Pluto is no longer considered a planet. The posters in the classrooms and museum shops were replaced, new objects similar to Pluto will continue to appear. As time goes by, we'll get used to this idea just as we forget an old lover and long for new horizons.

夜晚還年輕，月圓之夜的到來，開啟了探索世界的一道門。無止盡的狂歡派對在各處舉行著，人們跳起舞來，試著縮短與他人的身體距離，空虛寂寞世界裡的一場冒險

Produced during his studies at Le Fresnoy, an important French film school and artistic research lab, “A Guest + A Host = A Ghost” is based on an aphorism created by Marcel Duchamp in 1953 that Jorge Jácome develops with the use of human hands and of his incalculable capacity for expression and sensory perception. Throughout a series of frames, with a camera that moves hesitantly (like a ghost?), Jácome applies distortions as well as sound and visual manipulations that appeal to subjectivity and resignification through the senses. Living up to the Duchampian proposition, Jácome invites us (“guest”) to find in his film (“host”) the necessary elements to experience something in the spectrum of the immaterial.

2011 film

1859年的葡萄牙王國，王子拎著形單影隻的玻璃鞋，彷彿失了魂地終日在城內漫步。但他真正念念不忘的究竟是那位女孩，還是她腳上所剩下的另一只玻璃鞋？大膽顛覆《仙履奇園》的經典童話，從王子的視角出發，重新改寫浪漫主義文本，捏塑成一篇同志愛慾、戀物與扮裝並呈的異色童話。