78組鏡位，52次剪接，正值顛峰的希區考克花了七天時間，完成《驚魂記》中最懾人心魄的三分鐘浴室謀殺戲，至今仍為全世界懸疑發燒友們「驚驚」樂道。
殭屍解密奇作《活人生吃全都錄》鬼才導演亞利山德奧菲利浦考究魂再起，請來奇幻名導吉勒摩戴托羅、《恐怖旅社》導演艾利羅斯、《魔戒》男主角伊萊亞伍德，以及許多好萊塢當今一線技術專才和資深影評重看《驚魂記》，拍攝一眾驚悚職人自預告、劇本、分鏡、聲音、道具，乃至歷史與社會背景等不同角度切入，將這段傳奇劇碼開腸剖肚、逐鏡還原，嘗試挖掘細節中的所有魔鬼。
從聖經繪畫到《鬼店》壁紙，從二戰遺緒到愛慾淫癖，細數大師鉅作，穿越百年影史，那些影迷們不敢問希區考克的，本片將一一解答。@台北金馬影展

An in-depth look at the history and pop cultural significance of ysgou.cc horror films.

In the #MeToo era, Hollywood is portrayed as a toxic environment that uses various forms of coercion to get actresses to strip on camera. In her interview series with Jane Fonda and other stars, Kristy Guevara-Flanagan gives women an active role. She gives them a face, a voice, and the feelings that were denied them. Through a wealth of archival material, it also explores the forms of representation of the female body in the American film industry. We follow the work of sex choreographers and coaches who master the techniques of simulating a sexual act or creating the illusion of intimacy during filming. Women are both victims and co-creators of an environment that fetishizes their bodies and turns them into erotic objects.

It’s 2018—the necessity of discussions surrounding women filmmakers and Hollywood’s gender bias should have diminished by now. But within the first few moments of Half the Picture, it is abundantly clear that discrimination against women filmmakers remains a highly relevant story. This is a fundamental civil rights issue: women in the industry are not offered equal opportunities as compared to their male counterparts.
Gender-parity experts and academics discuss Hollywood’s dismal employment practices, and these conversations are woven between interviews with a wealth of prominent women directors (including Kasi Lemmons, Catherine Hardwicke, Penelope Spheeris, Ava DuVernay, and many others), telling their stories of breaking into a male-centered business. They confirm the double standards that still exist while eloquently outlining their career paths, their struggles, and their hopes for the future. First-time director Amy Adrion smartly deals with the inherent sexism in the industry and considers many of the stereotypes and biases that have prevented women from rising through the ranks. Amid the current political climate and recent cascade of sexual harassment allegations, the time to listen and act is now.

纪录片导演亚历山大·O·菲利普擅长带领观众深入他们喜爱的电影，一探究竟。在这部新片中，他试图揭示著名导演大卫·林奇对《绿野仙踪》的痴迷：林奇所有作品都源于这部经典之作为他带来的灵感，比如红鞋、大风、飘渺的泡沫、天真烂漫的年轻女子陷入困境……菲利普在片中通过分屏指出，所有这些元素都能在《蓝丝绒》《我心狂野》《穆赫兰道》和《双峰》中发现。

1974年诞生的《德州电锯杀人狂》源自于美国在地的时代阴影和地景恐惧，却在上映后煞翻全球，彻底翻新恐怖电影的思维逻辑与叙事手法。原以为不行不义便能明哲保身，谁知灾厄会在路边招手，不请自来；曾相信梦魇只存在至暗黑夜，直到亲见魔鬼挥舞电锯，在黎明中张牙舞爪；本自认对暴力和残虐深恶痛绝，却默默对凶手的疯狂心生共情，甚至对受害者的逃脱感到可惜？