棺材匠泽多是一位巴西小镇的殡仪师，他一直在寻找一个能为他生出一个出类拔萃的孩子的完美女人。 由于他和妻子无法生育，于是杀了她，开始寻找另外的女人。（何塞·莫金卡·马林斯 José Mojica Marins是巴西最著名的CULT恐怖片电影大师，这是其第一部长片作品，也是其著名的Ze do Caixao系列的第一集，开创了巴西低成本独立电影的新局面。）

掘墓者兼杀人狂约瑟夫•赞纳塔斯（Raymond Castile 饰）经过四十多年的牢狱生活，终于凭借巴西法律的帮助重获自由。但是监狱并未削弱邪恶的力量，他心中仍然笃定着对恶魔撒旦的信念。约瑟夫和其忠实的随从搬到贫民窟，约瑟夫时刻受到往日罪行的纠缠，昔日伴侣们的鬼魂让其痛不欲生，然而他仍希望找到一个完美的女子延续自己的生命，为此不惜大开杀戒。
今非昔比，四十年后社会动荡，官员腐败。军警奥斯瓦多（Adriano Stuart 饰）及其兄弟较约瑟夫有过之而无不及，这两拨邪恶人马注定要有交锋的一天……

在巴黎的腹地，有一秘密邪恶的俱乐部，表面上它就像一个普通的宗教俱乐部或者哥特风夜总会。不过这栋建筑就像海绵一样，藏着许多秘密的空间，其中一个就被称为“灵魂的房间”，这是世界上最富有和最邪恶的人私人聚会的场所。它们的主人就是优雅又可怕的Madame Sabatier夫人。
他们的娱乐就是听每个成员讲述真实而堕落的故事：一个好妻 子得知丈夫专门在晚上出去绑架和谋杀的年轻妇女；一个年轻又堕落的女性想要自杀；一个女孩被认为是魔鬼附身了，她的父母也过分相信宗教，寻觅了一个有邪恶计划的牧师来帮助她。
他们被了一个受人尊敬却内心疯狂的医生邀请见识生命的死亡。一个年轻的妓女在十字街头被一个肉贩子强迫**并谋杀；一个修女在罗马被囚禁了一年，变成了一个野蛮的杀人怪物；一个女孩为了名利和财富在公交车上被人欺骗，沦为夜总会里男人泄欲的工具。
影片用镜头展示了这一个个恐怖的故事，这就是人类生活的社会，每天充斥了难以形容的暴行，现实的恐怖没有边界。

Three episodes: A dollmaker whose dolls are eerily human, a tale of necrophilia, and a doctor proves love is dead.

科芬·乔的导演风格是非常华丽的，这也是他的电影很好的原因。展出的主题已经复制经常发布以来,这部电影,虽然我不知道电影继续使用相同的想法实际上从这个影响——它必须提前说,棺材乔的电影是他们的时间,特别是考虑到他们来自巴西——一个国家不是特别出名的好电影。正如我所提到的，这三个故事是一个混合体，它的出现让人感到失望，因为第一个故事是最好的。在整个电影中都有一种令人沮丧的基调，这在第一个故事中肯定是有感觉的——尽管不一定和其他故事一样。第二个故事绝对是最不有趣的，尽管故事的寓意和氛围都很好地使用了。第三个也是最后一个故事将会吸引大部分的粉丝，而且是最像导演的前两部电影。科芬·乔在这个故事中扮演的角色与他的标志性角色没有太大的区别。总的来说，我对这部电影并没有太大的印象——但是迷幻和催眠的气氛是一种享受，我相信《棺材》的粉丝们会从中得到乐趣。

七十年代的巴西CULT片大师José Mojica Marins的杰作之一，也是他以“Ze do Caixao”的名字为角色演出的影片，尽管并没有算进他最著名的“Coffin Joe”三部曲，鬼异程度却一点也不亚于其中任何一部。本片至今未出版DVD，能看到的只有带英文字幕的VHS版在市面上流通。
José Mojica Marins, a director of horror films about the diabolical Coffin Joe, is spending Christmas with friends. Household members go violently mad for no reason: first grandpa, then the hosts' daughters, one of whom, Vilma, is about to get married. Mojica discovers that Vilma's mother made a pact with a witch in order to become pregnant with Vilma, promising this first-born child to Satan; her impending marriage to a human is stirring up things supernatural. It what seems like a dream, Mojica enters a bacchanal in which an entranced Vilma is about to wed to Satan's son; the master of ceremonies is none other than Coffin Joe. Can Mojica defeat his own creation and save Vilma?
A very eerie movie at times, but still quite amusing at times. Some reporters wonder why director Marins does not believe in his own fictional character, Coffin Joe (alias Ze Do Caixao). After the interview he goes to visit his friend for christmas, and study some ideas for his new upcoming movie, "The Demon Exorcist". But there are some strange stuff going on in his friend's cabin. Tarantulas in christmas tree, people going berserk, and shouting some strange crap. We all know whats coming, because in the neightbourhood, in a wicked witch's wall, there's a picture of who else, than Coffin Joe! Don't miss the end, which is certainly NC-17 stuff, for both, the gore and the nudity. The musical score is eerie and chilling too.
The Bloody Exorcism of Coffin Joe (original title O Exorcismo Negro) is a 1974 Brazilian horror film by Brazilian film director José Mojica Marins. Marins is also known by his alter ego Zé do Caixao (in English, Coffin Joe). It is one of several Marins' films that feature Coffin Joe as a major character, although it is not considered part of the "Coffin Joe trilogy" (At Midnight I'll Take Your Soul, This Night I Will Possess Your Corpse, and Embodiment of Evil).
Filmed in Marins' trademark b movie style well known with his fans, including the use of inconsistent visual and sound editing, a bizarre audio track, and extremely low budget effects.

七十年代的巴西CULT片大师José Mojica Marins的杰作之一，也是他以“Ze do Caixao”的名字为角色演出的影片，尽管并没有算进他最著名的“Coffin Joe”三部曲，鬼异程度却一点也不亚于其中任何一部。本片至今未出版DVD，能看到的只有带英文字幕的VHS版在市面上流通。
José Mojica Marins, a director of horror films about the diabolical Coffin Joe, is spending Christmas with friends. Household members go violently mad for no reason: first grandpa, then the hosts' daughters, one of whom, Vilma, is about to get married. Mojica discovers that Vilma's mother made a pact with a witch in order to become pregnant with Vilma, promising this first-born child to Satan; her impending marriage to a human is stirring up things supernatural. It what seems like a dream, Mojica enters a bacchanal in which an entranced Vilma is about to wed to Satan's son; the master of ceremonies is none other than Coffin Joe. Can Mojica defeat his own creation and save Vilma?
A very eerie movie at times, but still quite amusing at times. Some reporters wonder why director Marins does not believe in his own fictional character, Coffin Joe (alias Ze Do Caixao). After the interview he goes to visit his friend for christmas, and study some ideas for his new upcoming movie, "The Demon Exorcist". But there are some strange stuff going on in his friend's cabin. Tarantulas in christmas tree, people going berserk, and shouting some strange crap. We all know whats coming, because in the neightbourhood, in a wicked witch's wall, there's a picture of who else, than Coffin Joe! Don't miss the end, which is certainly NC-17 stuff, for both, the gore and the nudity. The musical score is eerie and chilling too.
The Bloody Exorcism of Coffin Joe (original title O Exorcismo Negro) is a 1974 Brazilian horror film by Brazilian film director José Mojica Marins. Marins is also known by his alter ego Zé do Caixao (in English, Coffin Joe). It is one of several Marins' films that feature Coffin Joe as a major character, although it is not considered part of the "Coffin Joe trilogy" (At Midnight I'll Take Your Soul, This Night I Will Possess Your Corpse, and Embodiment of Evil).
Filmed in Marins' trademark b movie style well known with his fans, including the use of inconsistent visual and sound editing, a bizarre audio track, and extremely low budget effects.