To these seven narratives of neurological disorder Dr. Sacks brings the same humanity, poetic observation, and infectious sense of wonder that are apparent in his bestsellers Awakenings and The Man Who Mistook His Wife for a Hat. These men, women, and one extraordinary child emerge as brilliantly adaptive personalities, whose conditions have not so much debilitated them as ushered them into another reality.

From the best-selling author of Gratitude and On the Move, a final volume of essays that showcase Sacks's broad range of interests--from his passion for ferns, swimming, and horsetails, to his final case histories exploring schizophrenia, dementia, and Alzheimer's.
Oliver Sacks, scientist and storyteller, is beloved by readers for his neurological case histories and his fascination and familiarity with human behavior at its most unexpected and unfamiliar. Everything in Its Place is a celebration of Sacks's myriad interests, told with his characteristic compassion and erudition, and in his luminous prose.

In The Mind’s Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the power of speech, the capacity to recognize faces, the sense of three-dimensional space, the ability to read, the sense of sight. For all of these people, the challenge is to adapt to a radically new way of being in the world.
There is Lilian, a concert pianist who becomes unable to read music and is eventually unable even to recognize everyday objects, and Sue, a neurobiologist who has never seen in three dimensions, until she suddenly acquires stereoscopic vision in her fifties.
There is Pat, who reinvents herself as a loving grandmother and active member of her community, despite the fact that she has aphasia and cannot utter a sentence, and Howard, a prolific novelist who must find a way to continue his life as a writer even after a stroke destroys his ability to read.
And there is Dr. Sacks himself, who tells the story of his own eye cancer and the bizarre and disconcerting effects of losing vision to one side.
Sacks explores some very strange paradoxes—people who can see perfectly well but cannot recognize their own children, and blind people who become hyper-visual or who navigate by “tongue vision.” He also considers more fundamental questions: How do we see? How do we think? How important is internal imagery—or vision, for that matter? Why is it that, although writing is only five thousand years old, humans have a universal, seemingly innate, potential for reading?

The Mind’s Eye is a testament to the complexity of vision and the brain and to the power of creativity and adaptation. And it provides a whole new perspective on the power of language and communication, as we try to imagine what it is to see with another person’s eyes, or another person’s mind.

In his most extraordinary book, "one of the great clinical writers of the 20th century" (The New York Times) recounts the case histories of patients lost in the bizarre, apparently inescapable world of neurological disorders. Oliver Sacks's The Man Who Mistook His Wife for a Hat tells the stories of individuals afflicted with fantastic perceptual and intellectual aberrations: patients who have lost their memories and with them the greater part of their pasts; who are no longer able to recognize people and common objects; who are stricken with violent tics and grimaces or who shout involuntary obscenities; whose limbs have become alien; who have been dismissed as retarded yet are gifted with uncanny artistic or mathematical talents. If inconceivably strange, these brilliant tales remain, in Dr. Sacks's splendid and sympathetic telling, deeply human. They are studies of life struggling against incredible adversity, and they enable us to enter the world of the neurologically impaired, to imagine with our hearts what it must be to live and feel as they do. A great healer, Sacks never loses sight of medicine's ultimate responsibility: "the suffering, afflicted, fighting human subject."

Oliver Sacks has been described (by The New York Times Book Review) as "one of the great clinical writers of the 20th century," and his books, including the medical classics Migraine and Awakenings, have been widely praised by critics from W. H. Auden to Harold Pinter to Doris Lessing. In his last book, The Man Who Mistook His Wife For A Hat, Dr. Sacks undertook a fascinating journey into the world of the neurologically impaired, an exploration that Noel Perrin in the Chicago Sun-Times called "wise, compassionate, and very literate . . . the kind that restore(s) one's faith in humanity."
Now, with Seeing Voices, Dr. Sacks takes us into the world of the deaf, a world he explores with the same passion and insight that have illuminated other human conditions for his readers everywhere. Seeing Voices is a journey: a journey first into the history of deaf people, the (often outrageous) ways in which they were seen and treated in the past, and the new understanding that started to dawn in the eighteenth century; and a journey into the present situation of the deaf--a situation which, all too often, is still one of misunderstanding and mistreatment.
Dr. Sacks writes of how he has come to see deaf people "in a new light, as a people, with a distinctive language, sensibility, and culture of their own." Indeed, it is only in the last ten years that the extraordinary and beautiful visual-gestural language of the deaf--Sign--has been fully recognized as a language, as linguistically complete, rich, and expressive as any spoken language, a language with its own distinctive basis in the brain. The one overwhelming peril for the deaf is to be kept from achieving language competence of any kind, to be denied access to both Sign and speech, and that tragedy is completely preventable by early exposure to Sign.
Sign is also social and cultural. It lies at the heart of the many manifestions of "deaf consciousness" in the past twenty years, among them the remarkable uprising of the deaf students at Gallaudet University in 1988. The revolt gained international attention and showed the world decisively that deaf people have "come of age" and no longer want to be treated as "disabled." Dr. Sacks gives a vivid personal account of the revolt and ponders its implications for the future. All his encounters in the course of this exhilarating journey raise issues of surprising depth and richness which, though of paramount interest to deaf people and all concerned with them, also extend powerfully to the human condition in general.

这部作者中所描绘的病患便是萨克斯自己。他在挪威的一个偏远山区遭遇公牛，这次事故给他的一条腿造成了严重的残疾。当他意识到他的腿不再感觉到是自己身体的一部分时，他发现通常被看作是常规恢复训练的治疗实际上对病人来说是一系列漫长而奇怪的医学治疗的开端。他在书中详细描述了自己遭受的心理危机和最终的康复，不仅省查了他的首次病患体验、疾病和健康的内在性质，还出色地探究了自我认知的肉体基础。
萨克斯提到《单腿站立》时曾经说：“这次反过来了，我是一个病人，被伤腿经历困扰着，我无法理解自己的状况也无法和医生沟通。把它写下来是我惟一的安慰。”

Revised and Expanded
With the same trademark compassion and erudition he brought to The Man Who Mistook His Wife for a Hat , Oliver Sacks explores the place music occupies in the brain and how it affects the human condition. In Musicophilia , he shows us a variety of what he calls “musical misalignments.” Among them: a man struck by lightning who suddenly desires to become a pianist at the age of forty-two; an entire group of children with Williams syndrome, who are hypermusical from birth; people with “amusia,” to whom a symphony sounds like the clattering of pots and pans; and a man whose memory spans only seven seconds-for everything but music.
Illuminating, inspiring, and utterly unforgettable, Musicophilia is Oliver Sacks' latest masterpiece.

Awakenings is a 1973 non-fiction book by Oliver Sacks. It recounts the life histories of those who had been victims of the 1920s encephalitis lethargica epidemic. Sacks chronicles his efforts in the late 1960s to help these patients at the Beth Abraham Hospital in the Bronx, New York.

Have you ever seen something that wasn’t really there? Heard someone call your name in an empty house? Sensed someone following you and turned around to find nothing?
Hallucinations don’t belong wholly to the insane. Much more commonly, they are linked to sensory deprivation, intoxication, illness, or injury. People with migraines may see shimmering arcs of light or tiny, Lilliputian figures of animals and people. People with failing eyesight, paradoxically, may become immersed in a hallucinatory visual world. Hallucinations can be brought on by a simple fever or even the act of waking or falling asleep, when people have visions ranging from luminous blobs of color to beautifully detailed faces or terrifying ogres. Those who are bereaved may receive comforting “visits” from the departed. In some conditions, hallucinations can lead to religious epiphanies or even the feeling of leaving one’s own body.
Humans have always sought such life-changing visions, and for thousands of years have used hallucinogenic compounds to achieve them. As a young doctor in California in the 1960s, Oliver Sacks had both a personal and a professional interest in psychedelics. These, along with his early migraine experiences, launched a lifelong investigation into the varieties of hallucinatory experience.
Here, with his usual elegance, curiosity, and compassion, Dr. Sacks weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organization and structure of our brains, how they have influenced every culture’s folklore and art, and why the potential for hallucination is present in us all, a vital part of the human condition.

闖過死亡關卡後，他可以嗅出遠方朋友的情緒變化；頂尖的音樂博士，腦中長瘤後，竟然錯把太太當帽子。而這卻是真實的人間故事！人的頭腦，猶如一部魔法織布機，不斷地織出各種人生變化。有時候會因為某種原因，將原本可能潛藏一輩子的能力喚醒。本書收錄了24個腦部受傷患者的故事，作者記錄了在醫療過程中，患者許多讓人無法想像的生命變化。透過本書，我們驚奇的發現，腦中蘊藏的神秘金礦，正等待生而為人的我們去發掘！

Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does—humans are a musical species.
Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people—from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome, who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds—for everything but music.
Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia.
Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.

本書呈現七個腦神經異常者的生命故事。他們或有視覺、記憶、認知、感知等方面的問題。腦神經如此精密，只要稍有閃失，就會讓人置身於想像之外的國度，變成一個「外星人」。他們或許正怪異地活在我們周遭，但透過神經科醫師薩克斯的筆，我們卻看到他們的生活，他們深刻而人性的一面；其生命厚度早就超越病症名稱所能界定的單薄範疇。
作者帶領我們經歷一場知性感性兼具、有如希臘悲劇似的精神洗禮。從一開始的驚愕，到後來因理解而見怪不怪，甚至彷彿看到自己的影子，再到主客易位，變成自閉症者眼中的怪ㄎㄚ，我們正逐步跨越「正常」與「異常」的分際；在走出對「病」的狹隘視野時，深刻體驗生命神奇的再造力量和其個別的獨特價值。

From the best-selling author of Gratitude and On the Move, a final volume of essays that showcase Sacks’s broad range of interests–from his passion for ferns, swimming, and horsetails, to his final case histories exploring schizophrenia, dementia, and Alzheimer’s.
Oliver Sacks, scientist and storyteller, is beloved by readers for his neurological case histories and his fascination and familiarity with human behavior at its most unexpected and unfamiliar. Everything in Its Place is a celebration of Sacks’s myriad interests, told with his characteristic compassion and erudition, and in his luminous prose.

The River of Consciousness is one of two books Sacks was working on up to his death, and it reveals his ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless project to understand what makes us human. (From Amazon)

"The Man Who Mistook His Wife for a Hat" is populated by a cast as strange as that of the most fantastic fiction. The subject of this strange and wonderful book is what happens when things go wrong with parts of the brain most of us don't know exist ...Dr Sacks shows the awesome powers of our mind and just how delicately balanced they have to be' - "Sunday Times". 'Who is this book for? Who is it not for? It is for everybody who has felt from time to time that certain twinge of self-identity and sensed how easily, at any moment, one might lose it' - "The Times". 'This is, in the best sense, a serious book. It is, indeed, a wonderful book, by which I mean not only that it is excellent (which it is) but also that it is full of wonder, wonders and wondering. He brings to these often unhappy people understanding, sympathy and respect. Sacks is always learning from his patients, marvelling at them, widening his own understanding and ours' - "Punch".

知名鋼琴家莉莉安．卡立爾突然無法看譜，她的音樂人生就此戛然而止了嗎？
神經生物學家蘇看東西向來是平面的，年過半百，才看到讓她驚歎不已的「立體世界」。
藝術經紀人派翠西亞因腦部大出血而得了失語症，她如何與人溝通、活得多彩多姿？
產量豐富的名小說家安格中風後，一個字都看不懂，還是延續寫作生涯，並出版回憶錄。
薩克斯醫師也現身說法，細述罹患眼癌的心路歷程，以及右眼近乎失明帶給他的恐慌。
薩克斯醫師在這本新書講述好幾個動人的故事。故事中的人物，有的得了失語症無法言語，有的無法辨識臉孔，有的喪失三度空間感，有的失去正常視覺……儘管他們的知覺和生活能力出現嚴重缺損，依然努力調適，想辦法與人溝通，用一種新的方式生存下去。
薩克斯探討一些非常弔詭的現象，例如有一些人視力沒問題，什麼東西都看得一清二楚，卻無法辨識自己孩子的臉孔。此外包括擁有「超視覺」的盲人和有「舌頭視覺」的人。薩克斯也觸及一些比較基本的問題：如視覺是如何形成的？我們是如何思考的？內在意象有什麼樣的重要性？為什麼人類與生俱來就有閱讀的潛力？
薩克斯透過這些故事，證明視覺、腦部、創造力和適應的複雜，但也展現了一個全新的視角，讓我們用別人的眼睛或心靈去努力想像，進而洞悉語言與溝通的本質。