Alone and far from home, The Kid makes his way through a strange city looking for the means to get through his day. Surrounded by predators he is forced to make compromises merely to survive, his life of exile grows one day longer.

Imbued with nostalgia and striking a wide range of emotional notes, filmmaker Mahdi Fleifel travels to the Lebanese refugee camp of Ain El Helweh to explore how the camp's displaced people use the World Cup series to articulate their own ideas of home, community, victory and hope.

A sociological meditation on the different "exits" that young Palestinians choose, in order to cope with life in the refugee camps.

Should Radiohead play their Tel Aviv concert that has become a watershed event among the community of their fans, or should they support and eventually help the boycott promoted by the BDS (Boycott, Divestment, Sanctions) Movement? Plagued by anguish after having signed a petition asking Thom Yorke’s band not to play in Israel, the signer decides to drop a call to a Palestinian friend living in London. Answering the tortured questions of his faraway friend at the other end of the phone, he ironically seems to shrug off most of the concerns, minimizing the other’s anxieties. But as the conversation goes on, the political temperature rises, and the conversation becomes more focused. A debate ensues about what it means being Palestinian, how signing a petition may get you in the crosshairs of different control systems and the effectiveness of today’s political actions. A film based on a very simple idea but executed in an extremely precise way. A Kammerspiel without bodies or actors, made only with voices that try to come to terms with the contradictions and hypocrisies of post-modern politics.