比利·克鲁德普 — 演员 (50)
吉普赛人 (2017) [剧集] IMDb TMDB 维基数据
Gypsy
7.9 (89 个评分) 导演: Lisa Rubin 演员: Naomi Watts / Billy Crudup
其它标题: Gypsy / 越界
剧集讲述了娜奥米扮演的心理治疗师让·霍洛威,和她的病人之间展开的一系列危险的亲密关系。
乌托邦彼岸 [演出] 豆瓣
The Coast of Utopia
类型: theater 编剧: Tom Stoppard
其它标题: The Coast of Utopia 导演: Trevor Nunn / Jack O'Brien 演员: Brían F. O'Byrne / Richard Easton / Jennifer Ehle / Billy Crudup / Ethan Hawke
The Coast of Utopia is a 2002 trilogy of plays: Voyage , Shipwreck , and Salvage , written by Tom Stoppard with focus on the philosophical debates in pre-revolution Russia between 1833 and 1866. It was the recipient of the 2007 Tony Award for Best Play . The title comes from a chapter in Avrahm Yarmolinsky 's book Road to Revolution: A Century of Russian Radicalism (1959).

The trilogy, nine hours in total, premiered with Voyage on 22 June 2002 at the National Theatre's Olivier auditorium in repertory, directed by Trevor Nunn . The openings of Shipwreck and Salvage followed on 8 July, and 19 July, completing its run on 23 November 2002. In 2006, directed by Jack O'Brien , the plays debuted on Broadway at the Vivian Beaumont Theater at Lincoln Center , New York City , where it closed on May 13, 2007 after a combined total of 124 performances.

The trilogy has also been performed in Russia; it opened at Moscow 's Russian Academic Youth Theatre in October 2007, directed by Alexey Borodin.

The trilogy received its Japanese premiere at Theater Cocoon, Bunkamura in Tokyo on 12 September 2009 and completed its run (including 10 one-day marathon performances) on 4 October 2009. The production was directed by Yukio Ninagawa .
死于枪战 (2021) [电影] 豆瓣
Die in a Gunfight
导演: 科林·希夫利 演员: 迪耶戈·博内塔 / 亚历山德拉·达达里奥
其它标题: Die in a Gunfight / 枪战之死
故事围绕一位年轻人(博内塔饰)爱上了自己父亲死敌的女儿(达达里奥饰)展开。
等待戈多 [演出] 豆瓣
En attendant Godot/Waiting for Godot
类型: theater 编剧: Samuel Beckett / 萨缪尔·贝克特
其它标题: En attendant Godot/Waiting for Godot / 等待果砣 导演: Sean Mathias / 瓦尔特·拉斯姆斯 演员: Patrick Stewart / Ian McKellen / Billy Crudup / Shuler Hensley / 卢芳
咱们走吧。

  咱们不能。

  为什么不能?

  咱们在等待戈多。

  第一幕:黄昏时分,两个流浪汉戈戈和狄狄,迷离恍惚,浑浑噩噩,他们在乡间小道上等待着从来没有见过的戈多,但戈多迟迟不来,等来的却是波卓和幸运儿。波卓随意虐待幸运儿,幸运儿也惟命是从。波卓吃饱喝足,逼幸运儿为他们跳了一通舞后才牵着幸运儿和流浪汉告别。天将黑时,戈多的信使小男孩来到,他传达戈多的旨意:今天不来了,明天一定来。

  第二幕:次日黄昏,还是同样的小路,同样的流浪汉,同样的目的──等待戈多。等待得无聊至极,彼此争吵谩骂,但仍不见戈多来。以至于烦闷得想到自杀。总算等到了人,却是眼瞎了的波卓,哑巴的幸运儿。接着还是信使小男孩来,宣布戈多今天不来了,明天一定来。两个无望的流浪汉又想起了上吊,解下裤带子,但一拉就断了。死又死不成,只好明天再等,再等……。
无人之境 2013年版 [演出] 豆瓣
所属 演出: 无人之境
剧院: Berkley Rep, CA, US 导演: Sean Mathias
其它标题: 2013年版 演员: Ian McKellen / Patrick Stewart
The first act opens with Hirst's offering a drink to Spooner: "As it is?" – that is, neat (UK) or straight (U.S.) – and Spooner's reply: "As it is, yes please, absolutely as it is" (15). During the first act, Spooner claims to be a fellow poet and to have known his more illustrious literary host and mutual acquaintances and relationships in the past. Toward the end of act one, Hirst's keepers (quasi-body guards) "vagabond cock" Foster and Briggs seek to fend off the self-insinuating Spooner, leading Hirst "out of the room (52) and away from him. The act ends with a "Blackout" – visually demonstrating Foster's taunt: "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this. ... He turns the light out" (53).
During Act Two, in his increasingly inebriated state, Hirst may mistake or feign recognition of Spooner as an Oxbridge classmate from the 1930s, an apparently false impression which Spooner nevertheless encourages (68–78), leading both of them into a series of increasingly questionable reminiscences, which Hirst finally and abruptly undercuts: "This is outrageous! Who are you? What are you doing in my house?" going on to accuse Spooner of being an impostor: "You are clearly a lout. The Charles Wetherby I knew was a gentleman. I see a figure reduced. I am sorry for you. Where is the moral ardour that sustained you once? Gone down the hatch." – allusively and both wistfully and comically combining the clichés "Gone with the wind" and "Down the hatch," after which, Briggs "enters, pours whisky and soda, gives it to" Hirst, who "looks at it" and then says, "Down the hatch. Right down the hatch. (He drinks.)" (78). Hirst proclaims, "Let us change the subject. Pause. For the last time." (91), but immediately asks, "What have I said?" That leads the characters to debate what Hirst's phrase for the last time precisely "means" (91–94), leaving all of them, according to Spooner, "in no man's land. Which never moves, which never changes, which never grows older, but which remains forever icy and silent." Following the illustrative "Silence", Hirst utters the play's final words and provides its final action: "I'll drink to that" (95): "He drinks," paralleling the opening words of the first act ("As it comes?"), and the play ends, ambiguously, with a "SLOW FADE" of lights (95).
等待戈多 2013年版 [演出] 豆瓣
所属 演出: 等待戈多
剧院: Cort Theater 导演: Sean Mathias
其它标题: 2013年版 编剧: Samuel Beckett 演员: Sir Ian McKellen / Sir Patrick Stewart
On a bare country road Vladimir and his friend Estragon wait in hope of salvation from a man called Godot. Their hope of salvation lies in Godot's arrival. While waiting they play games, entertain one another with vaudevillian tricks, question whether Godot will arrive and how they will benefit when he does. They are interrupted by the arrival of Pozzo (a land owner) and Lucky (Pozzo's slave). Pozzo questions their reasoning for waiting. Lucky performs a staggering burst of a monologue. Pozzo and Lucky exit, night falls and a young boy arrives and tells Vladimir and Estragon that "Mr Godot won’t come here today but he'll surely arrive tomorrow.” In Act two Pozzo returns but he is blind and Lucky is mute. Vladimir and Estragon continue waiting. Still determining to go, the tramps do not move.

“I cannot express how much this show means to me,” writes artistic director, Peter Reid. “It is undoubtedly the greatest show of the 20th Century and has revolutionised the fabric of theatre.”
阿卡迪亚 2011年版 [演出] 豆瓣
所属 演出: 阿卡迪亚
导演: David Leveaux
其它标题: 2011年版 编剧: Tom Stoppard 演员: Tom Riley / Lia Williams
Scene 1
The play opens on 10 April 1809, in a garden front room of a country house in Derbyshire with tutor Septimus Hodge trying to distract his 13 year-old pupil Thomasina from her enquiries as to the meaning of a "carnal embrace" by challenging her to prove Fermat's Last Theorem so he can focus on reading the poem 'The Couch of Eros', a piece written by another character, Mr. Ezra Chater. Thomasina starts questioning why the jam in rice pudding can never be unstirred, which leads her on to the topic of determinism, beginning to develop a theory regarding the chaotic shapes of nature. This however is interrupted by Mr. Chater himself who is shortly revealed to be angry that his wife, Mrs. Chater, was caught engaging in "carnal embrace" in the gazebo with Septimus, and has come intending to challenge Septimus to a duel. Septimus attempts to defuse the situation by heaping oleaginous praise on "The Couch of Eros", a tactic that works, as at this point Chater doesn't realise that it was Septimus who had previously negatively reviewed an earlier work of his, "The Maid of Turkey". Landscape architect Noakes enters, shortly accompanied by Captain Brice and Lady Croom, who then proceed to discuss the proposed modifications to the gardens, with Thomasina drawing a picture of an imaginary hermit (in the biblical style of John the Baptist) onto Mr. Noakes's picture of the garden (with its fantasy hermitage) as he sees it in the future.
[edit]Scene 2
The setting shifts to the present day, with Hannah Jarvis researching about the house, garden and specifically the hermit, for a study centering on Hermits and the romantic imagination. Bernard Nightingale enters, escorted by Chloe Coverley, who fails to impart to Hannah the true identity of Bernard, as he gave Hannah's last book a poor review. Chloe's brother, Valentine Coverley, is doing research into the population biology of the grouse in the surrounding grounds, based on data from the historical "game books". When eventually Bernard's identity is revealed after a verbal misstep by Chloe, Hannah initially reacts angrily but regardless she agrees to share the research material he requested, allowing him to propose his theory that one of the 1809 inhabitants, Mr. Ezra Chater, was killed in a duel by Lord Byron. Bernard notes that records of Chater disappear after 1809; the only other notable Ezra Chater is a botanist.
[edit]Scene 3
The third scene reverts back to the initial timeframe, again in a tutorial session between Septimus and Thomasina, this time in Latin translation. Again the focus of the lesson diverts somewhat, here on to the destruction of the Alexandrian Library, which upsets Thomasina, who mourns the loss of the knowledge contained there, though Septimus's response is that all that is lost will eventually turn up again. The discussion is once again interrupted by Mr. Chater, who once again challenges Septimus to a duel, having finally realised, learning off-stage from Lord Byron, that Septimus was behind the negative reviews of his work.
[edit]Scene 4
Hannah rediscovers Thomasina's primer containing her ideas on iteration and chaos theory, recalling the previous scene's assertion that what is lost is eventually rediscovered. Valentine reacts with interest to this, as his own research in the present day centres on similar areas and concepts.
[edit]Scene 5
In the first scene of act 2, Hannah, Valentine and Chloe are given a preview of Bernard's lecture detailing Byron's supposed role in what he believes was Chater's murder. Bernard becomes agitated when Hannah and Valentine challenge the solidity and logic of his argument, responding by launching into a diatribe about the irrelevance of science, before departing to share the lecture in the capital and make promotional appearances in the media. Hannah meanwhile begins to suspect that the hermit of Sidley Park, who was reportedly obsessed with algebra and the heat death of the universe, the theory suggested in Thomasina's diagram, and who was also born in the same year, could have been Septimus.
[edit]Scene 6
Reverting to 1809, scene 6 reveals that the duel never occurred, with the Chaters instead having departed for the West Indies along with Captain Brice; Mr. Chater is accompanying the expedition as a botanist, and Mrs. Chater as Captain Brice's paramour. Byron has left also. Septimus has killed a rabbit for Thomasina. Septimus returns to find Lady Croom searching for him, after finding two letters that Septimus had written in case he was killed by Chater, one a love letter addressed to herself and the other, written to Thomasina, regarding rice pudding. Lady Croom then invites Septimus to an amorous rendezvous.
[edit]Scene 7
The seventh scene takes place in both 1812 and the present day, with the action of each in the shared setting effectively running concurrently. Furthermore, in the present day, some of the characters are in fancy dress for a party, meaning that the clothes and appearance of both casts are to some extent similar. Chloe is reading newspaper reports on the Byron murder theory as proposed by Bernard, before talking about determinism with Valentine, in a conversation echoing the one between Septimus and Thomasina earlier; Chloe, however, believes that sex is the force throwing off the universe's ordered plan. Valentine uses his computer to further advance the ideas proposed by Thomasina, and discusses the concept of entropy, and whether or not it was Thomasina or Septimus who was the genius behind the theories. Hannah and Valentine mention that "the girl" died in a fire on the eve of her seventeenth birthday.
Meanwhile, Thomasina (who is approaching her seventeenth birthday at this point) asks Septimus to teach her to dance. Lady Croom enters, complaining to Mr. Noakes about the noise of his steam engine, before Thomasina explains that the machine operates under the laws of entropy (not yet propounded at the time) which prove that the universe is winding down. In the present, Bernard arrives at the house where he is met by Hannah, who has discovered evidence, a letter showing the true cause of Mr. Chater's death, that totally discredits his argument and vindicates Lord Byron. While Septimus waits for appropriate music for a dance lesson that Thomasina has asked for, he examines the picture she made to illustrate the irreversibility of heat, an action mirrored in the present setting with Valentine and Hannah also looking at the same diagram and discussing its significance. Bernard is forced to depart having been caught in a compromising position with Chloe. Eventually a waltz starts. Septimus dances with Thomasina, their relationship of teacher and pupil increasingly complicated by hints of romance. Gus—Valentine and Chloe's brother, who has remained silent for the entire course of the play, brings Hannah Thomasina's drawing of Septimus and the tortoise together. This confirms Hannah's belief that the hermit, who owned a tortoise called Plautus, is Septimus; after the death of Thomasina, and faced with her challenge to the laws of the universe as propounded by Newton, he indeed becomes the hermit obsessed with applying "honest English algebra" to the question of the future of the universe.
阿卡迪亚 1995年版 [演出] 豆瓣
所属 演出: 阿卡迪亚
剧院: Vivian Beaumont Theatre 导演: Trevor Nunn
其它标题: 1995年版 编剧: Tom Stoppard 演员: Billy Crudup / Blair Brown
Scene 1
The play opens on 10 April 1809, in a garden front room of a country house in Derbyshire with tutor Septimus Hodge trying to distract his 13 year-old pupil Thomasina from her enquiries as to the meaning of a "carnal embrace" by challenging her to prove Fermat's Last Theorem so he can focus on reading the poem 'The Couch of Eros', a piece written by another character, Mr. Ezra Chater. Thomasina starts questioning why the jam in rice pudding can never be unstirred, which leads her on to the topic of determinism, beginning to develop a theory regarding the chaotic shapes of nature. This however is interrupted by Mr. Chater himself who is shortly revealed to be angry that his wife, Mrs. Chater, was caught engaging in "carnal embrace" in the gazebo with Septimus, and has come intending to challenge Septimus to a duel. Septimus attempts to defuse the situation by heaping oleaginous praise on "The Couch of Eros", a tactic that works, as at this point Chater doesn't realise that it was Septimus who had previously negatively reviewed an earlier work of his, "The Maid of Turkey". Landscape architect Noakes enters, shortly accompanied by Captain Brice and Lady Croom, who then proceed to discuss the proposed modifications to the gardens, with Thomasina drawing a picture of an imaginary hermit (in the biblical style of John the Baptist) onto Mr. Noakes's picture of the garden (with its fantasy hermitage) as he sees it in the future.
[edit]Scene 2
The setting shifts to the present day, with Hannah Jarvis researching about the house, garden and specifically the hermit, for a study centering on Hermits and the romantic imagination. Bernard Nightingale enters, escorted by Chloe Coverley, who fails to impart to Hannah the true identity of Bernard, as he gave Hannah's last book a poor review. Chloe's brother, Valentine Coverley, is doing research into the population biology of the grouse in the surrounding grounds, based on data from the historical "game books". When eventually Bernard's identity is revealed after a verbal misstep by Chloe, Hannah initially reacts angrily but regardless she agrees to share the research material he requested, allowing him to propose his theory that one of the 1809 inhabitants, Mr. Ezra Chater, was killed in a duel by Lord Byron. Bernard notes that records of Chater disappear after 1809; the only other notable Ezra Chater is a botanist.
[edit]Scene 3
The third scene reverts back to the initial timeframe, again in a tutorial session between Septimus and Thomasina, this time in Latin translation. Again the focus of the lesson diverts somewhat, here on to the destruction of the Alexandrian Library, which upsets Thomasina, who mourns the loss of the knowledge contained there, though Septimus's response is that all that is lost will eventually turn up again. The discussion is once again interrupted by Mr. Chater, who once again challenges Septimus to a duel, having finally realised, learning off-stage from Lord Byron, that Septimus was behind the negative reviews of his work.
[edit]Scene 4
Hannah rediscovers Thomasina's primer containing her ideas on iteration and chaos theory, recalling the previous scene's assertion that what is lost is eventually rediscovered. Valentine reacts with interest to this, as his own research in the present day centres on similar areas and concepts.
[edit]Scene 5
In the first scene of act 2, Hannah, Valentine and Chloe are given a preview of Bernard's lecture detailing Byron's supposed role in what he believes was Chater's murder. Bernard becomes agitated when Hannah and Valentine challenge the solidity and logic of his argument, responding by launching into a diatribe about the irrelevance of science, before departing to share the lecture in the capital and make promotional appearances in the media. Hannah meanwhile begins to suspect that the hermit of Sidley Park, who was reportedly obsessed with algebra and the heat death of the universe, the theory suggested in Thomasina's diagram, and who was also born in the same year, could have been Septimus.
[edit]Scene 6
Reverting to 1809, scene 6 reveals that the duel never occurred, with the Chaters instead having departed for the West Indies along with Captain Brice; Mr. Chater is accompanying the expedition as a botanist, and Mrs. Chater as Captain Brice's paramour. Byron has left also. Septimus has killed a rabbit for Thomasina. Septimus returns to find Lady Croom searching for him, after finding two letters that Septimus had written in case he was killed by Chater, one a love letter addressed to herself and the other, written to Thomasina, regarding rice pudding. Lady Croom then invites Septimus to an amorous rendezvous.
[edit]Scene 7
The seventh scene takes place in both 1812 and the present day, with the action of each in the shared setting effectively running concurrently. Furthermore, in the present day, some of the characters are in fancy dress for a party, meaning that the clothes and appearance of both casts are to some extent similar. Chloe is reading newspaper reports on the Byron murder theory as proposed by Bernard, before talking about determinism with Valentine, in a conversation echoing the one between Septimus and Thomasina earlier; Chloe, however, believes that sex is the force throwing off the universe's ordered plan. Valentine uses his computer to further advance the ideas proposed by Thomasina, and discusses the concept of entropy, and whether or not it was Thomasina or Septimus who was the genius behind the theories. Hannah and Valentine mention that "the girl" died in a fire on the eve of her seventeenth birthday.
Meanwhile, Thomasina (who is approaching her seventeenth birthday at this point) asks Septimus to teach her to dance. Lady Croom enters, complaining to Mr. Noakes about the noise of his steam engine, before Thomasina explains that the machine operates under the laws of entropy (not yet propounded at the time) which prove that the universe is winding down. In the present, Bernard arrives at the house where he is met by Hannah, who has discovered evidence, a letter showing the true cause of Mr. Chater's death, that totally discredits his argument and vindicates Lord Byron. While Septimus waits for appropriate music for a dance lesson that Thomasina has asked for, he examines the picture she made to illustrate the irreversibility of heat, an action mirrored in the present setting with Valentine and Hannah also looking at the same diagram and discussing its significance. Bernard is forced to depart having been caught in a compromising position with Chloe. Eventually a waltz starts. Septimus dances with Thomasina, their relationship of teacher and pupil increasingly complicated by hints of romance. Gus—Valentine and Chloe's brother, who has remained silent for the entire course of the play, brings Hannah Thomasina's drawing of Septimus and the tortoise together. This confirms Hannah's belief that the hermit, who owned a tortoise called Plautus, is Septimus; after the death of Thomasina, and faced with her challenge to the laws of the universe as propounded by Newton, he indeed becomes the hermit obsessed with applying "honest English algebra" to the question of the future of the universe.
明天你好! (2023) [剧集] IMDb TMDB 维基数据
Hello Tomorrow!
导演: Lucas Jansen / Amit Bhalla 演员: Billy Crudup / Haneefah Wood
其它标题: Hello Tomorrow! / Por un mañana mejor
在复古的未来世界,充满魅力的业务员杰克毕林斯(艾美奖得主比利库达普饰)带领一个推销团队,他们销售月球分时使用权,并决定要替客户们注入生命活水。
晨间直播秀 (2019) [剧集] 维基数据 Eggplant.place TMDB IMDb
The Morning Show
8.0 (446 个评分) 导演: Jay Carson 演员: Jennifer Aniston / Reese Witherspoon
其它标题: The Morning Show / '더 모닝 쇼' - The Morning Show
让我们揭开帷幕,聚焦每晨陪伴大众迎接新一天的新闻主播,走近早间新闻节目的台前幕后!剧集由詹妮弗·安妮斯顿、瑞茜·威瑟斯彭和史蒂夫·卡瑞尔领衔主演,以大胆直接的拍摄手法透视当代职场百态。
乡间高低路 (1998) [电影] IMDb 豆瓣 维基数据 TMDB KevGa-NeoDB
The Hi-Lo Country
导演: 斯蒂芬·弗雷斯 演员: 比利·克鲁德普 / 伍迪·哈里森
其它标题: The Hi-Lo Country / 非恋不可
故事发生在第二次世界大战结束之后,战争的肆虐让大地满目疮痍,但同时又无法阻挡的逐渐恢复生机。迈特森(伍迪·哈里森 Woody Harrelson 饰)和皮特(比利·克鲁德普 Billy Crudup 饰)幸运的活着走下了火线,如今,他们想要重拾曾经的牛仔生涯, 但是一切都在变化着,他们的旧时光还能够重演吗?
当回到曾经的小镇上时,迈特森和皮特才发现一切早已经物是人非,如今管理小镇的,是曾经的牧场老板艾德(山姆·艾里奥特 Sam Elliott 饰),他的存在让桀骜不驯的迈特森非常的不爽。在小镇上,迈特森和皮特邂逅了名为梦娜(帕特丽夏·阿奎特 Patricia Arquette 饰)的女子,当两人双双坠入情网后,他们的友谊还能够坚持多久?
距你一英里 (2017) [电影] 豆瓣 TMDB 维基数据 IMDb
1 Mile to You
导演: 利夫·蒂尔登 演员: 比利·克鲁德普 / 梅兰妮·林斯基
其它标题: 1 Mile to You / Life at These Speeds
Based on the novel by Jeremy Jackson, story follows a rural teenager (Booth) who loses his best friends in a tragic accident and channels his survivor's guilt into an addiction to running, becoming a high school track star.
根据杰里米杰克逊的同名小说《我生命的速度》改编
青春俄勒冈 (2016) [电影] 豆瓣
Youth in Oregon
导演: 乔·大卫·摩尔 演员: 比利·克鲁德普 / 弗兰克·兰格拉
其它标题: Youth in Oregon
在俄勒冈州,安乐死已合法化。一个男人要开车穿越大半个美国,带八十岁的岳父去那里完成安乐死的心愿。但男人希望岳父能在旅途中重新发现人生的意义。