In 1761, at a boarding school in New England, a young Mohawk Indian named Joseph Brant first met Samuel Kirkland, the son of a colonial clergyman. They began a long and intense relationship that would redefine North America. For nearly fifty years, their lives intertwined, at first as close friends but later as bitter foes. Kirkland served American expansion as a missionary and agent, promoting Indian conversion and dispossession. Brant pursued an alternative future for the continent by defending an Indian borderland nestled between the British in Canada and the Americans, rather than divided by them.
By telling their dramatic story, Alan Taylor illuminates the dual borders that consolidated the new American nation after the Revolution. By constricting Indians within reservation lines, the Americans sought to control their northern boundary with the British Empire, which lingered in Canada. The border became firm as thousands of settlers established farms, held as private property, all around the new reservations. This struggle also pitted the federal government against the leaders of New York, competing to control the lands and the Indians of the border country. They contended for the highest of stakes because the transformation of Indian land constructed the wealth and the power of states, nations, and empires in North America.
In addition to land, the frontier contest pivoted on murders, which repeatedly tested who had legal jurisdiction: Indians or newcomers. To assert power, the contending regimes sought to try and execute Indians or settlers who killed one another. To defend native autonomy, however, the Indians asserted an alternative by “covering the graves” of victims with presents to console their kin. When the gallows replaced covered graves, the Indians lost their middle position as free peoples.
Taylor breaks with the stereotype of Indians as defiant but doomed traditionalists, as noble but futile defenders of ancient ways. In fact, the borderland Indians demonstrated remarkable adaptability and creativity in coping with the contending powers and with the growing numbers of invading settlers. Led by Joseph Brant, the natives tried to manage, rather than entirely to block, the process of settlement. Taylor shows that they did so in ways meant to preserve Indian autonomy and prosperity. Rather than sell lands for a song to governments, the Indians sought greater control and revenue by leasing lands directly to settler tenants. But neither the British nor the American leaders could accept Indians as landlords, as competitors in the construction of power from land in North America. Once a “middle ground,” the borderland became a divided ground, partitioned between the British Empire and the American republic.

An innovative work of biography, social history, and literary analysis, this Pulitzer Prize-winning book presents the story of two men, William Cooper and his son, the novelist James Fennimore Cooper, who embodied the contradictions that divided America in the early years of the Republic. Taylor shows how Americans resolved their revolution through the creation of new social forms and new stories that evolved with the expansion of our frontier. of photos.

Alan Rickman remains one of the most beloved actors of all time across almost every genre, from his breakout role as Die Hard's villainous Hans Gruber to his heart-wrenching run as Professor Severus Snape, and beyond. His air of dignity, his sonorous voice and the knowing wit he brought to each role continue to captivate new audiences today.
But Rickman's artistry wasn't confined to just his performances. Rickman's writing details the extraordinary and the ordinary in a way that is anecdotal, indiscreet, witty, gossipy and utterly candid. He takes us behind the scenes on films and plays ranging from Sense & Sensibility, the Harry Potter series, Private Lives, My Name is Rachel Corrie and many more.
The diaries run from 1993 to his death in 2016 and offer insight into both a public and private life. Here is Rickman the consummate professional actor, but also the friend, the traveller, the fan, the director, the enthusiast: in short, the real Alan Rickman. Here is a life fully lived, all detailed in intimate and characteristically plain-spoken prose. Reading the diaries is like listening to Rickman chatting to a close friend.
Madly, Deeply also includes a foreword by Emma Thompson and a selection of Rickman's early diaries, dating from 1974 to 1982, when his acting life first began.

AMERICAN COLONIES starts with the earliest years of human colonization of the American continent and environs with the Siberian migrations across the Bering Strait 15,000 years ago. It ends in around 1800 when the rough outline of the contemporary North America could be perceived.<br /><br />Dropping the usual Anglocentric description of North America's fate, Taylor brilliantly conveys the far more vivid and startling story of the competing interests--Spanish, French, English, Native, Russian--that over the centuries shaped and reshaped both the continent and its 'suburbs' in the Caribbean and the Pacific. It is one of the greatest of all human stories.

The American Revolution is often portrayed as a high-minded, orderly event whose capstone, the Constitution, provided the nation its democratic framework. Alan Taylor, a two-time Pulitzer Prize winner, gives us a different creation story in this magisterial history. The American Revolution builds like a ground fire overspreading Britain’s colonies, fueled by local conditions and resistant to control. Emerging from the continental rivalries of European empires and their native allies, the revolution pivoted on western expansion as well as seaboard resistance to British taxes. When war erupted, Patriot crowds harassed Loyalists and nonpartisans into compliance with their cause. The war exploded in set battles like Saratoga and Yorktown and spread through continuing frontier violence.<br /><br />The discord smoldering within the fragile new nation called forth a movement to concentrate power through a Federal Constitution. Assuming the mantle of “We the People,” the advocates of national power ratified the new frame of government. But it was Jefferson’s expansive “empire of liberty” that carried the revolution forward, propelling white settlement and slavery west, preparing the ground for a new conflagration.

A Pulitzer Prize winner’s masterful history of the Civil War and its reverberations across the continent.

In a beautifully crafted narrative of soaring ideals and sordid politics, of civil war and foreign invasion, Alan Taylor presents a pivotal twenty-year period in which the United States, Mexico, and Canada all transformed themselves into nations. The American Civil War stands at the center of the story, its military dimension and the drama of emancipation the focus. The American West and its Native peoples feature prominently, with fascinating detail on California and the southwest borderlands. The instability in the United States shakes the continent: it invites a French invasion of Mexico that fuels long-standing hostilities between Conservative and Liberal forces; in Canada it raises the urgency of a continental confederation to manage the differences of Francophones and Anglophones. The vivid character portraits throughout are indelible: from Lincoln, Jefferson Davis, and the great Liberal leader Benito Juárez to key Black abolitionists such as Martin Delany and Mary Ann Shadd.