1990年代末，格拉纳达的艺术与文化蓬勃发展，在这股浪潮中，一支独立乐团即将改变西班牙音乐界，然而，就在筹备新专辑之际，乐团却陷入最低谷，乐团的存亡全系于主唱一人，他不仅要面对唱片公司的质疑，还得克服创作与录制的重重难关，这张专辑，将决定乐团的未来是奠定传奇，还是彻底瓦解。

一名内向且失踪已久的年轻人再次出现在一座寒冷的高山小镇后，心碎的家人却开始怀疑他的身份是否属实。

Céline and Ramón are a young binational couple who survived the terrorist attack at the Bataclan theatre on November 13, 2015. That harrowing night has left an open wound in their lives and they are struggling to regain a sense of normality and move beyond the identity they have been assigned as victims. While Céline has repressed her experience and thrown herself back into her old life, Ramón is stuck in the past. Both are grappling with the same question: how can they survive and move on as a couple?
Adapted from the testimony of Spanish Bataclan survivor Ramón Gonzalez, Un año, una noche is an intensely empathetic work. The therapeutic process of turning traumatic facts into fiction by committing them to paper has apparently helped this young man return to his life. Filmmaker Isaki Lacuesta’s intuitive direction embraces realism and subjectivity to tackle the central paradox in a wounded psyche: the need to break away from the reality of one’s memories in order to get a grip on reality. Thanks to astonishingly subtle yet explosively emotional performances from Nahuel Pérez Biscayart and Noémie Merlant, these memories become ours, too. They make us feel that together, we can try to heal the collective wound.