A Korean War veteran must find his buddy's widow and children to keep a bizarre promise.

In Brooklyn, fishing is the hobby of the workers Jonah Goodwin and Olaf Johnson and they use to fish every night in their old boat. Jonah's daughter is the twenty-one year-old telephone operator Stella Goodwin, who is an ambitious young woman that dreams on leaving her neighborhood. She is the sweetheart of the worker George Watkins, a simple man that dreams on marrying her. When the smalltime gangster Harold Goff arrives in Brooklyn, he extorts money from Jonah and Olaf to "protect" their boat from fire and dates Stella. Jonah tries to convince his daughter that Goff is a racketeer that takes money out of poor ordinary people but she does not care to her father since she sees Goff as her chance to have a comfortable life and visit new places. When she discloses to Goff that her father has savings, Goff demands the money to Jonah. Now the old man is convinced that the only chance to get rid off Goff is to fight back.

Helen Chernen pushes her younger sister Katherine into show business in order to escape their small town poverty.

Tough torch singer Petey Brown, visiting her family, finds a nest of troubles: her sister, brother, and the neighbor's wife are involved in various ways with shady nightclub owner Nicky Toresca. Petey has what it takes to handle Nicky, but then she meets San Thomas, formerly great jazz pianist now on the skids, and falls for him hard.

Morgan and his friends are on a hunting trip on a remote Canadian island when they are attacked by a swarm of giant wasps. Looking for help, Morgan stumbles across a barn inhabited by an enormous killer chicken. After doing some exploring, they discover the entire island is crawling with animals that have somehow grown to giant size. The most dangerous of all of these, however, are the rats, who are mobilizing to do battle with the human intruders.

一群朋友前往一个偏远的加拿大岛狩猎，但是却发现那里遍布巨大杀人动物，一群人的生命眼看危在旦夕……

"Nicolás Zukerfeld’s third feature is a wry, surprising work of filmmaking-as-criticism that begins as a kind of supercut of moments from the work of pantheon Hollywood auteur Raoul Walsh. This rhythmically entrancing parade of images traces a mysterious and amusing arc across the director’s vast oeuvre—but at the halfway mark, the film reinvents itself as an idiosyncratic, essayistic investigation into memory, cinema, and their shared mutability." - NYFF

When most people look at Florence Farley, they see a pretty teenager. But when Milly Farley looks at her daughter she sees something else: a tennis prodigy who could be Milly’s ticket to money and fame.

It is early 1939 in Poland when Mrs. Bromley and Jennifer come to buy antiques for her business in London. Jennifer meets Count Stephen and they wine, dine and see the sights though out the city. He wishes to marry, but his family is against plain Jennifer. When she tries to leave, he catches her at the train station and they are married. To be self sufficient, they modernize the family farm with tractors and increase production, but then Germany starts the war.

四十年代拉乌尔·沃尔什执导的一部精典黑帮动作片。这部影片充分体现了拉乌尔·沃尔什的执导风格以及对角色的把握能力，叙事风格爽朗有劲，处理对白像打拳击一样你来我往拳拳到肉，将主人翁的性格魅力发挥得淋漓尽致。
开货车的兄弟俩个，一方面要对付狡诈的老板，另一方面又分别追求女友安·谢莉丹和艾达·卢皮诺……

Anything Goes is a 1936 American musical film directed by Lewis Milestone and starring Bing Crosby, Ethel Merman, Charles Ruggles and Ida Lupino.[1] Based on the stage musical Anything Goes by Guy Bolton and P. G. Wodehouse, the stage version contains songs by Cole Porter. The film is about a young man who falls in love with a beautiful woman whom he follows onto a luxury liner, where he discovers she is an English heiress who ran away from home and is now being returned to England. He also discovers that his boss is on the ship. To avoid discovery, he disguises himself as the gangster accomplice of a minister, who is actually a gangster on the run from the law. The film required revisions of Porter's saucy lyrics to pass Production Code censors. Only four of his songs remained: "Anything Goes", "I Get a Kick Out of You", "There'll Always Be a Lady Fair", and "You're the Top". "You're the Top" contained substantially revised lyrics, and only the first verse (sung by Ethel Merman during the opening credits) was retained from the song "Anything Goes".
Bing Crosby's influence was used to gut most of Porter's score and obtain four new songs from several new songwriters, Richard A. Whiting, Hoagy Carmichael, Leo Robin, Edward Heyman, and Friedrich Hollander, but other than "Moonburn", written by Hoagy Carmichael and Edward Heyman, which temporarily became a hit for Crosby, it is usually agreed[by whom?] that most of the replacement score was forgettable. Some, including movie musical expert John Springer, have criticized Paramount for substituting new songs by other composers for the originals. (This was a common policy in Hollywood during the 1930s, when film studios owned music publishing houses and hoped that songs written especially for films would guarantee extra profits for the studio.)
When Paramount sold the 1936 film to television, they retitled the movie Tops is the Limit because the 1956 film version, also from Paramount, was currently in theaters.
——来自维基

Helen Gordon hires Howard Wilton as a handyman to do chores around her house. She doesn't know what she's let herself in for. Insecure and paranoid, Wilton thinks everyone, including Helen, is against him. He suffers from memory lapses and extreme mood swings. She's soon a prisoner in her own house after Wilton locks the doors and tears out the telephone. His mood swings from violence to complacency but after Helen gets a message to the police via a telephone repairman, she finds he is still in the house.

一位夜总会老板迷上了一位火炬歌手，并在女歌手爱上他时诬陷他最好的朋友/经理挪用公款。

Somewhere on Superstition Mountain there lies a treasure as big as the West. Silver screen legend Glenn Ford stars as Jacob "Dutch" Walz, the man behind the myth of Arizona's infamous Lost Dutchman gold mine. LUST FOR GOLD is the quintessential gold rush tale, chronicling one man's quest for the mother lode and the complications that come with such passions. This timeless tale of love, loss, danger and greed co-stars Ida Lupino, Gig Young and an uncredited appearance by Jay Silverheels.

在圣巴勃罗海滨，一场醉酒狂欢后，鲍勃担心他可能杀害了一名男子，由于不确定，他需要到孤立的船上找一份工作。那天晚上，他救了企图自杀的安娜并把她带上了船。但是鲍勃的伙伴Tiny想驱逐安娜，担心她会破坏兄弟之情，而尚未解决的谋杀悬疑正是Tiny所需要的借口，海面上四伏着浓雾与邪恶...

Ellen Creed is a housekeeper who looks after Leonora Fiske, a retired actress living in the English countryside. When Ellen's eccentric sisters visit their sibling at Leonora's home, tensions soon lead to murder.

The brilliantly designed, one-of-a-kind film manages to create legitimate speaking parts for six dozen famous actors and actresses. The 1943 production, designed to boost British morale during the War, explores the experiences of a family through several generations. Also written and directed by teams of talented screenwriters and directors, the 106 minute film is remarkably coherent and engaging, and, of course, the steady parade of stars doing their thing (Buster Keaton as an inept plumber; Eric Blore as a smarmy butler, Charlie Ruggles as a concerned father, Claude Rains as a villainous suitor, and so on, and so on) is an utter delight.
The black-and-white source material is somewhat worn down, with numerous scratches and other markings. The image is reasonably sharp most of the time and contrasts are fairly well defined, even when parts of the picture appear grainy. The film’s condition tends to reinforce its wartime origins and does not present an insurmountable detriment to the entertainment. The monophonic sound is adequate and the film is not captioned.

哈里（艾德蒙·奥布莱恩 Edmond O'Brien 饰）和伊娃（琼·芳登 Joan Fontaine 饰）是一对非常恩爱的夫妻，两人唯一的遗憾就是无法拥有一个属于他们的孩子，为了弥补这个遗憾，夫妻两决定领养一个孩子。
在办理领养手续之前，哈里和伊娃必须接受孤儿院的调查员的地毯式调查，以确保被领养的孩子能够在一个正常而又完整的家庭之中长大。谁知道这一查便查出了问题，调查员发现哈里经常奔波在洛杉矶和旧金山两地之间，再细细追索，调查员震惊的发现，原来哈里在旧金山竟然还有一个家庭，不仅如此，他还和旧金山的妻子生了一个女儿。

A young woman who has just become engaged has her life completely shattered when she is raped while on her way home from work.