Holmes more than usual – telling him off for treating him like a child and such like. Rathbone is a good Holmes but his logic was off here and I wasn't as impressed by him as I usually am. Zucco is an interesting foil, but doesn't get enough time to work here. Lupino in an early role is interesting but a little too heavy and tads to overplay her tension a bit.

Overall this is an OK addition to the series. The plot is reasonable but focuses too much on the diversion than the central characters and the reduction in comedy makes it feel a lot heavier than usual.

Life at a 1950s women's maximum security prison where the warden and the guards are as brutal as the inmates

Two detectives are investigating a robbery in which $300,000 was taken. Their investigation leads them to the main player and they find the cash, but one of them has meanwhile fallen hard for a woman with expensive tastes, and though he desperately wants to keep her, he knows that a cop's salary isn't going to be enough for her.

A young woman who has just become engaged has her life completely shattered when she is raped while on her way home from work.

哈里（艾德蒙·奥布莱恩 Edmond O'Brien 饰）和伊娃（琼·芳登 Joan Fontaine 饰）是一对非常恩爱的夫妻，两人唯一的遗憾就是无法拥有一个属于他们的孩子，为了弥补这个遗憾，夫妻两决定领养一个孩子。
在办理领养手续之前，哈里和伊娃必须接受孤儿院的调查员的地毯式调查，以确保被领养的孩子能够在一个正常而又完整的家庭之中长大。谁知道这一查便查出了问题，调查员发现哈里经常奔波在洛杉矶和旧金山两地之间，再细细追索，调查员震惊的发现，原来哈里在旧金山竟然还有一个家庭，不仅如此，他还和旧金山的妻子生了一个女儿。

The brilliantly designed, one-of-a-kind film manages to create legitimate speaking parts for six dozen famous actors and actresses. The 1943 production, designed to boost British morale during the War, explores the experiences of a family through several generations. Also written and directed by teams of talented screenwriters and directors, the 106 minute film is remarkably coherent and engaging, and, of course, the steady parade of stars doing their thing (Buster Keaton as an inept plumber; Eric Blore as a smarmy butler, Charlie Ruggles as a concerned father, Claude Rains as a villainous suitor, and so on, and so on) is an utter delight.
The black-and-white source material is somewhat worn down, with numerous scratches and other markings. The image is reasonably sharp most of the time and contrasts are fairly well defined, even when parts of the picture appear grainy. The film’s condition tends to reinforce its wartime origins and does not present an insurmountable detriment to the entertainment. The monophonic sound is adequate and the film is not captioned.

在圣巴勃罗海滨，一场醉酒狂欢后，鲍勃担心他可能杀害了一名男子，由于不确定，他需要到孤立的船上找一份工作。那天晚上，他救了企图自杀的安娜并把她带上了船。但是鲍勃的伙伴Tiny想驱逐安娜，担心她会破坏兄弟之情，而尚未解决的谋杀悬疑正是Tiny所需要的借口，海面上四伏着浓雾与邪恶...

Somewhere on Superstition Mountain there lies a treasure as big as the West. Silver screen legend Glenn Ford stars as Jacob "Dutch" Walz, the man behind the myth of Arizona's infamous Lost Dutchman gold mine. LUST FOR GOLD is the quintessential gold rush tale, chronicling one man's quest for the mother lode and the complications that come with such passions. This timeless tale of love, loss, danger and greed co-stars Ida Lupino, Gig Young and an uncredited appearance by Jay Silverheels.

一位夜总会老板迷上了一位火炬歌手，并在女歌手爱上他时诬陷他最好的朋友/经理挪用公款。

Helen Gordon hires Howard Wilton as a handyman to do chores around her house. She doesn't know what she's let herself in for. Insecure and paranoid, Wilton thinks everyone, including Helen, is against him. He suffers from memory lapses and extreme mood swings. She's soon a prisoner in her own house after Wilton locks the doors and tears out the telephone. His mood swings from violence to complacency but after Helen gets a message to the police via a telephone repairman, she finds he is still in the house.

Anything Goes is a 1936 American musical film directed by Lewis Milestone and starring Bing Crosby, Ethel Merman, Charles Ruggles and Ida Lupino.[1] Based on the stage musical Anything Goes by Guy Bolton and P. G. Wodehouse, the stage version contains songs by Cole Porter. The film is about a young man who falls in love with a beautiful woman whom he follows onto a luxury liner, where he discovers she is an English heiress who ran away from home and is now being returned to England. He also discovers that his boss is on the ship. To avoid discovery, he disguises himself as the gangster accomplice of a minister, who is actually a gangster on the run from the law. The film required revisions of Porter's saucy lyrics to pass Production Code censors. Only four of his songs remained: "Anything Goes", "I Get a Kick Out of You", "There'll Always Be a Lady Fair", and "You're the Top". "You're the Top" contained substantially revised lyrics, and only the first verse (sung by Ethel Merman during the opening credits) was retained from the song "Anything Goes".
Bing Crosby's influence was used to gut most of Porter's score and obtain four new songs from several new songwriters, Richard A. Whiting, Hoagy Carmichael, Leo Robin, Edward Heyman, and Friedrich Hollander, but other than "Moonburn", written by Hoagy Carmichael and Edward Heyman, which temporarily became a hit for Crosby, it is usually agreed[by whom?] that most of the replacement score was forgettable. Some, including movie musical expert John Springer, have criticized Paramount for substituting new songs by other composers for the originals. (This was a common policy in Hollywood during the 1930s, when film studios owned music publishing houses and hoped that songs written especially for films would guarantee extra profits for the studio.)
When Paramount sold the 1936 film to television, they retitled the movie Tops is the Limit because the 1956 film version, also from Paramount, was currently in theaters.
——来自维基

四十年代拉乌尔·沃尔什执导的一部精典黑帮动作片。这部影片充分体现了拉乌尔·沃尔什的执导风格以及对角色的把握能力，叙事风格爽朗有劲，处理对白像打拳击一样你来我往拳拳到肉，将主人翁的性格魅力发挥得淋漓尽致。
开货车的兄弟俩个，一方面要对付狡诈的老板，另一方面又分别追求女友安·谢莉丹和艾达·卢皮诺……

It is early 1939 in Poland when Mrs. Bromley and Jennifer come to buy antiques for her business in London. Jennifer meets Count Stephen and they wine, dine and see the sights though out the city. He wishes to marry, but his family is against plain Jennifer. When she tries to leave, he catches her at the train station and they are married. To be self sufficient, they modernize the family farm with tractors and increase production, but then Germany starts the war.