John Williams 为 1993 年电影《辛德勒的名单》创作的配乐，此条目为 1993 年 MCA 原版。
这份原声带由小提琴大师 Itzhak Perlman 连同 John Williams 常年指挥的波士顿通俗管弦乐团（Boston Pops Orchestra）演奏。作为 Williams 的杰作之一，这份作品充沛的力量和悲伤的基调在他的众多配乐中是非常特别的，值得原声爱好者收藏。（罗伊）

Format: CD + Bonus DVD

Total Playing Time: 70:45

Track Listing

1. Star Wars and The Revenge Of The Sith (7:31)
2. Anakin's Dream (4:46)
3. Battle Of The Heroes (3:42)
4. Anakin's Betrayal (4:04)
5. General Grievous (4:07)
6. Palpatine's Teachings (5:25)
7. Grievous and the Droids (3:28)
8. Padme's Ruminations (3:17)
9. Anakin vs. Obi-Wan (3:57)
10. Anakin's Dark Deeds (4:05)
11. Enter Lord Vader (4:14)
12. The Immolation Scene (2:42)
13. Grievous Speaks to Lord Sidious (2:49)
14. The Birth Of The Twins and Padme's Destiny (3:37)
15. A New Hope and End Credits (13:06)

Performed by the London Symphony Orchestra and London Voices
Supervising Music Editor: Ken Wannberg
Music Editor: Ramiro Belgardt
Music Recorded and Mixed by Shawn Murphy at Abbey Road Studios, London


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Throughout the Star Wars films, John Williams has created a complete musical language to describe the characters and essentially tell the story of the saga. Episode III completes the Star Wars story; it also acts as a bridge to the original trilogy. In that way, the film has allowed John to add his own final chapter to the musical lexicon by creating brilliant new themes as well as drawing upon the rich legacy of music he has composed for the five other films over the past three decades. The film chronicles Anakin Skywalker's tragic turn to the dark side accompanied by such aggressively ominous music as Darth Vader's march, the Emperor's theme and a sweeping new piece that underscores the momentous duel between Anakin and Obi-Wan. In the end, the film reminds us that Anakin will eventually be redeemed through the determination and love of his children. John has beautifully captured this spirit of hope by reprising the most memorable music from the original trilogy, the themes of Luke Skywalker and Princess Leia. The balance of light and dark is central to Star Wars storytelling, and John has conveyed this expertly. His music for Episode III is joyous and adventurous at times, yet pulls us into the mournful and tragic as well. But as the saying goes, the darkest hour is always before the dawn, even the dawn of twin suns o­n a distant, arid planet.

George Lucas

介质为1CD！

技巧与才情兼具的小提琴家帕尔曼与古典吉他王子约翰·威廉姆斯旷世珍藏版！

以出神入化的演奏技巧，瘦骨嶙峋的面容、热情奔放的曲韵，深入人心的意大利“超技派”小提琴演奏、作曲家帕格尼尼，“二十四首随想曲”堪称代表作，也是一般乐迷熟知的；然而他特别选择吉他作为另一创作题材，与一位会演奏吉他的女性朋友有关，为此谱写下约二百首的吉他音乐。专辑中精选的奏鸣曲、小品等，一反帕格尼尼光璨的风格，而显现柔魅的气韵，一新你的耳目。

吉他演奏兼作曲家的朱里尼，深谙吉他，作品对吉他刻画细腻，专辑中所选作品是朱里尼较鲜为人知的吉他曲，将吉他独具的音响发挥尽净。

由技巧与才情兼具的小提琴家帕尔曼、英国吉他王子约翰·威廉姆斯搭档，此意大利双杰的精神有完美的化身。

01 1-3 帕格尼尼：如歌的风格第1奏鸣曲混成曲 NICCOLO PAGANINI CENTONE DI SONATE,OP.64,NO.1
02 4 帕格尼尼：E小调奏鸣曲OP.3之6 PAGANINI SONTA NO.6 IN E MINOR,OP.3
03 5-7 帕格尼尼：A大调协奏奏鸣曲 PAGANINI SONTA CONCERTATA IN A MAJOR
04 8-15 朱里尼：为小提琴和吉他而作的奏鸣曲 MAURO GIULIANI SONATA FOR VIOLIN AND GUITAR
05 16 帕格尼尼：为吉他和小提琴而作的如歌的风格曲 PAGANINI CANTABILE FOR VIOLIN AND GUITAR

2 CD's
Second CD is CD-ROM containing:
01. Electronic Arts Harry Potter video game preview
02. Lego video game preview
03. Foreign Film Trailer Samplers
04. Harry Potter Poster Gallery (3 film posters can be printed out in colour)
05. Link to


Track Listing

1. Prologue (2:31)
2. Harry's Wondrous World (5:21)
3. The Arrival of Baby Harry (4:26)
4. Visit to the Zoo and Letters from Hogwarts (3:23)
5. Diagon Alley and The Gringotts Vault (4:07)
6. Platform Nine-and-Three-Quarters and The Journey to Hogwarts (3:15)
7. Entry Into The Great Hall and The Banquet (3:46)
8. Mr. Longbottom Flies (3:36)
9. Hogwarts Forever! and The Moving Stairs (3:47)
10. The Norwegian Ridgeback and A Change of Season (2:48)
11. The Quidditch Match (8:29)
12. Christmas at Hogwarts (2:57)
13. The Invisibility Cloak and The Library Scene (3:16)
14. Fluffy's Harp (2:39)
15. In the Devil's Snare and The Flying Keys (2:21)
16. The Chess Game (3:49)
17. The Face of Voldemort (6:11)
18. Leaving Hogwarts (2:14)
19. Hedwig's Theme (5:10)

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MAGIC. There's precious little of it in today's world. Most of us re-discovered magic in the pages of J.K. Rowling's "Harry Potter" books. As adults, we were transported back to a more innocent time in our lives when we first discovered the promise of a better future and the possibility that good can overcome darkness and evil.

When I began the process of turning "Harry Potter and the Philosopher's Stone" into a film, my one goal was to remain true and faithful to the spirit of the book. The meant shooting the entire picture in England, casting all British actors and not straying far from the original text of the novel. It also meant choosing a composer whose music could capture the richness and texture of this complex, imaginative story. I felt there was only one man who could accomplish this. John Williams.

John's music for "Harry Potter and the Philosopher's Stone" is a towering achievement. It works on several levels. It's a brilliantly constructed companion piece to the film, integrating seamlessly with every image and emotion. It's also a fantastic record, a classical concept album, telling the story of Harry Potter with music. But most importantly, it captures the soul of the Harry Potter world. There is a moment in the book and the film when Harry opens his letter from Hogwarts School of Witchcraft and Wizardry and realizes that he is, in fact, a wizard. At that moment, Harry becomes free to dream. John's music creates the same response in the heart of each listener. It liberates your imagination and gives you the freedom to dream. So put on this record, sit back and dream. Dream of flight. Dream of defeating Dark Lords. Dream of winning a Quidditch match. But most importantly, dream of magic.

Chris Columbus, London, September 21, 2001

Based on the original series of books The Adventures of Tintin by Hergé, the film is produced by Steven Spielberg, Peter Jackson and Kathleen Kennedy and stars Jamie Bell (“Billy Elliot,” “Defiance”) as Tintin, the young reporter whose relentless pursuit of a good story thrusts him into a world of high adventure, and Daniel Craig (“Quantum of Solace,” “Defiance”) as the nefarious Red Rackham. The soundtrack is composed by Oscar winning composer John Williams, who is best known for his work on the Star Wars saga, Jaws, Superman, the Indiana Jones films, E.T. the Extra-Terrestrial, Hook, Jurassic Park, Schindler's List, Home Alone and the first three Harry Potter films. He has had a long association with director Steven Spielberg, composing the music for all but two of Spielberg's feature films.

Total Playing Time: 76:45

Track Listing

1. Star Wars Main Title and Ambush On Coruscant (3:46)
2. Across The Stars (Love Theme from Attack of the Clones) (5:33)
3. Zam the Assassin and the Chase Through Coruscant (11:07)
4. Yoda And The Younglings (3:55)
5. Departing Coruscant (1:44)
6. Anakin and Padme (3:57)
7. Jango's Escape (3:48)
8. The Meadow Picnic (4:14)
9. Bounty Hunter's Pursuit (3:23)
10. Return to Tatooine (6:57)
11. The Tusken Camp and The Homestead (5:54)
12. Love Pledge and The Arena (8:29)
13. Confrontation With Count Dooku and Finale (10:45)
14. On The Conveyor Belt (3:02)*

* Bonus Track

Performed by the London Symphony Orchestra and London Voices
Supervising Music Editor: Ken Wannberg
Music Editor: Peter Myles
Music Recorded and Mixed by Shawn Murphy at Abbey Road Studios, London

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Attack of the Clones was an exciting film for me to make because it explores new territory in the world of Star Wars. It was only fitting that the music for the film also explores new ground. The galaxy is becoming a very dangerous place, the Republic is being torn apart, and the Jedi find themselves faced with mysteries and challenges greater than any they have ever known. To complement the complexities of the film's story, John Williams had to create a score that truly expanded the musical palate of Star Wars. As always, he has more than risen to the occasion. His score takes us deep into the urban landscape of Coruscant with rich percussion. He complements the adventures on Geonosis with music that evokes the planet's eerie atmosphere and insect-like population. He heightens the mystery and suspense that drives the first half of the film. And most importantly, he has created a grand love theme, the perfect accompaniment to the developing relationship between Anakin Skywalker and Padmé Amidala. Their love is complicated - pure yet forbidden, personal but with profound ramifications for an entire galaxy. Somehow, John has managed to convey all of that complexity in a simple, beautiful hauntingly theme. And that is the genius of John Williams!

George Lucas

TAS名版，录音、卡斯都是天王级的。约翰．强森：“巴望和嘉雅舞曲”、泰利曼：“波兰舞曲”、索尔：“幻想曲”、布拉姆斯：“主题变奏曲”(选自”弦乐六重奏曲第一号”)、佛瑞：“朵莉组曲”、德布西：“梦”、“黑娃娃的步态舞”（选自”儿童天地”）、阿尔班尼士：“卡斯提亚”（赛桂提亚舞曲）

［转载］这张动人的精选集，可以说是John Williams与Itzhak Perlman带给电影音乐迷的一个大惊喜，也是电影音乐精选专集首度以这种型式推出，专辑既然名为Serenade（夜曲），音乐风格自然以柔美抒情为诉求，在制作理念上，这张作品俨然是＜辛德勒的名单＞的延续，Perlman基于＜辛德勒的名单＞的合作愉快，再次于John Williams的量身打造下，跨越古典音乐领域，为乐迷呈现兼具大众通俗品味，与醇美古典音乐素养的精湛演出，John Williams除了改编个人的若干作品外，也非常不寻常的，亲自改编同侪音乐家的作品，以适切优雅的管弦语言，细腻的烘托Itzhak Perlman扣人心弦的提琴独奏，不仅红花绿叶，相得益彰，也将John Williams自１９７０年的＜屋上提琴手＞，个人的小提琴协奏曲，到９３年＜辛德勒的名单＞，历经多年累积与磨练的音乐实力，以精致高雅的品味，呈现给电影音乐的爱好者．
一开场的＜紫色姐妹花＞，是史匹伯电影中，唯一不是由John Williams出任配乐的作品，不过因为这部电影的制作人Quincy Jones本人即是音乐大老，这部配乐自然由Quincy Jones率领庞大的音乐阵容制作，John Williams也只好让贤了，这部配乐当年虽因配乐者人数太多而与金像乐失之交臂（影艺学院认为这部配乐的作曲者近二十人，平均一个人只需要做十分钟的音乐，无法公正的与其它一人处理整部电影所有音乐需求的音乐家比较），但主题曲与多首插曲都是十分动听的作品，在这张专辑中，John Williams亲自改编这部配乐的Main Title，算是一补他与史匹伯二十多年来，亲密合作关系中的遗珠之憾，而且这首作品改编的相当动人，是这张专辑最迷人的作品之一，John Williams的改编与润色，加上Perlman细腻高雅的音色，甚至超越了当年原声带的演出水准．
Tango曲目Por Una Cabeza也是John Williams亲自改编的作品，这首作品因＜女人香＞一片而声名大噪，是相当迷人的作品，事实上，除了＜女人香＞外，这首作品还出现在不少其它的电影中，包括＜辛德勒的名单＞，可见这首作品应该也是John Williams个人十分喜爱的作品，John Williams在改编的风格上，与一般阿根廷Tango的激情暧昧，情欲纠葛有所不同，呈现较为优雅高贵的华丽美感，至于Perlman的小提琴演出自是不在话下．PaPa , Can You Here Me选自芭芭拉史翠珊自编自导自演的＜杨朵＞，一部犹太版的＜梁祝＞，不过故事的重点在于描写传统社会的犹太少女杨朵，为了求学而女扮男装，追求女性自主与两性平等的过程，而不着重于＜梁祝＞式的凄美情爱，是一部音乐剧型态的电影，不过是我个人很不习惯的那种音乐剧，而Papa Can You Here Me是全剧最美也最著名的一首歌，以我个人而言，也是我觉得唯一好听的歌．坦白说，我个人其实并不习惯Michael Legrand的音乐剧，除了＜杨朵＞外，这张专辑还选录了其著名的＜秋水伊人－The Umbrellas Of Cherbourg＞，同样也是一首旋律相当美的作品，同时也是最广为流传的法国电影音乐之一，不过我个人觉得，这部所谓的法国经典音乐剧，看起来简直愚蠢，从头到尾，所有的对话都是用唱的，而且听起来并不像歌，大多数的时候更像在念歌，而且在”演唱对白”时，演员表演的方式其实是很”写实”的，并不是一般我们看歌剧演出的那种感觉，而对我来说，问题或许就是出在，我觉得音乐剧或歌舞片并不是”写实”的东西，现实世界中大家根本就不会用歌唱来对话，但结果这部片子里，所有的运镜和表演方式，肢体动作等，就和一般写实的电影完全相同，关掉声音的话根本看不出来是音乐剧，但偏偏这就是一部从头唱到尾的音乐剧，实在有点莫名奇妙，是我个人看过最无趣的经典名片，不过主题曲I Will Wait For You的确是凄美绝伦的抒情经典．
Il Postino由John Williams改编Luis Bacalov夺下金像奖的作品＜邮差＞，是这张唱片中我个人最喜爱的一轨演出，Permal与Williams精湛的呈现出这部配乐的细致美感，令人回味无穷．至于Elmer Bernstein近期最具代表性的作品＜纯真年代＞，在这张专辑中也有凌驾于原声带之上的演出水准，Perlman将一份典雅深情的情怀诠释的淋漓尽致，几乎像是改造了这首作品，也提升了这首作品．
Track 5. Far And Away，John Williams将自己的＜远离家园＞改编成小提琴演奏曲，效果相当出色，为整张专辑注入一股活泼的律动与活力，也呈现出和原声带大异其趣的音色和感受，Love Theme的演出尤其动人，有比原声带更优美的惊喜演出，相形之下，John Williams另一首个人的作品＜新龙凤配＞，小提琴改编的效果则不若原来的钢琴演奏曲那般出色，也许是因为这首作品原本就是创作成钢琴演奏的型式，小提琴固然能呈现出不同感受的温润高雅，但比起钢琴演出来，似乎少了点梦幻，晶莹的美感．
Four Horeseman Of The Apocalypse是优美而感伤的抒情佳作，Perlman的表现凄测唯美，而且颇富戏剧张力．＜远离非洲＞也是抒情电影音乐的长青作品，选录在这张专辑中虽略嫌八股，但由于音色上强调Perlman的提琴独奏，因此这首作品呈现的效果其实有别于一般的印象，是不错的表演版本．＜黑人奥非欧＞的主题曲Manha De Carnaval，情调相当抒情柔和，也是一首著名的电影歌曲．
由于这张唱片，正是缘起于Perlman与Williams９３年于＜辛德勒的名单＞中的初次合作，因此，选录＜辛德勒的名单＞自然极有纪念意义，这部作品已经成为９０年代最具代表性的电影音乐经典之一，Perlman也又一次重现原声带中的动人演出．＜新天堂乐园＞同样也是最广受乐迷喜爱的抒情电影音乐，这首作品实际上是Ennio Morricone的儿子Andrea Morricone所作，被Ennio Morricone用在＜新天堂乐园＞中作为Love Theme，是历久弥新的电影音乐代表作，Angela Morley细腻清新的编曲，与Perlman动人心弦的演出，也为整张专辑画下完美的句点．
整体而言，这是近年来最出色的电影音乐精选专辑之一，收录的曲目横跨欧美古今的抒情佳作，有坚强的编曲，指挥，演出阵容，成功的企划和选曲理念，以及协调一致，抒情柔美，又极具特色的整体风格，在音乐公司抢食电影音乐巿场，大量推出的电影音乐合辑中，别有一番脱俗精致的不凡魅力．

朱利安˙布林姆（Julian Bream）
我记得朱利安˙布林姆吉他大师，两次来台演奏会第一次约二十几年前於台北中山堂演出。当时他凭著手上的两把乐器征服了全场的观眾，这两把乐器，分别是吉他和鲁特琴。而第二次於1993年由财团法人国际新象文教基金会，三月十三日→台北国父纪念馆及三月十一日→台中中山堂举办两场演奏会。他将吉他带进现代音乐厅，重新找到鲁特琴的现代演奏生命，并让巴洛克时代的鲁特琴音乐重现二十世纪。朱利安˙布林姆出生於1933年的伦敦，起初因为父亲的关係而非常喜爱吉他，1945年他正式在伦敦的皇家音乐学院学习钢琴、大提琴及作曲，十三岁首次登台，引起音乐界的瞩目。布林姆曾师事贝伦德与塞哥维亚，但也靠著看录影带及其他演奏家的表演学习吉他。1951年在伦敦举办第一场音乐会，从此展开其忙碌与成功的表演。他的演奏包括巴哈及当代作曲家的作品。他也弹奏鲁特琴，演奏曲目的范畴广泛，在演奏会时常常前半演奏鲁特琴，后半段演奏吉他。
布林姆对於吉他的特性有很深入且独特的见解，因此在处里吉他音色方面显得特别突出，他给人一种明亮、愉快而富变化的音色，有别於塞哥维亚那甜美、醇厚的音色。1955年布林姆开始灌录唱片，此后他每年都有一两张唱片问世，迄今已灌录超过五十张的唱片。除了独奏，他和约翰˙威廉是组成二重奏，被誉为《世纪二重奏》。
朱利安˙布林姆在吉他世界中享有崇高的地位，同时也是当今鲁特琴家的翘楚。他演奏足迹遍及全球五大洲，除了在欧洲定期演出外，每年都在美国巡迴演出三至四个星期，活跃於世纪乐坛。朱利安˙布林姆对在吉他曲目扩展不遗餘力。他改编了许多浪漫时期与巴罗克时期的作品成为吉他演奏曲，除了创作布林姆对他所尊崇的乐器工匠给予实质的支持，他曾经提供在威尔特夏家中的空间作为吉他、鲁特琴与大健琴的工坊。他也曾在自己家中夏令艺术节，与好友共乐。他曾组织了一个名为Broken Consort的团体，在1960年代灌录了许多唱片
。布林姆亦雅好室内乐，曾与许多顶尖弦乐四重奏团合奏演出，他与约翰˙威廉是的二重奏更是远近驰名。布林姆在电视曝光率，更让他成为家喻户晓的名人。因其对音乐的贡献，在1964年获颁大英帝国士官爵(officer of the British Empire)荣衔。1967年作曲家Villa─Lobos的遗孀特颁Villa─Lobos荣誉教授金质奖章给予布林姆。1982年秋，麦克唐那出版了有关布林姆音乐生涯的书。1984年他再度获颁大英帝国上级勋爵(Commander of the British Empire)荣衔。
回顾 布林姆 在这两方面都为现代乐坛作了极大的贡献，他不仅委託了包括作曲家布瑞顿、华尔顿等人为吉他创作新的音乐，同时也成功将鲁特琴带进二十世纪乐坛中，让道兰等英国伊莉莎白时代的巴洛克鲁特琴音乐成为广为人知的作品。布林姆亲自从他过去的录音中挑选中来的精彩曲目，乐曲有些是原本就为吉他创作，有些则是改编曲。其中像是巴哈的三重奏鸣曲，一般常以管风琴独奏来处理三个声部的呈现，但在这里这份一九六九年的录音，布林姆则採用自己的改编，以吉他和大键琴这种罕见的组合来呈现。另外片中也有一些原本就是为吉他所写、且深受吉他家喜爱的作品，像巴西作曲家魏亚．罗伯士的十二吉他练习曲就是这样的作品。另外也有布林姆委託现代作曲家的作品，像是梅肯阿诺德在一九五九年为他写的吉他协奏曲，当时阿诺德为电影「桂河大桥」所写的配乐赢得奥斯卡金像奖。片中也收录了华尔顿在一九七二年为他写的五首吉他小品，以及布瑞顿从自己歌剧「葛洛莉安娜」中选出的一套舞曲，这是採用伊莉莎白时代鲁特琴音乐风格改写成作品，原曲是为管弦乐团所写，但在这份一九六三年的录音，则罕见地看到布林姆以鲁特琴独奏，和一群古乐家合奏呈现出这套舞曲。
约翰˙威廉士(John Williams)
纵横乐坛数十年全球最受尊崇的吉他巨匠约翰˙威廉士於2006年6月13日(星期二)首度来台演出！这位当代大师对吉他音乐的推广与贡献不可磨灭。演奏面向打破藩篱跨足古典、爵士、电视电影等领域。那次音乐会与英国极富盛名的配乐家李察‧哈维搭挡合作，二重奏的绝佳默契，精湛技艺与音乐感染力，带给大家遨游一趟穿越时空的音乐之旅。约翰威廉士1941年出生在澳洲墨尔本，吉他啟蒙是由他的父亲所教。 1953年至58年在义大利的塞那与吉他大师赛哥维亚研修。后来到伦敦的音乐皇家学院。自1958年在伦敦首演以来，便开始环球旅行演奏的生涯，而成为世界上最年轻而著名的吉他演奏家。不管如何的难曲，他都能像流水一般的演奏，大师赛哥维亚曾如下的讚美他:「他的手指出神入化，他是吉他王子」。
当代吉他大师约翰‧威廉士在古典音乐界有著非常特殊的地位。BBC 音乐杂誌称他为「世界上最全能的吉他大师」。约翰威廉士永远走在时代的最前端，他的五段式作品《Sky》早在「古典跨界」一词流行以前，就为这个名词下了最好的定义。在超过40年的演奏生涯中，约翰威廉士不但演奏了所有被定义为经典的吉他曲目之外，更探索了为数惊人的古典音乐，从巴哈到法国浪漫主义﹔他更改编无数首来自不同文化与形态的世界音乐为吉他的曲目，包括拉丁美洲、日本、希腊、澳洲、英国和非洲。
约翰‧威廉士曾经亲自推荐 自己灌录CD专辑时，说道：希望将焦点放在希腊和土耳其两地过往和当代的音乐上。后来这个概念再往外延伸，就成为扩及地中海地区，包含了以往我旧录音中三首最受到喜爱的小品：其中著名的「阿尔汉布拉宫的回忆」一曲描述的是位於西班牙南部格拉那达，由古代摩尔人所建的庄严皇宫，而马约卡岛则是描写西班牙外海那座神秘而美丽的岛屿，以及一首可爱的拿坡里名歌「卡塔里、卡塔里」。 被誉为「吉他王子」的澳洲吉他家约翰．威廉士是二十世纪后半叶地位最高的吉他名家。他取代了朱利安．布林姆（Julian Bream）建立的吉他王国，在英美等地吸引了许多吉他爱好者。很少人知道，约翰威廉士是四分之一华人，母亲是澳洲史上著名华人律师麦锡祥（William Ah-Ket）女儿。威廉士很小就到英国受教育，十二岁天份过人，送到西班牙追随大师塞戈维亚（Andrés Segovia）习琴。他让许多罕见的吉他名曲被更多人知道和喜欢。“吉他王子”这个封号，是他的恩师塞戈维亚在一九五八年听到他的首场独奏会后所说的。当时他说：「上帝用手指在他的眉上轻轻点了一下，他注定很快就要扬名国际。」约翰‧威廉士出道得早，二十世纪里面最重要的几位伟大的演奏大师塞戈维亚，耶佩斯、布林姆不是过世就是淡出舞台，而我们这位当年的小王子，现在正值盛年，是目前唯一和后辈们一起站在新潮流浪头上的大师级演奏家。

《马友友：双星合璧》这张专辑是继《西藏七年情》之后，著名华裔大提琴演奏家马友友和电影配乐大师约翰威廉姆斯，这两大乐坛巨星的再次合作。专辑收录了约翰威廉姆斯在2002年全新创作的协奏曲，相比起约翰威廉姆斯为世人所熟知的一首首电影原声作品，他的协奏曲作品平时难得一见。

这张专辑是约翰威廉姆斯从2001年底的《哈利波特》电影原声带，到2002年2月发行的《胜利之声：冬季奥运特辑》，以及随后发行的《星球大战前传二》电影原声带等这一波约翰威廉姆斯音乐热潮中，唯一一张特别为马友友所创作的大提琴协奏曲，在这首新作品中，约翰威廉姆斯完成了四个乐章，虽然充满了许多变化与对比，但马友友总能恰如其分将每个音符诠释得入木三分，丝毫没有任何窒碍，足见两人绝佳的默契。

01-04 Concerto for Cello and Orchestra
05 Elegy for Cello and Orchestra
06-08 Three Pieces for Solo Cello
09 Heartwood

Total Playing Time: 57:58

Track Listing

1. The Tale Of Viktor Navorski (4:12)
2. Dinner With Amelia (8:02)
3. A Legend Is Born (3:16)
4. Viktor And His Friends (4:43)
5. The Fountain Scene (5:33)
6. The Wedding Of Officer Torres (5:01)
7. Jazz Autographs* (3:45)
8. Refusing To Escape (3:01)
9. Krakozhia National Anthem And Homesickness (1:49)
10. Looking For Work (3:17)
11. Gupta's Deliverance (3:18)
12. Finding Coins And Learning To Read (4:02)
13. "Destiny" ... "Canneloni" ... And The Tale Of Viktor Navorski (Reprise) (5:05)
14. A Happy Navorski Ending! (2:47)

* Featuring Randy Kerber (Piano) and Michael Valerio (Bass)

Supervising Music Editor: KEN WANNBERG
Music Scoring Mixer: SHAWN MURPHY

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"The Terminal" is a romantic adventure of the human spirit. While Viktor Navorski (Tom Hanks) may be a man without a country, he is not a man without a score, written with love and sense of Krakhozian humor by maestro John Williams. Viktor's theme is performed by clarinetist, Emily Bernstein, who gives Viktor a clear and profoundly moving voice throughout his journey within the confines of an international terminal while he waits for the visa that could finally get him into New York City and the American dream.

But Viktor is not the only character John has written for. The love theme for Amelia (Catherine Zeta-Jones) may only be eight bars, but it will become instantly memorable after hearing it only once.

There is so much beauty in John's score for "The Terminal". Beauty without bathos. And that's what dignifies Viktor and Amelia's story, always keeping it far from sentimentality but never too far from our hearts. For me this is the "feel good" score of John's entire repertoire, and I am again honored that he has given so freely of his musical gifts to another one of my films.

Steven Spielberg

---------------------------------------------

"I wanted to create a musical portrait for Viktor that has an ethnic feel. We know Krakozhia is located in Eastern Europe, so I featured a clarinet in his themes, which is in the idiom of so much Eastern European music. I also included a cimbalom, which is indigenous to Hungary, and the subtle use of an accordion, which were woven into the orchestral texture to suggest Viktor's origins and culture."

John Williams

CD enhanced with exclusive wallpaper and screensaver, flip book of stills from film, exclusive link to demo of new EA Harry Potter video game, Golden Ticket Contest: Winner receives trip to Hollywood to tour WB lot and museum, pull out poster.


--------------------------------------------------------------------------------

Track Listing

1. Lumos! (Hedwig's Theme) (1:37)
2. Aunt Marge's Waltz (2:15)
3. The Knight Bus (2:52)
4. Apparition on the Train (2:15)
5. Double Trouble (1:37)
6. Buckbeak's Flight (2:08)
7. A Window to the Past (3:54)
8. The Whomping Willow and The Snowball Fight (2:22)
9. Secrets of the Castle (2:32)
10. The Portrait Gallery (2:05)
11. Hagrid the Professor (1:59)
12. Monster Books and Boggarts! (2:26)
13. Quidditch, Third Year (3:47)
14. Lupin's Transformation and Chasing Scabbers (3:01)
15. The Patronus Light (1:12)
16. The Werewolf Scene (4:25)
17. Saving Buckbeak (6:39)
18. Forward to Time Past (2:33)
19. The Dementors Converge (3:12)
20. Finale (3:24)
21. Mischief Managed! (12:15)

Celeste: RANDY KERBER
Early Music Instruments: THE DUFAY COLLECTIVE
Chorus: LONDON VOICES
Children's Choir: THE LONDON ORATORY SCHOOL
"Double Trouble" includes performance by LONDON SINFONIETTA

Music Recorded & Mixed at ABBEY ROAD STUDIOS, LONDON, March 2004

Total Playing Time: 68:38

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

John composed "Double Trouble" during the production of the film as we decided that a children's choir would be a warm welcome back to Hogwarts. The theme, a melodic mischievous close cousin of the "Hedwig's Theme" composed around text from Shakespeare's "Macbeth", became the foundation stone for the rest of the film score. Its medieval color became the musical identity of the wizarding world in this third installment of Harry Potter.

John juggled these medieval motifs with a late 19th century rossini-esque narrative, a delirious big band Jazz number, and 20th century music (which we both share a love for). How he managed to create a unity out of it all, beats me!

It was a great privilege to witness, as the scoring sessions unfolded, music breathing life into what has become a much better film.

Gracias Maestro!

Alfonso Cuaron, Director

2 CD Box and different covers. Limited edition. Including CD-ROM, featuring: exclusive screen saver, PC wallpaper, downloadable sheet music, 2 movie trailers and website link. Also available Collectible Covers.

Track listing

1. Prologue: Book II and The Escape From The Dursleys (03:31)

2. Fawkes The Phoenix (03:45)

3. The Chamber of Secrets (03:49)

4. Gilderoy Lockhart (02:05)

5. The Flying Car (04:08)

6. Knockturn Alley (01:47)

7. Introducing Colin (01:49)

8. The Dueling Club (04:08)

9. Dobby The House Elf (03:27)

10. The Spiders (04:32)

11. Moaning Myrtle (02:05)

12. Meeting Aragog (03:18)

13. Fawkes Is Reborn (03:19)

14. Meeting Tom Riddle (03:38)

15. Cornish Pixies (02:13)

16. Polyjuice Potion (03:52)

17. Cakes For Crabbe and Goyle (03:30)

18. Dueling The Basilisk (05:02)

19. Reunion Of Friends (05:08)

20. Harry's Wondrous World (05:02)


Total Duration: 01:10:08

The City of Prague Philharmonic Orchestra conducted by James Fitzpatrick.

Also contains music from:
Harry Potter And The Sorcerer's Stone
Harry Potter And The Chamber Of Secrets
Harry Potter And The Prisoner Of Azkaban
Harry Potter And The Goblet Of

Tracks 1-6 and 14-15: Music by John Williams - Tracks 7-13: Music by Patrick Doyle

Total Playing Time: 73:15, 74:45

Track Listing
CD 1 (73:15)

1. 20th Century Fox Fanfare (Alfred Newman) (0:22)
2. Main Title/Approaching The Death Star/Tatooine Rendezvous (9:21)
3. The Droids Are Captured (1:17)
4. Bounty for a Wookiee (2:50)
5. Han Solo Returns (4:01)
6. Luke Confronts Jabba/Den Of The Rancor/Sarlacc Sentence (8:51)
7. The Pit of Carkoon/Sail Barge Assault (6:02)
8. The Emperor Arrives/The Death of Yoda/Obi-Wan's Revelation (10:58)
9. Alliance Assembly (2:13)
10. Shuttle Tydirium Approaches Endor (4:09)
11. Speeder Bike Chase/Land of the Ewoks (9:38)
12. The Levitation/Threepio's Bedtime Story (2:46)
13. Jabba's Baroque Recital (3:09)
14. Jedi Rocks (2:42)
15. Sail Barge Assault (alternate) (5:04)

CD 2 (74:45)

1. Parade of the Ewoks (3:28)
2. Luke and Leia (4:46)
3. Brother and Sister/Father and Son/The Fleet Enters Hyperspace/Heroic Ewok (10:40)
4. Emperor's Throne Room (3:26)
5. THE BATTLE OF ENDOR I (11:50)
(Into the Trap/Forest Ambush/Scout Walker Scramble/Prime Weapon Fires)
6. The Lightsaber#/The Ewok Battle (4:31)
7. THE BATTLE OF ENDOR II (10:03)
(Leia Is Wounded/The Duel Begins/Overtaking the Bunker/The Dark Side Beckons/
The Emperor's Death)
8. THE BATTLE OF ENDOR III (6:04)
(Superstructure Chase/Darth Vader's Death/The Main Reactor)
9. Leia's News/Light of the Force (3:24)
10. Victory Celebration$/End Title (8:34)
11. Ewok Feast/Part of the Tribe (4:02)
12. The Forest Battle (concert suite) (4:05)

Total Playing Time: 62:43, 61:44

Track Listing
CD 1 (62:43)

1. 20th Century Fox Fanfare (Alfred Newman, 1954) (0:21)
2. Main Title/Ice Planet Hoth (8:08)
3. The Wampa's Lair/Vision of Obi-Wan/Snowspeeders Take Flight (8:48)
4. The Imperial Probe/Aboard the Executor (4:24)
5. The Battle of Hoth
(Ion Cannon/Imperial Walkers/Beneath the AT-AT/Escape in the Millenium Falcon) (14:48)
6. The Asteroid Field (4:15)
7. Arrival on Dagobah (4:52)
8. Luke's Nocturnal Visitor (2:35)
9. Han Solo and the Princess (3:26)
10. Jedi Master Revealed/Mynock Cave (5:44)
11. The Training of a Jedi Knight/The Magic Tree (5:15)

CD 2 (61:44)

1. Imperial March (Darth Vader's Theme) (3:02)
2. Yoda's Theme (3:29)
3. Attacking a Star Destroyer (3:04)
4. Yoda and the Force (4:02)
5. Imperial Starfleet Deployed/City in the Clouds (6:03)
6. Lando's Palace (3:53)
7. Betrayal at Bespin (3:46)
8. Deal with the Dark Lord (2:36)
9. Carbon Freeze/Darth Vader's Trap/Departure of Boba Fett (11:50)
10. The Clash of Lightsabers (4:17)
11. Rescue from Cloud City/Hyperspace (9:08)
12. The Rebel Fleet/End Title (6:26)