In October 2021, Jean-Luc Godard presented his idea for Scénarios, a 34' film combining still and moving images, halfway between reading and seeing.

以為《圖像策》是高達遺作？老頑童決定告別生命前，滿腦子仍是之後幾部（！）電影的構思，念念不忘未竟的電影實驗：改編查爾斯皮利斯尼亞1937年的小說《假護照》。在剛於康城首映的「最新」遺作，大師再以創新形式解構影像，東拼西貼、月旦世情，為一套不存在的電影拍預告，更不忘窩心奉上導讀：「透過重返過去拍攝之地，兼顧當前故事，不再相信字母表中的數十億成規，會還給真正語言不斷變形和隱喻的自由。」生前身後仍不斷探索電影靈魂何在，捨高達其誰？

At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader.
Their protest against the state led to the founding of the Red Army Faction (RAF). Constructed entirely from copious film and audio material, the film describes – without commentary – their gradual transformation and increasing politicisation until they take up armed resistance; it also describes the reactions of the government of the Federal Republic of Germany at the time. Jean-Gabriel Périot’s award-winning short films make elaborate use of archive footage in order to create incisive commentaries on violence and history. Une jeunesse allemande marks his first feature-length film. His work offers an outsider’s view of the Federal Republic of Germany in the RAF era; it also provides a lesson in radical behaviour and society’s reactions to it that is alarmingly topical, although the circumstances may have changed. berlinale 2015