Tessa 是一位年轻有为的刑辩律师，热爱胜利。她从工人阶级出身一步步成长为顶尖律师，在任何案件中都能进行辩护、交叉质证和消除疑点。她不对客户做价值判断，不相信一面之词，甚至不能相信自己的直觉，她只相信“法律下的真相”，法律与系统会做出最接近真相的判决。但一个意外事件迫使她直面父权制下的法律、举证责任和道德之间的分歧。
在2023英国劳伦斯·奥利弗奖评选中，本剧获得最佳新剧奖，Jodie Comer获得最佳女演员奖。

"Every winner might be the one who loses the next day." Tessa is a thoroughbred. A young, brilliant barrister. She has worked her way up from working-class origins to be at the top of her game; prosecuting; cross-examining and winning. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.

"Every winner might be the one who loses the next day." Tessa is a thoroughbred. A young, brilliant barrister. She has worked her way up from working-class origins to be at the top of her game; prosecuting; cross-examining and winning. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.

"Every winner might be the one who loses the next day." Tessa is a thoroughbred. A young, brilliant barrister. She has worked her way up from working-class origins to be at the top of her game; prosecuting; cross-examining and winning. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.

"Every winner might be the one who loses the next day." Tessa is a thoroughbred. A young, brilliant barrister. She has worked her way up from working-class origins to be at the top of her game; prosecuting; cross-examining and winning. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.

"Every winner might be the one who loses the next day." Tessa is a thoroughbred. A young, brilliant barrister. She has worked her way up from working-class origins to be at the top of her game; prosecuting; cross-examining and winning. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.

该剧讲述了一名出身寒门，凭借自身努力考入名校，毕业后跻身法律界的精英女律师泰莎，为了在男性为主导的职场站稳脚跟，精心准备，拼尽全力去赢取每一场官司。
事业上的成功让她显得雄心勃勃，她甚至会吹嘘在性侵案中如何运用专业技能，利用法律体系来为委托人脱罪。直到泰莎与暧昧男同事的一场约会变成了强奸，替性侵嫌疑人辩护的女律师成为被害者。
当她第一次站在证人席而非律师席上时，当她的身体和情感遭受一次又一次“凌辱”时，她笃信的律法世界开始出现了裂缝。这裂缝带给这位女律师的不仅是撕裂和疼痛，更是反思和自新--我只知道,无论如何,某一天,某个地方,某些事情，必须，改变。”

Eline Arbo directs Maria Kraakman in author Suzie Miller's award-winning play. This cutting monologue caused a furor on West End and Broadway. Numerous versions were produced worldwide. Eline Arbo was the first to stage the play in the Netherlands. Maria Kraakman won the Theo d'or for the most impressive acting performance in a leading role for her role in Prima Facie.
Maria Kraakman plays the role of Tessa, a clever and ruthless criminal defence lawyer specialising in sex crimes. She has broken away from her working-class environment and now resides among the privileged elite. Justice is a sport to her. She feels that, compared to her male colleagues, she undercuts sexual abuse victims in a neat way. Until the tables irrevocably turn. An unexpected event confronts her with the tense relationship between the patriarchal power of the law, the burden of proof, and morality.

今日的我盘问昨日的我。
Tessa，一个事业如日中天的刑事辩护女大律师，擅长替涉及性侵的加害人辩护。然而，一场突如其来的打击，顿使她转换了身份、角色。她站上证人台，不停被盘问、质疑、指控⋯⋯她赫然发现一切都颠覆了她从前坚守的信念，她开始叩问法律及制度存在的意义。
即使会牺牲自己及所有，你仍会竭力去挑战曾经深信的一切吗？

After a wildly popular, sold-out premiere season in 2022, this smash-hit production returns to the stage with the brilliant Heather Mitchell reviving her award-winning “virtuosic performance” (The Conversation) of the woman who changed the face of the American legal system: the indomitable Ruth Bader Ginsburg.

The second woman to be appointed to the US Supreme Court, Ruth Bader Ginsburg was both a trailblazer in the American judiciary and a fierce advocate for gender equality and reproductive rights. Now, her life is brought to the stage by the extraordinary pen of Olivier Award-winning Australian playwright Suzie Miller (Prima Facie), in a story that chronicles Ginsburg’s wins and dissents, traces her steps forward and the steps back, and brings you right into the room with Ruth at the most pivotal moments of her life.

Director Priscilla Jackman reunites with Mitchell to reconjure RBG in this once-in-a-generation theatrical event that is “magnificent from start to finish” (Limelight). Don’t miss your second chance to see this sublime production.

Jessica Parks is smart, compassionate, and a true maverick at the peak of her career as a London Crown Court Judge. The system needs to change, and she’s challenging it one case at a time.
Behind the robe, Jessica is a loving wife, a supportive parent and a karaoke fiend. But when an incident involving her son threatens to blow the family apart, she finds herself having to fight for everything she holds dear.
A scalding examination of modern masculinity and motherhood, Inter Alia premiered at the National Theatre, London, in 2025, with Rosamund Pike as Jessica. Written by Suzie Miller and directed by Justin Martin, the production reunited the team behind the global phenomenon Prima Facie, which won Best New Play at the 2023 Olivier and WhatsOnStage Awards.
Jessica Parks是一位精明的刑事法庭法官，正处于事业巅峰期。在法袍背后，她是一个卡拉OK发烧友、有爱的妻子和支持孩子的家长。当一起事件有可能让她的生活完全失去平衡时，她能否支撑起自己的家庭？

《非穷尽列举》于2025年在伦敦国家剧院出演，由裴淳华饰演杰西卡，是对现代男性气质及母性的一次尖锐审视。该剧由苏西·米勒编剧、贾斯汀·马丁执导，由全球现象级剧目《初步举证》制作团队再度聚首，该剧曾荣获2023年奥利弗奖和WhatsOnStage奖的新剧奖。