1989年5月20日北京部分地區實施戒嚴，鄭淑麗翌日從紐約飛到北京，借來中國導演陳凱歌的V8錄影機，每天騎腳踏車到天安門拍攝。外媒CNN節目《Live from Tiananmen Square》直播學運、中國政府把監視器佈滿廣場、學生手寫報散落地上……瘋狂媒體亂象以六四清場作結。

UKI’s storyline unfolds as we follow a defunct replicant REIKO dumped on Etrashville - a vast dump for tech - who tries to pull themselves back together with the help of Etrashville's transgenic inhabitants. Parallel to REIKO’s trajectory is that of an infected city where we are made aware of the reckless schemes of the biotech enterprise, GENOM Co.

Three commentators sit in a news studio in front of a TV discussing the Tiananmen Square massacre as reported by local and foreign media. This film aims to examine the politics of image and the image of politics through commenting on the topics of democracy, media control, consumption and commercialism.

潺潺的水，魚在水中游；一滴滴的氣泡，魚在呼吸。疏疏的水影覆蓋在不同膚色的身軀上，隨著節奏加快，魚在水中悠遊來去，在浴簾後、在公廁裡……。水滲透著，用舌頭去尋找遺落的另一個舌頭。