Samad is to be sent to the city courthouse for his fights where he points his finger at others, and he happens to be handcuffed to a male smuggler. Along the way, the smuggler manages to escape with the help of one of his accomplices, and since his hand was tied to Samad's, they are forced to take Samad with them. After they untie the handcuffs, they decide to kill Samad, but the smuggler's accomplice, who was a girl and happened to be the daughter of the gang boss, does not allow them to kill Samad out of emotion. So they take him to a cinema and while Samad is immersed in a Bruce Lee karate movie, they leave him there and leave. Samad becomes fascinated with Bruce Lee and karate after watching the karate movie, and after returning to the village, he tries to teach the villagers karate by imitating Bruce Lee's martial arts moves.

🎯《女孩半夜不回家》監製首部長片執導作品
🎯即使是天堂也無法永恆不滅
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🎯2016 美國電影節
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原本身為童兵的貝洛茲 （雷札希克斯歐薩菲 飾） 奇蹟般地在兩伊戰爭中存活了下來，並開始在洛杉磯的街頭過著安穩的生活。在義大利幫派下混了 20 年之後，貝洛茲決定離開地下世界開始追尋自己的「美國夢」，但在一場致命的撲克牌比賽中，他卻遭人誣陷偷竊了前任老大的財產，貝洛茲和他的俄國女友被迫展開一場大逃亡，他們同時也必須找回失竊的毒品洗刷自己的冤屈。

As in his earlier films, this uncompromising Iranian director works through repetition, his style so unemphatic that the slightest modulation (the same action seen from different perspectives, for instance) carries a charge. Saless' camera simply fastens, in long, uninflected takes, on the daily rountine of a Turkish worker in Berlin, a Gastarbeiter like any other. We see him at his job, a dedicated prisoner to his monotonous machine; travelling home on the underground, where only a drunk will talk to him; walking home to the shabby room he shares with other Turkish workers, and where he ocasionally writes letters home and regularly counts his money. The determined austerity has an almost mesmeric effect; and seems almost too calculated until one begins to feel the enervating isolation of these mortgaged lives. For all that the foregin worker tries to engage with his adopted city (and he does try, inarticulately but with an innocent single-mindedness), he might just as well have come from another planet."
David Wilson, "Sighe and Sound"