李烈、葉如芬監製，台北市電影委員會製作的《台北工廠II》是由謝駿毅執導的《盧卡》、卓立執導的《愛情肥皂劇》以及侯季然執導的《顫慄》所組成，三部影片集結金馬影后楊貴媚、金鐘影后苗可麗、莊凱勛、黃健瑋、游安順等實力派演員，與合作的義籍演員們激盪出不少可觀的火花。
《盧卡》講述義大利型男來台灣搶奪愛妻亡體，卻從利害關係感受到文化衝擊，最後成了流連在台北車海裡的摩托車騎士；《愛情肥皂劇》則鮮活逗趣地透過千變萬化的神秘女子和在酒吧打工的台灣導演的荒謬愛情，開了電影與人生一個玩笑；《顫慄》讓義大利吸血鬼和台北計程車司機從咬噬的痛楚與快感中，牽動秘密的慾望經脈。全片元素豐富，也展現台灣新銳導演開發類型的強烈企圖。

There is no good day to announce a split – especially not one that was planned as an anniversary celebration. But Lucia doesn’t want to give up on her husband Giovanni. In her spontaneous struggle for her husband’s heart, she involves not only friends but also a filmmaker named Eros, who films the diverging couple’s every moment with his partner. What was originally intended to be a documentary about freelance filmmakers becomes a testament to the everyday problems in the relationships of big-city couples. And in the same way that no decision in a relationship can ever be considered final, dividing the protagonists into villains and heroes would be short-sighted. This film, which examines all the different kinds of love and its unpredictability in particular – with Billie Holiday’s sad “Good Morning Heartache” strewn throughout – represents the young blood of Italian cinema. Despite the attractive moviemaking milieu, the film is not cast in the resplendent light we know from gossip columns.